San Vitale, much like the Hagia Sophia, reflects architectural innovation in support of both its

power to inspire religious transformation and the power of its patron

At Church of Sainte-Foy, the wider naves and aisles support the religious significance of

pilgrimage to reliquary sites for healing and spiritual renewal

The materials used to create the Reliquary of Sainte-Foy, much like Jowo Rinpoche, reflects its

power to transform and inspire pilgrims in their path to righteousness

Exterior features at Chartres Cathedral, like exterior spaces of the Great Mosque at Qayrawan, served mainly to provide

moments of transition from the secular to the spiritual

The Pyxis of al-Mughira combines Byzantine and Roman elements, namely

floral and animal embellishments to symbolize power

Innovative features, like rib vaults seen in Chartres Cathedral, allowed for increased height and light in support of

spiritual enlightenment and the increasing cultural power of the church

The Great Portal of the West Façade at Chartres Cathedral emphasizes Mary as intercessor, reflecting the Gothic

tendency to focus on pilgrimage and the Second Coming of Christ

European response to objects like Silver and gold maize cobs and the Frontispiece of the Codex Mendoza was typically to

take and ship them back to Europe to melt them down for other uses

The Lindisfarne Gospels: St. Luke portrait page represents European influences; although it was created in England

the saint's iconography is borrowed from Roman sources

Lack of naturalism & emotion in Dedication Page w/ Blanche of Castile & King Louis IX of France sets it apart from the

humanistic rendering of figures in Lamentation

Through trade & exploration, manuscripts like Rebecca & Eliezer at the Well, from Vienna Genesis show the influence of

Egyptian continuous narrative style

The addition of ambulatories and chapels to the rebuilt Church of Sainte-Foy reflects the

growing need to support pilgrimage in religious practice

Rebecca and Eliezer at the Well, from Vienna Genesis exhibits European influences on Byzantine manuscript by virtue of

its reference to an urban setting

Why did a series of catastrophes in the 14th century change the portrayal of humans in sculpture like the Röttgen Pietá?

People were interested in seeing emotions reflected in religious imagery.

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07.05 AP Practice Exam A

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Questions 15

Answers

1
San Vitale, much like the Hagia Sophia, reflects architectural innovation in support of both its
development and evolution as a result of sequential conquests
purpose as a gateway to the East and its prominence in Europe
power to inspire religious transformation and the power of its patron
use as a civic and political center and function in support of pilgrimage
2
At Church of Sainte-Foy, the wider naves and aisles support the religious significance of
reading the illuminated versions of the Bible
shifting political alliances in Europe
pilgrimage to reliquary sites for healing and spiritual renewal
political transitional moments, especially coronations
3
The materials used to create the Reliquary of Sainte-Foy, much like Jowo Rinpoche, reflects its
growing financial power of civic groups and trade unions
purpose as an element of monastic secularism and political propaganda
power to transform and inspire pilgrims in their path to righteousness
embodiment of a living deity and its ability to participate in daily life
4
Exterior features at Chartres Cathedral, like exterior spaces of the Great Mosque at Qayrawan, served mainly to provide
●impressive displays indicative of the church's power
external reminders of the peril of sinful life
moments of transition from the secular to the spiritual
narratives of the most holy of religious figures
5
The Pyxis of al-Mughira combines Byzantine and Roman elements, namely
floral and animal embellishments to symbolize power
symbolic references to religious figures to honor God status
iconoclasm, as reflected in the use of calligraphy
a focus on realism to record historical events
6
Innovative features, like rib vaults seen in Chartres Cathedral, allowed for increased height and light in support of
spiritual penance and the assimilation of pagan tribes like the pagans
physical comfort of pilgrims and the accumulating heat from increased light
accoustical improvements required to accommodate the growing choirs
spiritual enlightenment and the increasing cultural power of the church
7
The Great Portal of the West Façade at Chartres Cathedral emphasizes Mary as intercessor, reflecting the Gothic
propensity for conflating Mary with all classical goddesses
penchant for relating the Holy Mother to Byzantine icons
inclination to prioritize female saints above male saints
tendency to focus on pilgrimage and the Second Coming of Christ
8
European response to objects like Silver and gold maize cobs and the Frontispiece of the Codex Mendoza was typically to
take and ship them back to Europe to melt them down for other uses
leave them in situ as a sign of respect for local beliefs
take and ship them back to Europe be given to major universities
replace them with terracotta replicas made by the Spanish colonialists
9
The Lindisfarne Gospels: St. Luke portrait page represents European influences; although it was created in England
the evangelist is depicted with Byzantine symbolism
the script is from Greek sources
the butterfly border is of French design
the saint's iconography is borrowed from Roman sources
10
Lack of naturalism & emotion in Dedication Page w/ Blanche of Castile & King Louis IX of France sets it apart from the
humanistic rendering of figures in Lamentation
sentimental rendering of the empress in Theodora panel
narrative drama of the Golden Haggadah
realistic figural rendering in the Justinian panel
11
Invasion and conquest are signaled in The Bad Omen section of the Bayeux Tapestry through what device?
Celestial portent of disaster
Representation of floods and pestilence
Dead and dying vegetation
Symbolism of burning towers
12
Through trade & exploration, manuscripts like Rebecca & Eliezer at the Well, from Vienna Genesis show the influence of
Roman figural composition
Egyptian continuous narrative style
Greek continuous codex style
Byzantine meander patterns
13
The addition of ambulatories and chapels to the rebuilt Church of Sainte-Foy reflects the
need to support the increased interior use of space
growing need to support pilgrimage in religious practice
changes made to accommodate longer worship services
proportional balancing needed to offset the wider transept
14
Rebecca and Eliezer at the Well, from Vienna Genesis exhibits European influences on Byzantine manuscript by virtue of
its codex format
its discontinuous narrative
its reference to an urban setting
the inclusion of an angel at the well
15
Why did a series of catastrophes in the 14th century change the portrayal of humans in sculpture like the Röttgen Pietá?
People wanted to contain the misery of living conditions in votive art.
The Church dictated imagery reflect penance for the sins of humanity.
The Church wanted people to see how awful conditions were in Byzantium.
People were interested in seeing emotions reflected in religious imagery.

07.05 AP Practice Exam A Flashcards | StudBud