In the mural Dream of a Sunday Afternoon in Alameda Park, Diego Rivera included figures from four centuries because

all Mexicans are a part of the country’s rich, ongoing history

The merging of Gothic with Classical elements in the building’s design reflects

the contributions of different artists who each like revivalist styles

The design for the House in New Castle County, Venturi departed from the traditions of modernist architecture because

could not meet human needs by being designed around pure functionality

JMW Turners painting Slave Ship exemplifies the Romantic era through its

emphasis on color as a means of eliciting intense emotion

Gustav Klimt’s painting The Kiss is similar to Byzantine mosaics from San Vitale in its use of

gold to suggest a spiritual dimension

In The Bay, Helen Frankenthaler created a large-scale work that invites the viewer to

appreciate the relationships and interactions between colors

In The Oath of the Horatii, Jacques-Louis David drew on Classical Roman style and subject matter in order to

communicate a message to his audience by referencing ancient civic values

In Nadar Raising Photography to the Height of Art, Daumier used lithography not only to reach a wide audience, but also

comment on the rising status of photography as an art form

In Thomas Jefferson’s design of Monticello, the influence of the ancient Roman Pantheon is evident in the

combination of a domed central plan and a porticoed entrance

In its posture and expression, Jean-Antoine Houdon’s statue of George Washington references

Classical Greek statues, such as the Doryphoros (Spear Bearer)

Jean-Honoré Fragonard’s painting The Swing reflects Rococo style in its

choice of lighthearted and playful subject matter, depicted with pastels

In Olympia, Manet challenges the standards of academic art through his use of

identifying a nude figure as real person existing in a contemporary setting

In Les Demoiselles d’Avignon, Pablo Picasso used jagged planes and contorted poses in order to

heighten perceived tensions between viewers and subjects of the painting

Fallingwater and Villa Savoye represent similarities in artists’ approach to domestic architecture in both buildings

were designed to incorporate the structures’ natural surroundings

When Robert Smithson created Spiral Jetty in 1970, he demonstrated the postwar challenge to traditional art making by

constructing a work of art to display outside a museum or gallery context

The work shown, by Joseph Mallord William Turner, can be understood in the context of the artist’s

sympathies for the abolitionist movement

Constantin Brancusi’s The Kiss reflects artistic trends in early-twentieth-century Modern sculpture by

focusing on abstraction as a way to explore the inner nature of things

Which of the following is the reason that the English government agreed to the use of the style shown for Westminster

The style evoked nationalist feelings associated with earlier buildings.

Marcel Duchamp displayed a urinal upside down on a pedestal

to invite the viewer to see a ready-made object in a new way

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Review Unit 4 AP Art History

