Music Theory 2 Review

Never double the __________ of the key or the ___________ of the chord.

When any two voices move in the opposite direction it is known as

Which of the following is NOT an acceptable harmonic progression?

A 6/4 chord that delays the arrival of the V chord is known as

The focal point of a melody is the

The seventh of a seventh chord almost always resolves

If the chord tone preceding the 7th is a step below the seventh, it is called a

How are you doing today?

A musical pattern that is repeated in a different voice

The shape of the melody is also known as the

In a four-voice texture, adjacent upper parts should be kept within what interval?

Which of the following is NOT necessary for direct 5ths?

When the harmony moves from a root position chord to the same chord in first inversion

The combining of relatively independent lines is known as

Which note of the scale will usually have an accidental in the minor key?

Which pairs of voices may have more than an octave between them?

In three-part writing, the note that may be omitted is most often the

In part writing for a root position triad, which member of the chord is usually doubled?

The V⁷ chord is a __________ chord in both major and minor keys.

If a note is omitted from a triad in 4-part writing, it is most often the

The main theme of a fugue is known as a

A circle-of-fifths progression consists of a series of roots by

A series of first inversion triads that do not follow the usual harmonic progressions

Notes that are NOT in the key are

The leading-tone seventh chord in the major mode is

A(n) __________ shows all the parts of an ensemble arranged one above the other.

When part writing, we try to avoid parallel fifths and octaves between voices.

What chord would best follow VII in a minor key?

The diminished triad is almost always written in

When part writing triads, the note that is almost never doubled is the

When any two voices move in the same direction for the same interval, it is known as

When writing four parts for a second inversion triad, you should usually double the

Which of the following chords would NOT be likely to follow IV in a major key?

If a member of the V⁷ chord is doubled, it is usually the

In which progression are you allowed to double the 3rds the second chord?