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Music History Review Flashcards | StudBud
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Music History Review
Music History Review
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Flashcards
30 cards
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Practice quiz
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Questions
30
Answers
1
The philosophical movment that corresponds to the Baroque period:_______.
Mannerism
Enlightenment
Rationalism
Humanism
2
These were lavish and ceremonial displays of art in seventeenth century Venice.
Intermedio
Canzona
Masque
Carnival
3
The first opera was primarily composed by: ___________.
Claudio Monteverdi
Jacopo Peri
Alessandro Stradella
Giulio Caccini
4
William Byrd wrote for which services?
Anglican
Neither Catholic or Anglican
Catholic
Both Catholic and Anglican
5
An Italian composer known for his influence of the development of the trio sonata.
Jacopo Peri
Claudio Monteverdi
Guilio Cassimi
Arcangelo Corelli
6
This composer's songs were published in 1602 in
Le nuvove musiche,
describing vocal ornamentation.
Giovanni de' Bardi
Claudio Monteverdi
Vincenzo Galilei
Guilio Caccini
7
The composer __________ gave inmportant suuport to Martin Luther's efforts for German musical repertoire.
Johann Walther
Heinrich Isaac
Ulrich Zwingli
Orlande de Lassus
8
Louis Bourgeois was the musical collaborator for the leader of this movement.
Calvinism
Mannerism
Lutheranism
Anglican Church
9
This composer authored a treatise on keyboard playing,
L'Art de toucher le clavecin.
Johann Jacob Froberger
Francois Couperin
Heinrich Shutz
Marco Scacchi
10
The first dance movement in the seventeenth century suite was most commonly _________.
Ballet
Courante
Allemande
Danse Macabre
11
This is a type of theatrical entertainment that included virutosic performers:
Toccata
Fugue
Intermedi
Masque
12
This type of chamber work is also known as a church sonata.
Trio Sonata
Sonata da Camera
Sonata Suite
Sonata da Chiesa
13
A genre that represents a free form composition with rapid technique meant to show off the abilities of the performer.
Fantasia
Toccata
Sonata
Fugue
14
An Italian Baroque composer known for his operas and chamber cantatas.
Alessandro Schacci
Alessandro Stradella
Alessandro Scarlatti
Alessandro Cassimi
15
During the Counter-reformation, the Council of Trent greatly reduced the number of works in this genre:
Anthems
Psalms
Sequences
Antiphons
16
The term ______ means overly ornamented, distorted and bizarre.
Passion
Affection
Baroque
Concertato
17
An Italian strophic song in the early seventeenth century was identified as a(n)_______
Aria
Madrigal
Accento
Canzona
18
Trio texture in the seventeenth century could employ as many as how many performers?
Three
One
Four
Two
19
The _____ began in France as a sophisticated, secular court song
Chanson
Air de Cour
Vaudeville
Balletto
20
This genre incorporates the pairing of fast and slow movements and was the first multi movement instrumental genre.
Fugue
Sonata
Suite
Toccata
21
This composer was the master of
ars perfecta:
Giovanni Palestrina
Jacapo Peri
Claudio Monteverdi
John Calvin
22
An Italian Baroque composer who was also known for being a virtuosic violinist.
Guilio Caccini
Antonio Vivaldi
Jacopo Peri
Claudio Monteverdi
23
A German composer of the seventeenth century mostly known for his contribution to works for the organ.
Marco Scacchi
Heinrich Shutz
Dietrich Buxtehude
Johann Sebastian Bach
24
The most sophisticated and popular genre of secular music in late Renaissance Italy was the ________.
Balletto
Madrigal
Vaueville
Motet
25
An English composer known mostly for his contributions to musical theatre.
John Mackey
John Dowland
William Byrd
Henry Purcell
26
A mood or state of mind: love, hate, joy, sorrow, wonder, and desire.
Seconda Practica
Stilo Antico
Passions
Camerata
27
The concept of seconda practica has to do with __________.
Text
Rhythm
Melody
Harmony
28
This scholar grouped the styles of the Baroque period in three separate classifications.
Jacopo Peri
Marco Scacchi
Claudio Monteverdi
Heinrich Schutz
29
The English equivalent to the Latin motet is the________.
Gradualia
Antiphon
chorale motet
Anthem
30
The development for scoring in seperate choirs is mostly associated with this city.
Ferrera
Rome
Paris
Venice