The work on the left and culture:

Transformation mask, Kwakiutl, Northwest coast of Canada

A true statement of the location where the work on the left resides:

Machu Picchu is was a royal estate and religious site

All the following are true of the image EXCEPT:

They were worn by the women of the Delaware people

A statement that would sum up the ceremonial purpose of the work on the left:

In Kwakiutl stories, animals & humans differed only in skin

All are true of the work on the right EXCEPT:

The structure is still used today

All the following are true of the image EXCEPT:

The subject, Tamati Waka, fought bravely against colonialism

The figure represents:

Female deity, Nukuoro, Micronesia

All the following are true of the image EXCEPT:

The pots are highly watertight and highly utilitarian

All the following are true of the image EXCEPT:

It's Chavín ruler who ruled harshly like a jaguar

The top of this structure is called this and serves to do this:

A roof-comb, gives impression that the building is taller

The purpose of the work:

It is a Chavin septum nose ring and showed status

Both works are similar in this way:

Both use the sun as a method to record time

The following is true of the image EXCEPT:

Influenced by missionaries it has Shoshones attending church

Both cultures share this similar quality in terms of both locations

They changed environment 2 accommodate their civilization

The culture and name of location on the left:

Inka, City of Machu Picchu, Central highlands, Peru

The work on the right is from this culture and illustrates:

Aztec, dismembered and decapitated corpse of Coyolxauhqui

A true statement of the work would be:

Cliff dwellings in present day CO were abandoned @ 1300

All is true of the work on the right EXCEPT:

From Templo Mayor dedicated to the moon goddess Coyolxauhqui

All the following are true of the image EXCEPT:

They were made to guard against European invasions

A true statement about the image would be:

its burial in Templo Mayor suggests Mexica found it precious

The ceremonial purpose of the mask on the right would be:

Malagan ceremonies assist souls 2 pass into the spirit world

The work on the left is from:

City of Machu Picchu, Central highlands, Peru

All are true of the work on the right EXCEPT:

It has motifs frm island life so it's frm an early period

The culture on the left and the main subjects in the work:

Maya, Lady Xook kneels before a vision of a serpent

A true statement about the work on the right would be:

The Hawaiian male nobility wore these feather cloaks

All the following are true of the image EXCEPT:

It is the ancient Indiana State corn deity

1. A shared context that is true of both works would be:

They both are made by a group of women in the community

All are true of the work on the left EXCEPT:

The maska represent ancestor worship

All are true of the work on the left EXCEPT:

Was 4 the elaborate Spanish tastes who conquered the Aztecs

The culture and purpose of the work on the left:

Aztec, Ruler’s feather headdress

They both share this form and context

Both are made of feathers that and worn by royalty/nobility

All are true of the work on the left EXCEPT:

It was woven and then hand-painted by chosen Inka women

All the following are true of the image EXCEPT:

This contains the sacred text of the people of Cook Islands

All are true of the work on the right EXCEPT:

The malagan is kept after the ceremony and passed down

A true statement about the work on the right would be:

It's covered w/ Aztec creation myths and calendar signs

A true statement regarding the work on the left would be:

