The internal communication of a poem consists of

Speaker/voice and explicit/implicit addressee

The term "defamiliarisation" refers to

the use of unusual words/phrases in poetry

makes use of incremental repetitions

"Aesthetic self-referentiality" denotes the fact that

poetry draws attention to itself as an art form

The dramatic monologue

focuses on the speaker's (unconscious) self-revelation

Edmund Spenser is a poet

of the time span of 1500-1642/49

not identical with the real author

has an irregular pattern of stress and syllables

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Poetry

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Questions 25

Answers

1
The internal communication of a poem consists of
Speaker/voice and explicit/implicit addressee
Literary conventions and lyrical you/thou
Lyrical I and real reader
real author and real reader
2
The sonnet form was introduced to England by
Sir Thomas Wyatt
Sir Philip Sidney
Edmund Spenser
William Shakespeare
3
The sonnet is usually addressed to
a lover
a rival
an unattainable lady
the self
4
The sonnet is guided by the conventions of
courtly love
power and politics
chastity
physical (sexual) love
5
"And a clatter and a chatter from within" is
a feminine rhyme
an assonance
an eye rhyme
an internal rhyme
6
The Horatian Ode
is homostrophic
is also known as the Pindaric Ode
was popular during the Renaissance
is mostly associated with the poet Abraham Cowley
7
The term "defamiliarisation" refers to
the use of rhythm, meter and sound in poetry
the use of unusual words/phrases in poetry
poetry's aesthetic self-referentiality
the use of suggestive imagery in poetry
8
The elegy is a form of
didactic poetry
lyric poetry
epic poetry
dramatic poetry
9
The ballad is a form of
epic poetry
dramatic poetry
descriptive poetry
lyric poetry
10
DUM-da-da is a(n)
trochee
iamb
anapaest
dactyl
11
The Lyrical Ballad
makes use of incremental repetitions
deals with current events and crimes
is also known as folk ballad
is only transmitted orally
12
The volta in a sonnet is often marked by words such as
Love and Hate
But or Now
I and You
Better or Later
13
"Biting my truant pen, beating myself for spite" (Sir P. Sidney)
is an anaphora
is a synonymy
is a parallelism
is an ellipsis
14
"Aesthetic self-referentiality" denotes the fact that
poetry has a tendency for phonological "overstructuring"
poetry draws attention to itself as an art form
poetry is often written in verse
poetry often emphasizes the subjective experience
15
"aba bcb cdc" is a
cross rhyme
tail rhyme
chain rhyme
embracing rhyme
16
"Now at the last gasp of Love's latest breath(...)" (M. Drayton, "Idea 61")
is a simile
is a hyperbole
is a personification
is a metaphor
17
"gender-bender" is a
masculine rhyme
feminine rhyme
triple rhyme
identical rhyme
18
"I see a lily on thy brow (...)" (J. Keats La Belle Dame Sans Merci)
is a simile
is a defamiliarisation
is a hallucination
is a metaphor
19
The dramatic monologue
is always composed in free verse
focuses on the speaker's (unconscious) self-revelation
is part of a drama
is the predominant poetic genre of Romanticism
20
The Renaissance is mostly known for
drama and sonnet
drama and ballad
sonnet and dramatic monologue
sonnet and ballad
21
Edmund Spenser is a poet
of the time span of 1500-1642/49
and a friend of Daniel Defoe
and is best known for his tragedies
of the Middle English Period
22
The lyrical I is
part of the external communication of the poem
identical with the real author
not identical with the real author
always an implicit voice
23
The English sonnet is very often written in
iambic hexametre
free verse
iambic heptameter
iambic pentametre
24
A free verse
has an irregular pattern of stress and syllables
has the same number of syllables in each line
has the same number of stresses and syllables in each line
has the same number of stresses in each line
25
"Our love shall live, and later life renew." (E. Spenser, "Amoretti LXXV")
is a metaphor
is a hyperbole
an alliteration
a parallelism

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