Final Review - History of Graphic Design

European pictorial modernism focused on the total integration of ________.

Marcel Duchamp’s ready-made sculptures were humorous, but their underlying purpose was to

Eric Gill advanced the concept of unequal line lengths (ragged right) in text type

Herb Lubalin experimented with form and meaning of alphabetic characters in (Mother and Child)

Wild Plakken began its career using interpretable open texts

The finest contemporary Japanese graphic design subordinates concept to aesthetics

Television in the late 1960s competed with magazines for their advertising revenue.

had been the cultural and artistic center of the Western world until the mid-20th century.

Saul Bass’s redesign of the Bell Telephone System trademark increased public recognition

The periodical Ver Sacrum (1898–1903) was innovative primarily because ________.

Gunter Rambow’s designs consist of stylized illustrations of heavy outlining and flat color.

created work after WWII w/ simple shapes that communicated invisible processes/physical forces.

logo changed the face, idea, speed of graphic design and anticipated motion graphics

The following were influences on Art Deco. Which one does NOT belong?

When the Bauhaus opened in 1919, ________ was the first director.

Plakatstil incorporated decorative streamlining, zigzag, and geometry into its designs

In Mein Kampf, Adolf Hitler wrote that visual propaganda should appeal to __members of society

Detractors from the International Typographic Style believe that the style is too formulaic

Peter Behrens’s architectural and graphic designs, in 1904, evolved toward forms based on

Painter Gustav Klimt was a leader in the Vienna Secession’s formation.

Match the name of the designer with the name of the typeface .... Futura

The Glasgow School refers to ________ in Scotland.

The Vienna Secession formed in 1897 when a group of young Viennese artists________.

art director at Harper’s Bazaar who used white space and sought “a musical feeling”

________ was considered the founder and guiding spirit of the de Stijl

refers to artistic and technical expression characteristic of a locale or historical period.

In his book jacket designs for Alfred A. Knopf, _____________ frequently uses vintage images

Herbert Matter pioneered extreme shifts in scale using photographic images in poster designs

Louise Fili is best known for her vernacular-inspired designs for record albums in the late 70s

__ cultivated “infantilism” by borrowing the spontaneous/naïve techniques of children’s art.

Programmed visual identification systems of the 60s resulted from the visual identity movement

Cipe Pineles, art director for Glamour, Seventeen, and Mademoiselle, became the first woman

In the early 1990s, ________ (self-published magazines) began appearing in magazine racks.

After WWII, the US converted industry from wartime needs to consumer markets

The Düsseldorf School of Arts and Crafts banished the grid from use by its students.

Roots of the International Typographic Style include futurism and Dada.

The book covers designed by Rudolph de Harak for McGraw-Hill Publishers had this in common

____ was the goal, and ____ was the preferred typeface in designs from the Unimark design firm

wrote and designed the book "Pioneers of Spanish Graphic Design"

The Bauhaus closed in 1933 because ________.

Match the name of the designer with the name of the typeface .... Times New Roman

In their manifesto, futurists proclaimed their enthusiasm for all but one of the following

_____________, is universally considered the father of Iranian graphic design.

Isotype concept by Otto Neurath involves the use of __to convey complex statistical information

Designers who initiated the International Typographic Style held all but one of the ideas below

The Grapus Studio was formed in 1970 to create designs for ________.

Bezier splines are arcs of uniform curves, used to generate outlines of type characters

is among the earliest Western-trained modern designers to be practicing in Hong Kong

George Giusti had an ability to reduce forms to a minimal essence making them iconic/symbolic

The three main principles of constructivism were tectonics, texture, and construction

Postwar Dutch design reflected two strong currents: pragmatic constructivism and

Die Brücke and Der Blue Reiter were two subgroups of the surrealist movement

The three characteristic elements of Plakatstil are below. Which does NOT belong?

Match the name of the designer with the name of the typeface...Universal Alphabet

Match the name of the designer with the name of the typeface .... Leitchte Kabel

The design system for the Nineteenth Olympiad in Mexico City resulted from research on ___

Poster mania (peaked in the early 1970s) continued on university campuses in the U.S. because

El Lissitzsky’s PROUNS were pictorial expressions of ________.

The International Typographic Style was a precursor to corporate design.

Dada writers and artists were concerned with shock, protest, and nonsense.

Paul Brainerd coined the term desktop publishing for the new method of creating page layouts

___ developed his mechano-faktura theory, which abolished any illusion of being 3-dimensional.

On the April 1968 issue cover of Esquire, George Lois showed Muhammed Ali

The Beggerstaffs used cut-up photographs to create their graphic work

______’s work is often assembled of intentionally provocative images in unfinished montages.

Edward McKnight Kauffer’s 1940 poster, “We Fight For the Liberty of All,” was commissioned for

The Duffy Design Group demonstrated the effectiveness of graphic design in its label for

Typophotography (photo negatives to set type) was exploited by Herb Lubalin in his typograms

John Berg created outstanding designs for

Supergraphics are designs incorporating all but one of the elements below

combines unexpected wit with regional iconography in pieces like his Knoll “Hot Seat” poster.