A variety of t’oqapu symbolizes the power of the Inka ruler

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Units 5 & 9 Reiview

45 termsStudBud Administration424 plays

#Art History

Flashcards45 cardsFPractice quizPHost liveL

Questions 45

Answers

1
The work on the left and culture:
Staff god,Rarotonga, Cook Islands, central Polynesia
Transformation mask, Kwakiutl, Northwest coast of Canada
Buk (mask), Pacific, Torres Strait
Olmec-style mask, Templo Mayor, Aztec, Tenochtitlan
2
A true statement of the location where the work on the left resides:
An altar at the very top of the Aztec pyramid Templo Mayor
The cliff dwellings at Mesa Verde were abandoned around 1300
The remains of Nan Madol are on a coral reef
Machu Picchu is was a royal estate and religious site
3
All the following are true of the image EXCEPT:
They were worn by the women of the Delaware people
b/c of their beauty
It is made of beadwork on leather
It belonged to the Delaware people
4
A statement that would sum up the ceremonial purpose of the work on the left:
These masks represent the transformation of a boy to a man
The ceremony is initiation into secret animal spirit society
In Kwakiutl stories, animals & humans differed only in skin
Mask belongs to the only all-female society in the Americas
5
All are true of the work on the right EXCEPT:
Construction is thought to have started 1,500 years ago
Built from large basalt blocks on coral reef
The 92 artificial islands were made over several centuries
The structure is still used today
6
All the following are true of the image EXCEPT:
The object he is holding is known as a tewhatewha
The portrait is by Gottfried Lindauer
It is of Tamati Waka Nene, chief of the Ngāti Hao people
The subject, Tamati Waka, fought bravely against colonialism
7
The ceremonial mask above is made mostly from:
Painted shell
Painted wood
Turtle shell
Animal hide
8
The work on the left illustrates:
A priest conducting a sacred serpent ceremony
A priest expelling a demon
A sacred bloodletting ceremony
A warrior battling a serpent
9
The figure represents:
Female deity, Nukuoro, Micronesia
Royal King, Nukuoro, Micronesia
Royal Quee , Nukuoro, Micronesia
Male deity, Nukuoro, Micronesia
10
All the following are true of the image EXCEPT:
Maria and Julian Martinez pots selling upwards of $500,000
The pots are highly watertight and highly utilitarian
Powdered manure was used in obtaining the black color
The glossy portion of the pot is achieved by burnishing
11
All the following are true of the image EXCEPT:
It depicts the Lanzon, a principal deity of Chavin culture
The deity was probably only seen by priests
It's Chavín ruler who ruled harshly like a jaguar
The fangs and talons most likely r of a jaguar & the caiman
12
The top of this structure is called this and serves to do this:
A roof-comb, gives impression that the building is taller
A retention wall, a wall to keep vegetation from eroding
A walled roof, used to add an outdoor extra floor
A lattice roof, a wall to climb and use as a look-out
13
The purpose of the work:
It was an elaborate Chavin necklace to show status
It is a Chavin septum nose ring and showed status
It was an Aztec door ornament at the Templo Mayor
It was an elaborate bracelet worn by the Aztec nobility
14
An innovation of the complex on the left:
The terraces increased the land surface and reduced erosion
The Intihuatana stone is an indicator of the two equinoxes
Stone channels drain water from rainfall and from a spring
All of the above
15
Both works are similar in this way:
Both honor the Aztec sun god
Both are observatories
Both are altars
