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Music History Review
Music History Review
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Flashcards
30 cards
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Practice quiz
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Questions
30
Answers
1
The term ______ means overly ornamented, distorted and bizarre.
Passion
Concertato
Baroque
Affection
2
The development for scoring in seperate choirs is mostly associated with this city.
Ferrera
Rome
Venice
Paris
3
The composer __________ gave inmportant suuport to Martin Luther's efforts for German musical repertoire.
Johann Walther
Heinrich Isaac
Ulrich Zwingli
Orlande de Lassus
4
An Italian composer known for his influence of the development of the trio sonata.
Claudio Monteverdi
Arcangelo Corelli
Guilio Cassimi
Jacopo Peri
5
A genre that represents a free form composition with rapid technique meant to show off the abilities of the performer.
Fugue
Sonata
Fantasia
Toccata
6
The concept of seconda practica has to do with __________.
Harmony
Melody
Rhythm
Text
7
The most sophisticated and popular genre of secular music in late Renaissance Italy was the ________.
Vaueville
Motet
Madrigal
Balletto
8
William Byrd wrote for which services?
Catholic
Neither Catholic or Anglican
Anglican
Both Catholic and Anglican
9
During the Counter-reformation, the Council of Trent greatly reduced the number of works in this genre:
Psalms
Antiphons
Sequences
Anthems
10
This scholar grouped the styles of the Baroque period in three separate classifications.
Jacopo Peri
Claudio Monteverdi
Heinrich Schutz
Marco Scacchi
11
An English composer known mostly for his contributions to musical theatre.
Henry Purcell
William Byrd
John Mackey
John Dowland
12
Louis Bourgeois was the musical collaborator for the leader of this movement.
Lutheranism
Anglican Church
Mannerism
Calvinism
13
This type of chamber work is also known as a church sonata.
Sonata da Camera
Trio Sonata
Sonata da Chiesa
Sonata Suite
14
A German composer of the seventeenth century mostly known for his contribution to works for the organ.
Heinrich Shutz
Johann Sebastian Bach
Dietrich Buxtehude
Marco Scacchi
15
This is a type of theatrical entertainment that included virutosic performers:
Masque
Fugue
Intermedi
Toccata
16
The _____ began in France as a sophisticated, secular court song
Balletto
Air de Cour
Chanson
Vaudeville
17
An Italian Baroque composer known for his operas and chamber cantatas.
Alessandro Schacci
Alessandro Cassimi
Alessandro Scarlatti
Alessandro Stradella
18
A mood or state of mind: love, hate, joy, sorrow, wonder, and desire.
Camerata
Passions
Seconda Practica
Stilo Antico
19
This composer was the master of
ars perfecta:
Jacapo Peri
John Calvin
Giovanni Palestrina
Claudio Monteverdi
20
Trio texture in the seventeenth century could employ as many as how many performers?
Four
Two
Three
One
21
This genre incorporates the pairing of fast and slow movements and was the first multi movement instrumental genre.
Toccata
Suite
Sonata
Fugue
22
The English equivalent to the Latin motet is the________.
chorale motet
Antiphon
Gradualia
Anthem
23
The philosophical movment that corresponds to the Baroque period:_______.
Enlightenment
Humanism
Rationalism
Mannerism
24
An Italian Baroque composer who was also known for being a virtuosic violinist.
Claudio Monteverdi
Antonio Vivaldi
Jacopo Peri
Guilio Caccini
25
This composer's songs were published in 1602 in
Le nuvove musiche,
describing vocal ornamentation.
Giovanni de' Bardi
Claudio Monteverdi
Vincenzo Galilei
Guilio Caccini
26
These were lavish and ceremonial displays of art in seventeenth century Venice.
Intermedio
Carnival
Masque
Canzona
27
The first dance movement in the seventeenth century suite was most commonly _________.
Courante
Ballet
Allemande
Danse Macabre
28
An Italian strophic song in the early seventeenth century was identified as a(n)_______
Aria
Accento
Madrigal
Canzona
29
The first opera was primarily composed by: ___________.
Jacopo Peri
Giulio Caccini
Claudio Monteverdi
Alessandro Stradella
30
This composer authored a treatise on keyboard playing,
L'Art de toucher le clavecin.
Johann Jacob Froberger
Francois Couperin
Marco Scacchi
Heinrich Shutz