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TV Production Module #2 Flashcards | StudBud
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TV Production Module #2
TV Production Module #2
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Flashcards
60 cards
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Practice quiz
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Questions
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Answers
1
The floor director should speak loud enough for cast and crew to hear.
False
True
2
The floor director is in charge of miking talent and adding or removing pieces from set during breaks.
False
True
3
Who is the CG operator?
person responsible 4 recording master video file
person who creates program tiles using a character generator
The person responsible for all artworkrequired 4 production
person responsible 4 applying makeup 2 talent’s face + body
4
When talent's clothing looks like it is vibrating or producing rainbow colors.
zig zag pattern
white balance
Color warp
moire pattern
5
What is meant by the talent?
collective name for all performers, actors who appear on tv.
the producer of the production
the writers of the production
none of the above
6
Shooting out of sequence
means scenes are not shot in chronological order
is more economical and time saving
all of the above
is more efficient
7
Wipes draw attention to themselves, rarely used in drama, might be used in sitcoms, children's shows or sports.
True
False
8
electronic device that creates an electronic signal from an optical image formed on the CCD's array of pixels is the CCU
False
True
9
A color standard used by the TV industry for the alignment of cameras and media reading is called:
Color spectrum
Color wheel
Colorific
Color bars
10
Supers or lower thirds should only be up for one second.
True
False
11
Equipment, separate from the actual camera, allows video operator to adjust the color and brightness balance is the CCU.
True
False
12
What is the director in charge of?
Research and interviews
The business portion of the production
The piece of equipment that captures video image of program
Creative aspects of the program
13
When one image GRADUALLY overtakes another image it is called a
wipe
fade
cut
dissolve
14
a double exposure of two images, short for superimposition is called super.
False
True
15
What is production switching?
Panning the camera to an opposite position
The process of cutting between cameras
Changing the genre of the production at the last minute
Switching between audio and visual settings
16
The Multi Camera directing is the simultaneous coordination of 2 or more cameras for switching.
False
True
17
The floor director's job is NOT to communicate the director's commands to talent and personnel
False
True
18
You should turn on the ND filter when shooting outside.
True
False
19
A shot or brief series of shots as captured by the hard drive and identified by a file name is
clip
key
bus
fader bar
20
Whatdoes the director do with the script?
Throws it away
Proofreads it for grammatical mistakes
Hands it over 2 executive producers 2 make the real choices
Reads it + envisions how the program’s scenes should appear
21
Cutaways are never used to maintain continuity.
True
False
22
Line Out is the line that carries the final video or audio output for broadcast, satellite distribution or to server.
False
True
23
Who is the floor manager/ director?
The assistant to the director
The person who lays on the floor/naps during the production
The director’s “eyes and ears” in the studio
The person who sweeps the floor after the production
24
What is production?
The actual shooting of the program
Any activity performed after the program has been shot
DVD authorizing, DVD/videotape copy, distribution 2 enduser
Any activities performed after the program hasbeen shot
25
What are special effects?
anything seen in video that didnt rlly happen as it appears
Anything placed on set that stops distant view of the camera
Items other than furniture that arehandled by performers
The portion of a program that you can hear
26
Keying means cutting with an electronic signal one image into a different background image.
False
True
27
Graphics should be up long enough to read twice.
False
True
28
As a director you should never forget the power of a CU and reaction shots.
False
True
29
A Cutaway is a shot that is thematically connected with the overall event.
True
False
30
Who is the anchor?
The person who manages the video equipment
The actor who plays the lead role in a production
person who delivers news from the news desk set in a studio
person who works w/ scriptwriter + an expert in the subject
31
Any unwanted sounds or electronic interference that shows up as snow is called noise.
False
True
32
Crossing the axis is a guideline concerning the on screen spatial relationship of a character and another character.
False
True
33
Electronic amplification of the video signal, boosting primarily picture brightness is called a bus.
False
True
34
The higher the gain in a camera; the higher the noise in the image
False
True
35
Who are the cast?
The people who advertise theproduction
The talent participating in a production
The broken arms of the director
The film crew
36
Part of the camera chain; produces an electronic synchronization signal, which keeps all scanning in step is the
white balance
sync generator
frame rate
none of the above
37
A series of shots all with the same theme used to convey alot of information in a short time is called?
a montage
a superimposition
a timecode
sequencing
38
Mentally converting a scene into a number of key video images and sounds is called?
sequencing
visualization
shooting
none of the above
39
Inserting a cutaway can be used to camouflage a jump cut.
False
True
40
Transitions include
cuts
fading in or out
dissolves and wipes
all of the above
41
A prompting device that projects copy over the lens of the camera so talent can read is called a:
none of the above
Charge-coupled device
Camera control unit
Teleprompter
42
Who are the staff?
The people who provide funding for the program
Emergency personnel
The scriptwriters
Production personnel that work behind the scenes
43
It is not important for the floor director to have a script in production.
True
False
44
A camera does not have to have light to record an image
True
False
45
What is the frame of a video picture?
A selfie of the floor manager
The picture’s reflection in a mirror
The actual edge of the video picture
The lens of the camera
46
It is important to cross the axis when filming.
True
False
47
A lever on the switcher that activates preset transitions, such as dissolves, fades, and wipes, at different speeds.
bus
fader bar
preview bus
super switcher
48
What is a timecode ?
none of the above
Dance number performed by the talent
guideline concerning spatial relationships on screen
an address on your media which reads like a digital clock
49
Resolution is the measurement of picture detail, expressed in the number of pixels. Often used with definition.
False
True
50
Use the dip to black fade often because it doesn't interrupt the flow or continuity.
True
False
51
Cutting between two shots that are too similar is called a
none of the above
jump cut
dissolve
fade
52
You should avoid using a lot of different wipes or other transitions in one project because it detracts.
True
False
53
Row of buttons on the switcher, with inputs that are directly switched to the line-out is called program bus.
False
True
54
technique used to transmit information over a network to the destination network device.
switching
none of the above
keying
fading
55
A row of buttons on the switcher is called:
a bus
none of the above
a fader bar
a switch
56
When the director calls for a shot, that's what will show up on the Program monitor and be sent to line out.
False
True
57
The way you get from one shot to another is called a transition.
False
True
58
Switch on the camera that allows the camera to stay on at reduced power, saving the battery
frame rate
standby
moire pattern
switch off
59
a feature on digital cameras used to accurately balance color is white balance
False
True
60
Everyone in the control room can speak as loud as they want.
True
False