Both use the sun as a method to record time
16
Both works share this formal (form) quality:
They both share the same mythological subject
They both are in high relief
They both have a border
Both were part of a temple
17
The following is true of the image EXCEPT:
subject that “affirmed native identity” appealed to tourists
Influenced by missionaries it has Shoshones attending church
The hide painting also shows activities of daily life
It is attributed to Cotsiogo (Cadzi Cody), Eastern Shoshone
18
The function of the work was:
A spirit catcher
A fishing net
A navigation chart
The gate to a sacred burial space
19
The culture and purpose of the work on the right:
Hawaiian, feather cape
Inka, feather tunic
Samoan, feather cape
Aztec, feather headdress
20
Both cultures share this similar quality in terms of both locations
They channeled water from very far away
They changed environment 2 accommodate their civilization
They both are built on a coral reef
They both are built in very high altitudes
21
All the following are true of the image EXCEPT:
It is located in southwest Ohio
Some scholars speculate it could represent Halley's comet
It is a man-made earthwork & meant to be seen from above
It was an ancient burial mound
22
The culture and name of location on the left:
Maya, Yaxchilan, Structure 33, Chiapas, Mexico
Chavin, Chavin de Huantar. Northern highlands, Peru
Anasaz, Mesa Verde cliff dwellings. Montezuma County, CO
Inka, City of Machu Picchu, Central highlands, Peru
23
The work on the right is from this culture and illustrates:
Maya, the war god Huitzilopochtli
Aztec, dismembered and decapitated corpse of Coyolxauhqui
Maya, the Lord Shield Jaguar
Aztec, a solar calendar w/ different parts of solar system
24
A true statement of the work would be:
Farm workers lived in them b/c it was close to water source
Puebloan peoples built these structures to escape warfare
Cliff dwellings in present day CO were abandoned @ 1300
The cliff dwellings were built for the royal family
25
All is true of the work on the right EXCEPT:
Frm temple with twin shrine to god Tlaloc & Huitzilopochtli
Defeated enemy would see this before climbing Templo Mayor
dismembered sacrificed bodies would land upon this disk
From Templo Mayor dedicated to the moon goddess Coyolxauhqui
26
All the following are true of the image EXCEPT:
The moai statues r chiefly living faces of deified ancestors
They were made to guard against European invasions
887 statues had to be created and transported
They were carved by Rapa Nui ppl frm rock on Easter Island
27
The culture of and material used of work on the left:
Inka, Camelid fiber and cotton
Navaho, wool
Aztec, Llama fiber and cotton
Niue, Tapa or bark cloth
28
A true statement about the image would be:
The Omec mask was used for ancestor worship
its burial in Templo Mayor suggests Mexica found it precious
It's made of carved volcanic rock & in a volcanic ceremony
The mask was used for burials and funerals of Aztec nobility
29
The ceremonial purpose of the mask on the right would be:
Olmec mask have special powers
Malagan ceremonies assist souls 2 pass into the spirit world
Turtle-shell masks were used in funerary ceremonies
The chief Aztec priest wore this mask to awaken the gods
30
The work on the left is from:
Mesa Verde cliff dwellings. Montezuma County, Colorado
Chavin de Huantar. Northern highlands, Peru
Yaxchilan, Structure 33, Chiapas, Mexico
City of Machu Picchu, Central highlands, Peru
31
All are true of the work on the right EXCEPT:
This hiapo is made from the bark of the paper mulberry tree
It has been decorated with freehand drawn motifs
