The designs used for San Ildefonso black-on-black pottery reflects the influence of which of the following traditions?

Prehistoric pottery sherds found in the SW during the early 20th century

San Ildefonso Pueblo artist Maria Martínez achieved the decorative black-on-black effect of the ceramic vessel shown by

firing it outdoors using an oxygen-reduction technique

The variety of t’oqapu designs covering the All-T’oqapu tunic indicates to scholars that

the garment was a royal tunic that symbolized the power of the Sapa Inka.

The location of the Lanzón Stela in Chavín de Huántar suggests that the creators of the building most likely intended to

heighten the spiritual drama of the viewer’s encounter with the stela

The presentation of Lady Xoc in Lintel 25 demonstrates which of the following about royal women in ancient Maya society?

Royal women served as intermediaries between humans and the divine.

The stone Walls of Saqsa Waman at Cusco exemplify Inka architectural conventions in that they

consist of megalithic stone blocks joined without the use of mortar

The use of imported materials such as colored glass beads and silk ribbons on Bandolier bags were intended to show the

function of the bags as indications of the wearers’ social status

studbud

APAH Unit 5

10 termsStudBud Administration

Imported from external platform

Flashcards10 cardsFPractice quizPHost liveL

Questions 10

Answers

1
The detail of a stone wall demonstrates Inka expertise with
ashlar masonry
bas-relief
corbeling
buttressing
2
The designs used for San Ildefonso black-on-black pottery reflects the influence of which of the following traditions?
Prehistoric pottery sherds found in the SW during the early 20th century
East Asian porcelain imported during the early twentieth century
Early Mississippian pottery traded in the American Southwest
Textile patterns and production techniques used throughout the Southwest
3
San Ildefonso Pueblo artist Maria Martínez achieved the decorative black-on-black effect of the ceramic vessel shown by
painting it with carbon-based pigments after firing
mixing the wet clay with pigments made from obsidian
firing it in a closed kiln at a controlled temperature
firing it outdoors using an oxygen-reduction technique
4
The variety of t’oqapu designs covering the All-T’oqapu tunic indicates to scholars that
the garment was pieced together from many smaller pieces.
the garment was an offering to Inti, the Inka sun god and chief deity.
the garment was created during the colonial period and traded to Spanish
the garment was a royal tunic that symbolized the power of the Sapa Inka.
5
The location of the Lanzón Stela in Chavín de Huántar suggests that the creators of the building most likely intended to
heighten the spiritual drama of the viewer’s encounter with the stela
enhance visibility of the stela for the audiences during coronation
facilitate pilgrims circumambulation of the stela during annual processions
maximize the stela’s exposure to the rising sun on the winter solstice
6
The presentation of Lady Xoc in Lintel 25 demonstrates which of the following about royal women in ancient Maya society?
Royal women were respected as the embodiment of water spirits.
Royal women served as intermediaries between humans and the divine.
Royal women ruled over a matriarchal political structure.
Royal women were relegated to specific domestic spaces.
7
The stone Walls of Saqsa Waman at Cusco exemplify Inka architectural conventions in that they
incorporate standardized stone blocks assembled in a lattice-like pattern
consist of megalithic stone blocks joined without the use of mortar
employ complex vaulting techniques for the creation of spacious interiors
utilize buttresses to contain the lateral thrust of the reinforcing arches
8
The use of imported materials such as colored glass beads and silk ribbons on Bandolier bags were intended to show the
function of the bags as indications of the wearers’ social status
political power of the wearer, who received the materials as tributes
desire for the bags’ materials to reflect light during ceremonial dances
extinction of the animals that had provided traditional materials
9
This fan demonstrates the Aztec tradition of
back-strap loom weaving
relief carving
repoussé
featherwork
10
The round room in the foreground of the photograph is a
atrium
mihrab
stupa
kiva

APAH Unit 5 Flashcards | StudBud