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2012-ap art ghistory
2012-ap art ghistory
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1
Both sculptures are from which art historical period?
Gothic
Romanesque
Carolingian
Empty choice
2
the semicircular space behind the altar is
a narthex
a transept
a tribune
an apse
3
Both sculptures reveal the influence of
Marian devotion
Empty choice
Reformation theology
Classical mythology
4
the sculpture below depicts a
sacra conversazione
Pieta
Pantokrator
holy family group
5
Both artists show an interest in
classical traditions
academic training
psychological states
Empty choice
6
The work below was created during which of the following periods
Hellenistic
Archaic
Late Classical
Early Classical
7
Goya created this work while
studying Classical antiquity in Rome
serving as a soldier on the front lines against France
working as the court painter to the king of Spain
in political exile in England
8
construction of the building was begun in the
6th century C.E.
4th century C.E.
3rd century C.E.
5th century C.E.
9
The opulent use of gold and jewel-like patterning in the work below reflects the artist's
Byzantine mosaics
Japanese woodblocks
Gothic stained glass
illuminated manuscripts
10
The work below presents
a priest
a boxer
an orator
a ruler
11
in this work, the animals symbolize
piety
fidelity
superstition
knowledge
12
The work below was created during the
thrid century B.C.E.
first century B.C.E.
sixth century B.C.E.
fifth century B.C.E.
13
the elegant style of the sculpture below is most often associated with
guild halls
court patronage
monastic scriptoriapublic commissions
14
the distortions and the anguish seen in the sculpture below are intended to inspire
iconoclastic action
humanistic ideals
civic pride
personal piety
15
The artist of the work below worked primarily in
Norway
France
Switzerland
Germany
16
In contrast to the work below, the work below left presents
a divine figure
Empty choice
an eternal ideal
a specific moment
17
the medium of the sculpture below is
painted gesso
polychromed wood
multicolored marble
glazed terracotta
18
light entered the nave through a
clerestory
triforium
dome
gallery
19
The artist of the work below is
Emil Nolde
Ernst Ludwig Kirchner
Franz Marc
Edvard Munch
20
The artist of the work below is
Gustav Klimt
Antonio Gaudi
Aubrey Beardsley
Egon Schiele
21
for social and political reasons, the church was located on the site
where many believed Saint Peter was martyred
where many believed Saint Peter was buried
of an early Christian house church
of the Roman Forum where Christianity had been made legal
22
The work below was originally used as a
columnar support
grave marker
frieze decoration
jamb figure
23
The artist of the work below is associated with which of the following art-historical movements?
Die Brucke
Artsd and Crafts
Vienna Secession
De Stijl
24
The sculpture below was most likely made by a
stonemason
mosaicist
silversmith
potter
25
The design of the church illustrated was most influenced by
forums
basilicas
baths
temples
26
Precedents for works such as the one below have been found primarily in which of the following cultures?
Mycenaean
Minoan
Egyptian
Assyrian
27
Which of the following is true of the work below
it is small in scale
it is made of terracotta
it was originally painted
it was carved of granite
28
the artist withdrew the series from public auction because he
was concerned about being tried by the Inquisition
felt the content was too superficial
doubted the artistic quality of the work
feared he might offend members of the royal family
29
The man in the foreground represents
religious heresy
plaque and other physical illness
the artist's melancholy nature
Enlightenment ideals
30
the artistic process used to create this particular work was
drawing
etching
painting
lithography
31
the work is part of a series called
The Disasters of War
Carceri d' invenzione
Tres Riches Heures
Los Caprichos
32
The style of the work below is closest to that of
Symbolism
Surrealism
Romanticism
Impressionism
33
Both artists were considered part of
the avant-garde
Empty choice
the Blue Rider
the academy
34
The building had
an atrium
pedimental recesses
radiating chapels
a vaulted ceiling
35
Francisco de Goya was an artist associated with which art-historical movement?
Romanticism
Baroque
Realism
Mannerism
36
The Roman emperor who sponsored the construction of the church illustrated was
Justinian the Great
Maxentius
Constantine the Great
Theodosius the Great