It has motifs frm island life so it's frm an early period
The radial balance also classifies it as from a later period
32
The culture on the left and the main subjects in the work:
Mayan, Lord Shield Jaguar kneels before vision of a serpent
Inka, a warrior is battling a dragon
Maya, Lady Xook kneels before a vision of a serpent
Aztec, the Lady Xook gives offerings to the serpent god
33
A true statement about the work on the right would be:
The Hawaiian male nobility wore these feather cloaks
Yellow feathers were very common & used liberally
These became very popular and were massed produced 4 tourist
The feathers were woven together like fabric on a loom
34
All the following are true of the image EXCEPT:
It is the ancient Indiana State corn deity
Inka metalsmiths used silver and copper to mimic actual corn
It is made of the repoussé process
It belonged to a garden of llamas, corn, flowers & people
35
1. A shared context that is true of both works would be:
They both are made by a group of women in the community
They are both made from mulberry bark
The patterns are both painted
They both have radial balance
36
All are true of the work on the left EXCEPT:
The maska represent ancestor worship
These masks were just one sign of a person’s status & rank
Dancers wearing masks r transformed into spirits on the mask
The mask is displayed opened & made of wood, paint & string
37
All are true of the work on the left EXCEPT:
has 450 green quetzal, blue cotinga & pink flamingo feathers
Was 4 the elaborate Spanish tastes who conquered the Aztecs
It is believed to have belonged to Motecuhzoma II Xocoyotzin
Made for a ruler who was believed to be a god by his people
38
The culture and purpose of the work on the left:
Aztec, Ruler’s feather headdress
Inka, Ruler's feather headdress
Aztec, Ruler's cape
Kwakiutl, Ruler's feather headdress
39
They both share this form and context
Both are made of feathers that and worn by royalty/nobility
Both r made of dyed swan feathers and used as capes 4 women
Both are made of feathers of birds that were raised in cages
Both r made parrot feathers & worn by heads of families
40
All are true of the work on the left EXCEPT:
This Inka cloth, qompi was made by acllas (“chosen women”)
It was traditional to weave garments in a single piece
It was woven and then hand-painted by chosen Inka women
It was given as royal gifts, worn by the royal household
41
The carving is from this culture and represents this as a subject:
Aztec, serpents
Maya, leopards
Chavin, jaguars
Inka, gods
42
All the following are true of the image EXCEPT:
The staff god is believed to only live if it is wrapped
This work would included a naturalistic phallus
It is one of the only remaining wrapped staff gods
This contains the sacred text of the people of Cook Islands
43
All are true of the work on the right EXCEPT:
The malagan is kept after the ceremony and passed down
The malagan (the sculpted form above the mask) r cared for
Masks & musical instruments in malagan ceremony r preserved
Once souls leave the malagan they r burned or allowed to rot
44
A true statement about the work on the right would be:
It shows dismembered & decapitated corpse of Coyolxauhqui
It's an indigenous Zapotec mother meeting the Spanish
It is a navigation chart from the Marshall Islands
It's covered w/ Aztec creation myths and calendar signs
45
A true statement regarding the work on the left would be:
A variety of t’oqapu symbolizes the power of the Inka ruler
The work is a blanket that adorned the beds of nobility
The fabric is woven in several pieces
This work is a replica because the dyes are man-made

