MSU History 1 Final Review

Point of imitation is defined as:

By the first half of the 15th century, the word motet was applied to

This bass line is called a

In England, most composition in the early 15th century was

The following is not a Renaissance instrument

Cadences of the late fifteenth and early sixteenth centuries were marked by

The main secular genre in 16th-century Spain is

The form that contains a burden is

The main keyboard genre in improvisatory style in the 16th century was

Vocal ranges of the late 15th and early 16th centuries tended to span

Ockeghem’s Missa Cuisivis toni is special because:

This is not a type of source for Lutheran chorales

Intabulation is a notation system used for

Villancicos and frottole evoke the musical style of

Madrigalism is

Basso ostinato

Those who were castrated as young boys to preserve their high voices were called

It is thought that the fauxbourdon came from the

Early madrigal texts sometimes allude to

This is the principle form of Lutheran church music

The use of many points of imitation in every voice is called

Fauxbourdon is

The frottola is

The compositional technique used in this piece is called