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Questions 20

Answers

1
In the mural Dream of a Sunday Afternoon in Alameda Park, Diego Rivera included figures from four centuries because
artists and writers have played a critical role in Mexico’s history
all Mexicans are a part of the country’s rich, ongoing history
Mexicans suffered for years under the rule of dictators
the Mexican Revolution was the beginning of a glorious new era
2
The merging of Gothic with Classical elements in the building’s design reflects
the style of the old Westminster the architects wanted to commemorate
a symbolic representation of the different regions of the British Empire.
different opinions between branches of government about appropriate style
the contributions of different artists who each like revivalist styles
3
The design for the House in New Castle County, Venturi departed from the traditions of modernist architecture because
focused too much on exterior ornamentation was not aesthetically pleasing
should be free from repeating stylistic elements of past periods
could not meet human needs by being designed around pure functionality
should reflect the organic forms of its surrounding natural setting
4
JMW Turners painting Slave Ship exemplifies the Romantic era through its
focus on a contemporary event as an antislavery statement
emphasis on color as a means of eliciting intense emotion
pairing of textual information with the visual via its long, specific title
attention to the overlooked genre of seascapes at sunset
5
Gustav Klimt’s painting The Kiss is similar to Byzantine mosaics from San Vitale in its use of
gold to suggest a spiritual dimension
drapery to emphasize the physicality of the bodies
fractured forms to explore spatial relationships
color to symbolize a range of emotions
6
Louis-Jacques-Mandé Daguerre’s early photograph Still Life in Studio shows the influence of works such as
Ingres’ La Grande Odalisque
Wright of Derby’s A Philosopher Giving a Lecture on the Orrery
Vermeer’s Woman Holding a Balance
Ruysch’s Fruit and Insects
7
In The Bay, Helen Frankenthaler created a large-scale work that invites the viewer to
explore the varying surface textures and gestural marks
appreciate the relationships and interactions between colors
decipher the work's meaning based on its social context
examine their own cultural stereotypes
8
In The Oath of the Horatii, Jacques-Louis David drew on Classical Roman style and subject matter in order to
protest the political situation by mocking those he did not approve of
communicate a message to his audience by referencing ancient civic values
respond to preference patrons for romantic stories in exotic locations
depict a provocative topic in a manner by referencing ancient mythology
9
In Nadar Raising Photography to the Height of Art, Daumier used lithography not only to reach a wide audience, but also
suggest a role for photography in documenting social issues
comment on the rising status of photography as an art form
demonstrate that lithography captured more detail than did photography
encourage the teaching of printmaking and photography in French academies
10
In Thomas Jefferson’s design of Monticello, the influence of the ancient Roman Pantheon is evident in the
combination of different classical orders to visually structure the facade
use of a rectangular plan with entrances leading in different directions
use of hidden concrete elements masked by a brick and marble facade
combination of a domed central plan and a porticoed entrance
11
In its posture and expression, Jean-Antoine Houdon’s statue of George Washington references
Baroque religious sculpture, such as the Ecstasy of Saint Teresa
medieval Romanesque sculpture, such as the reliquary of Sainte-Foy
Etruscan temple statues, such as the sculpture of Apollo from Veii
Classical Greek statues, such as the Doryphoros (Spear Bearer)
12
Jean-Honoré Fragonard’s painting The Swing reflects Rococo style in its
use of dramatic lighting, symbolic gestures to represent spiritual meaning
depiction of couple in classical poses, within a wild, untouched landscape
choice of lighthearted and playful subject matter, depicted with pastels
incorporation of references to classical mythology/ communicate morality
13
In Olympia, Manet challenges the standards of academic art through his use of
extreme value contrasts to place focus on the ethnicity of the figures
an idealized female nude on a couch, rendered with subtly modeled contours
an animal to serve as a symbol of the universal ideal of fidelity
identifying a nude figure as real person existing in a contemporary setting
14
In Les Demoiselles d’Avignon, Pablo Picasso used jagged planes and contorted poses in order to
heighten perceived tensions between viewers and subjects of the painting
make commentary about the exploitation of women in European societies
attempt to transfer his innovative experimentation with collage into paint
express his personal fascination with traditions of African societies
15
Fallingwater and Villa Savoye represent similarities in artists’ approach to domestic architecture in both buildings
were designed to incorporate the structures’ natural surroundings
include handcrafted furnishings designed for their interiors
celebrate the clean, geometric lines of European modernism
are designed around universally accepted ideal shapes and forms
16
When Robert Smithson created Spiral Jetty in 1970, he demonstrated the postwar challenge to traditional art making by
creating an ephemeral sculpture that could be recreated in new locations
encouraging the viewer to contemplate political issues and current events
integrating new media into the design and experience of the site
constructing a work of art to display outside a museum or gallery context
17
The work shown, by Joseph Mallord William Turner, can be understood in the context of the artist’s
sympathies for the abolitionist movement
strong sense of patriotic duty in times of war
enthusiasm for new technological developments
admiration for the political values of modern republics
18
Constantin Brancusi’s The Kiss reflects artistic trends in early-twentieth-century Modern sculpture by
utilizing new materials and techniques to depict traditional subject matter
utilizing dramatic movement and expressions to elicit an emotional response
focusing on abstraction as a way to explore the inner nature of things
focusing on mathematical proportions in order to depict ideal beauty
19
Which of the following is the reason that the English government agreed to the use of the style shown for Westminster
The style offered an affordable method of construction/simplified vaulting.
The style evoked nationalist feelings associated with earlier buildings.
The style accommodated new steel structural systems then being championed.
This design reflected the new U.S. Capitol building in the United States.
20
Marcel Duchamp displayed a urinal upside down on a pedestal
to invite the viewer to see a ready-made object in a new way
to celebrate its aesthetic qualities of form following function
as a critique of modern capitalist consumerism
to honor exceptional craftsmanship, engineering, and construction technique

Review Unit 4 AP Art History Flashcards | StudBud