Units 5 & 9 Reiview Flashcards | StudBud

Units 5 & 9 Reiview

45 termsStudBud Administration424 plays

#Art History

Flashcards45 cardsFPractice quizPHost liveL

Questions 45

Answers

1
The work on the left and culture:
Staff god,Rarotonga, Cook Islands, central Polynesia
Transformation mask, Kwakiutl, Northwest coast of Canada
Buk (mask), Pacific, Torres Strait
Olmec-style mask, Templo Mayor, Aztec, Tenochtitlan
2
A true statement of the location where the work on the left resides:
An altar at the very top of the Aztec pyramid Templo Mayor
The cliff dwellings at Mesa Verde were abandoned around 1300
The remains of Nan Madol are on a coral reef
Machu Picchu is was a royal estate and religious site
3
All the following are true of the image EXCEPT:
They were worn by the women of the Delaware people
b/c of their beauty
It is made of beadwork on leather
It belonged to the Delaware people
4
A statement that would sum up the ceremonial purpose of the work on the left:
These masks represent the transformation of a boy to a man
The ceremony is initiation into secret animal spirit society
In Kwakiutl stories, animals & humans differed only in skin
Mask belongs to the only all-female society in the Americas
5
All are true of the work on the right EXCEPT:
Construction is thought to have started 1,500 years ago
Built from large basalt blocks on coral reef
The 92 artificial islands were made over several centuries
The structure is still used today
6
All the following are true of the image EXCEPT:
The object he is holding is known as a tewhatewha
The portrait is by Gottfried Lindauer
It is of Tamati Waka Nene, chief of the Ngāti Hao people
The subject, Tamati Waka, fought bravely against colonialism
7
The ceremonial mask above is made mostly from:
Painted shell
Painted wood
Turtle shell
Animal hide
8
The work on the left illustrates:
A priest conducting a sacred serpent ceremony
A priest expelling a demon
A sacred bloodletting ceremony
A warrior battling a serpent
9
The figure represents:
Female deity, Nukuoro, Micronesia
Royal King, Nukuoro, Micronesia
Royal Quee , Nukuoro, Micronesia
Male deity, Nukuoro, Micronesia
10
All the following are true of the image EXCEPT:
Maria and Julian Martinez pots selling upwards of $500,000
The pots are highly watertight and highly utilitarian
Powdered manure was used in obtaining the black color
The glossy portion of the pot is achieved by burnishing
11
All the following are true of the image EXCEPT:
It depicts the Lanzon, a principal deity of Chavin culture
The deity was probably only seen by priests
It's Chavín ruler who ruled harshly like a jaguar
The fangs and talons most likely r of a jaguar & the caiman
12
The top of this structure is called this and serves to do this:
A roof-comb, gives impression that the building is taller
A retention wall, a wall to keep vegetation from eroding
A walled roof, used to add an outdoor extra floor
A lattice roof, a wall to climb and use as a look-out
13
The purpose of the work:
It was an elaborate Chavin necklace to show status
It is a Chavin septum nose ring and showed status
It was an Aztec door ornament at the Templo Mayor
It was an elaborate bracelet worn by the Aztec nobility
14
An innovation of the complex on the left:
The terraces increased the land surface and reduced erosion
The Intihuatana stone is an indicator of the two equinoxes
Stone channels drain water from rainfall and from a spring
All of the above
15
Both works are similar in this way:
Both honor the Aztec sun god
Both are observatories
Both are altars
Both use the sun as a method to record time
16
Both works share this formal (form) quality:
They both share the same mythological subject
They both are in high relief
They both have a border
Both were part of a temple
17
The following is true of the image EXCEPT:
subject that “affirmed native identity” appealed to tourists
Influenced by missionaries it has Shoshones attending church
The hide painting also shows activities of daily life
It is attributed to Cotsiogo (Cadzi Cody), Eastern Shoshone
18
The function of the work was:
A spirit catcher
A fishing net
A navigation chart
The gate to a sacred burial space
19
The culture and purpose of the work on the right:
Hawaiian, feather cape
Inka, feather tunic
Samoan, feather cape
Aztec, feather headdress
20
Both cultures share this similar quality in terms of both locations
They channeled water from very far away
They changed environment 2 accommodate their civilization
They both are built on a coral reef
They both are built in very high altitudes
21
All the following are true of the image EXCEPT:
It is located in southwest Ohio
Some scholars speculate it could represent Halley's comet
It is a man-made earthwork & meant to be seen from above
It was an ancient burial mound
22
The culture and name of location on the left:
Maya, Yaxchilan, Structure 33, Chiapas, Mexico
Chavin, Chavin de Huantar. Northern highlands, Peru
Anasaz, Mesa Verde cliff dwellings. Montezuma County, CO
Inka, City of Machu Picchu, Central highlands, Peru
23
The work on the right is from this culture and illustrates:
Maya, the war god Huitzilopochtli
Aztec, dismembered and decapitated corpse of Coyolxauhqui
Maya, the Lord Shield Jaguar
Aztec, a solar calendar w/ different parts of solar system
24
A true statement of the work would be:
Farm workers lived in them b/c it was close to water source
