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Art History Review Quiz 1 Flashcards | StudBud
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Art History Review Quiz 1
Art History Review Quiz 1
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1
Which of the following is true of both the Standard or Ur and the Palette of Narmer?
Both depict the king as a lawgiver.
Both celebrate the king as a god.
Both celebrate military victory.
Both portray scenes of dynastic succession.
2
In the Calendar Stone, the motif that represents the creation(s) of the world is
sun
jaguar
demon
snake
3
Which art work exemplifies the styles of the Amarna period?
statue of menkaure and queen
Limestone relief of Akhenaton and family
Tutankhamun's sarcophagus
kneeling statue of Hatshepsut
4
This mortuary temple from the New Kingdom was made for
Hatshepsut
Tutankhamun
Nefertiti
Khafre
5
The scene depicted on this stone from Yaxchilan is
the execution of captives
the crowning of the young king
a bloodletting ceremony
a human sacrifice
6
Which illustrates a fusion of artistic styles from native peoples and European settlers?
Bandolier bag
All-T'oqapu tunic
Transformation mask
Coyolxauhqui Stone
7
The "mother culture" of Mesoamerica, copied in the jadeite mask found at Templo Mayor, is
Maya
Nazca
Olmec
Aztec
8
The Lukasa memory board is similar in function to the
Nio guardian statue from Todai-ji
painted elk hide of the Shoshone
Baptismal basin of St. Louis
mosaic of Justinian from Ravenna
9
This building from ancient Mesopotamia was
an early palace complex
a storage house for grain
a temple
the administrative center
10
The style of Al-Khazneh at Petra is most accurately described as
stylistic
veristic
traditional
eclectic
11
Which of the following is NOT an important feature of the temple complex at Karnak?
hypostyle hall
pylons
obelisks
pyramids
12
The status of this Egyptian official is most clearly shown in which visual feature?
the use of paint for the body
the close-cropped hair
the use of inlaid stone in the eyes
the naturalistic depiction of the torso
13
The Veranda post of enthroned king and senior wife is similar in situation to the
Malagan displays from New Guinea
Lukasa memory board from the DRC
Fang reliquary figure from Cameroon
Ikenga from Nigeria
14
A contextual similarity between Chavin de Huantar and Ste. Foy, in France, is
Both were built in the same time period.
Both contain relics of holy figures.
Both contain residences for sacred and secular rulers.
Both were pilgrimage sites.
15
The incised figures on this stone can be described as
attentuated
animalistic
rectilinear
zoomorphic
16
The ruler's headdress from the Mexica (Aztec) people is similar in materials to the
buk mask
Baule mblo mask
Silla crown
'ahu 'ula
17
This Bundu mask, from Sierra Leone in West Africa, is similar in context to
the Female (pwo) mask from the Congo
the prtrait mask of the Baule
Aka Elephant mask from Cameroon
the ndop of King Mishe
18
The temple complex of Chavin de Huantar ,was located in
Guatemala
Brazil
Mexico
Peru
19
At the potlatch ceremony of native American people, one might have seen a
black-on-black ceremonial vessel
transformation mask
Peruvian nose ornament
Inkan silver repousse figure
20
The central figure in this wall plaque, depicted in hierarchic scale, is the king from
Djenne, Mali
Old Kingdom, Egypt
Benin, Nigeria
Great Zimbabwe, South Africa
21
The human figure on the bottom register who appears twice is
the god Osiris
a deceased court official
the pharaoh as worshipper
the Devourer of Souls
22
Which term is most accurate to describe the purpose of these figurines?
They depict servants for the afterlife.
They are votive offerings.
They are burial figures.
They are deities for domestic shrines.
23
This stone is a lintel; a lintel is
a hrizontal stone thats one two vertical stones
the backdrop for an altar
a ceremonial frieze
an upright portal, marking an entrance
24
These cliff dwelling at Mesa Verde were built by the
Puebloan
Shoshone people
Kwakwaka'wakw people
Lenape people
25
The stone walls of Saqsa Waman would be found at
Tenochtitlan
Macchu Pichu
Chavin de Huantar
Cusco