Romantic Era I

In the 1790's, performers were expected to do these things before concerts except:

The tarentella is a dance that instantaneously occurs after one is bitten by a tarantula.

This austrian country dance evolved into the waltz:

The originator of the Nocturne

Audiences during the Romantic period especially liked to hear

In the Romantic period the most common genre in piano music was

By 1750 all these dances were obsolete except:

'Wellington's Victory' was a battle piece composed by

Carl Czerny wrote how many works for solo piano?

Chopin almost studied with this teacher after moving to Paris

Wrote the first "Lebewohl" sonata

Two lesser composers that used the term 'character piece' for their compositions in the early Romantic period were

A sonata-allegro movement exposition from the Classical Era typically ends in the

He composed the "Storm Rondo" for piano and orchestra

This classical composer often wrote contrdanses for annual ballroom dance occasions:

The modern equivalent of the waltz, understood by public opinion of the time could be the:

Who wrote '360 Preludes in all majors and minors'?

Onomatopoeia was common in the Romantic Era: A fiddler made a living out of imitating

These shorter pieces were often composed in sets of 24, going through all major and minor keys

Born in Dublin, lived in Russia for a short period

He was Haydn's successor in the Esterhazy household

Endless editions of this work were published, in arrangements, facilitations, and mutilations:

What opus number is given to the last set of Beethoven's Bagatelles?

This piece is as close to an improvisation as any of Beethoven's piano works

Turkish music was used often by Classical composers and considered to be:

This composer was not involved in the music publishing business:

He taught J.B. Cramer and John Field

The 'tremelo king'

Battle pieces on the piano often included all of these except:

All of these are common themes in Romanticism except:

A Romantic protagonist's story often ended in tragedy

Carl Maria von Weber studied with:

Weber was most known for this genre:

This composer wrote a very humurous critique of the pianist Daniel Stiebelt after his concert:

These are all examples of character pieces except:

He is considered to be the 'spiritual father of romanticism'

The string equivalent of Franz Liszt

The king of 'double notes'

The older this composer became, the more his style became recognized as 'old-fashioned'