Puebloan peoples built these structures to escape warfare
Cliff dwellings in present day CO were abandoned @ 1300
The cliff dwellings were built for the royal family
25
All is true of the work on the right EXCEPT:
Frm temple with twin shrine to god Tlaloc & Huitzilopochtli
Defeated enemy would see this before climbing Templo Mayor
dismembered sacrificed bodies would land upon this disk
From Templo Mayor dedicated to the moon goddess Coyolxauhqui
26
All the following are true of the image EXCEPT:
The moai statues r chiefly living faces of deified ancestors
They were made to guard against European invasions
887 statues had to be created and transported
They were carved by Rapa Nui ppl frm rock on Easter Island
27
The culture of and material used of work on the left:
Inka, Camelid fiber and cotton
Navaho, wool
Aztec, Llama fiber and cotton
Niue, Tapa or bark cloth
28
A true statement about the image would be:
The Omec mask was used for ancestor worship
its burial in Templo Mayor suggests Mexica found it precious
It's made of carved volcanic rock & in a volcanic ceremony
The mask was used for burials and funerals of Aztec nobility
29
The ceremonial purpose of the mask on the right would be:
Olmec mask have special powers
Malagan ceremonies assist souls 2 pass into the spirit world
Turtle-shell masks were used in funerary ceremonies
The chief Aztec priest wore this mask to awaken the gods
30
The work on the left is from:
Mesa Verde cliff dwellings. Montezuma County, Colorado
Chavin de Huantar. Northern highlands, Peru
Yaxchilan, Structure 33, Chiapas, Mexico
City of Machu Picchu, Central highlands, Peru
31
All are true of the work on the right EXCEPT:
This hiapo is made from the bark of the paper mulberry tree
It has been decorated with freehand drawn motifs
It has motifs frm island life so it's frm an early period
The radial balance also classifies it as from a later period
32
The culture on the left and the main subjects in the work:
Mayan, Lord Shield Jaguar kneels before vision of a serpent
Inka, a warrior is battling a dragon
Maya, Lady Xook kneels before a vision of a serpent
Aztec, the Lady Xook gives offerings to the serpent god
33
A true statement about the work on the right would be:
The Hawaiian male nobility wore these feather cloaks
Yellow feathers were very common & used liberally
These became very popular and were massed produced 4 tourist
The feathers were woven together like fabric on a loom
34
All the following are true of the image EXCEPT:
It is the ancient Indiana State corn deity
Inka metalsmiths used silver and copper to mimic actual corn
It is made of the repoussé process
It belonged to a garden of llamas, corn, flowers & people
35
1. A shared context that is true of both works would be:
They both are made by a group of women in the community
They are both made from mulberry bark
The patterns are both painted
They both have radial balance
36
All are true of the work on the left EXCEPT:
The maska represent ancestor worship
These masks were just one sign of a person’s status & rank
Dancers wearing masks r transformed into spirits on the mask
The mask is displayed opened & made of wood, paint & string
37
All are true of the work on the left EXCEPT:
has 450 green quetzal, blue cotinga & pink flamingo feathers
Was 4 the elaborate Spanish tastes who conquered the Aztecs
It is believed to have belonged to Motecuhzoma II Xocoyotzin
Made for a ruler who was believed to be a god by his people
38
The culture and purpose of the work on the left:
Aztec, Ruler’s feather headdress
Inka, Ruler's feather headdress
Aztec, Ruler's cape
Kwakiutl, Ruler's feather headdress
39
They both share this form and context
Both are made of feathers that and worn by royalty/nobility
Both r made of dyed swan feathers and used as capes 4 women
Both are made of feathers of birds that were raised in cages
Both r made parrot feathers & worn by heads of families
40
All are true of the work on the left EXCEPT:
This Inka cloth, qompi was made by acllas (“chosen women”)
It was traditional to weave garments in a single piece
It was woven and then hand-painted by chosen Inka women
It was given as royal gifts, worn by the royal household
41
The carving is from this culture and represents this as a subject:
Aztec, serpents
Maya, leopards
Chavin, jaguars
Inka, gods
42
All the following are true of the image EXCEPT:
The staff god is believed to only live if it is wrapped
This work would included a naturalistic phallus
It is one of the only remaining wrapped staff gods
This contains the sacred text of the people of Cook Islands
43
All are true of the work on the right EXCEPT:
The malagan is kept after the ceremony and passed down
The malagan (the sculpted form above the mask) r cared for
Masks & musical instruments in malagan ceremony r preserved
Once souls leave the malagan they r burned or allowed to rot
44
A true statement about the work on the right would be:
It shows dismembered & decapitated corpse of Coyolxauhqui
It's an indigenous Zapotec mother meeting the Spanish
It is a navigation chart from the Marshall Islands
It's covered w/ Aztec creation myths and calendar signs
45
A true statement regarding the work on the left would be:
A variety of t’oqapu symbolizes the power of the Inka ruler
The work is a blanket that adorned the beds of nobility
The fabric is woven in several pieces
This work is a replica because the dyes are man-made