DESIGN 100 Prof. Lear Perkins Vocabulary Quiz by Yasu Tyndale

When the edge of one shape aligns perfectly with the edge of a second shape; it creates an ambiguous edge for both

used to describe the secondary or accent elements of the artwork.

relative form of measure that means nothing without a reference point(Comparison of two separate objects)

Motion that a viewer perceives in a still, single image without moving the object, image, or eye

Generally when the edge of two shapes touch, a crowded sensation is felt

imply potential activity

Is the overlay of several types of rhythmic patterns producing a complex result

Line is the distance between two point

simply repeating various parts of the design

Two hues that lie directly opposite one another on a color wheel

Subtractive color

When the edge of on object is hidden behind another object oriented in the same direction; strangely joined together

Black and White with no color

In art it means the similar idea of smooth transitions and connections between repetition (italitan for “tied together”)

Art that has no recognizable subject matter

A Photorealistic who was only interested in recording visual information not any insights into the portraits.

Implied Texture: illusion of texture created by an artist

Additive color

Used to create disquiet and unease

a process of using line to create value

Usually placed in the center of the page Maintaining unity with a focal point

allover pattern; no beginning, no end, no focal point

When a symmetrical shape is cut in half by the edge of the painting it creates uncomfortable, chopped off feelings

Visual information is understood as a whole before it is examined separately (whole is more than the sum of its parts)

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Unified size, size measured against the standard or normal

Refers to how artists produce the illusion of motion

Rhythm that occurs through repetition of shapes that change

The direction of a line can lead the eye of the viewer (has to have a person- done by pointing or looking)

When a shape completely covers any corner of the artwork, it visually isolates that corner from the rest of the painting

Ideal Proportions are based on mathematical ratios (w:l as l:l+w)

Visually Perceived are created either by an enclosing line or by color or value changes defining of the outer edge

A set of ideal mathematical ratios in art based on measurement of the human body

Negative and Positive Space

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Is an indication that two things are touching; can be visually bothersome

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shapes a repeated in the same position on either side of an axis(simplest type of balance to create and recognize)

Less concerned with describing shape and more about describing action and dynamics (quick,spontaneous,momentary changes)

French term meaning “to fool the eye” This is style commonly defined as “deceptive painting”

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A refinement of Symmetrical balance, usually fount in nature

When the top of a vertical object ends at the bottom edge of horizontal objects, the two shapes seem to merge

most strongly suggest movement, like in active movements of skiing, running, swimming, skating

exactly similar parts facing each other or around an axis( you will rarely see this perfect in art)

Actual Texture, you can can actually feel the texture, ex. sandpaper, wet glass or animal fur

A Element separated from its other components

A single fixed hue, no contrast in hue but variations in value (tints and shade) and saturation

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Universal aim of composition (a measure of the force that an element exerts to attract the eye)

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There are 7 parts of a Shadow (list the parts you think they are at the end of the time)

When multiple hues neighbor each other on a color wheel

Broken or chopped up repetition, not smooth or flowing(Italian for detached)

A style of art that does not show a realistic subject, usually transforming the subject into lines colors or shapes

Area of Dominance

Lines that describe form

Congruity or agreement exists among the elements in design,

Artist/Mathematician we referenced for our study on tessellations

Negative spaced use to create a line, such as a dotted line.

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the illusion of depth, or recession by adjusting color to simulate changes of things seen at a distance

Looks darker or lighter based on the context of the shade around it

Creates a clean, neat, efficient, alert,bright atmosphere. Often used in Jewelry Stores, Beauty Salon, Museums,Hospitals

Successive Pattern in which the same elements reappear in a regular order

The axis functions as a fulcrum on a scale and the two sides should achieve equilibrium

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to make separate elements look as if they belong together(simply putting the elements close)

A network of vertical and horizontal lines that divide the page and create framework of areas

Using line to describe the edge of an object

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An artistic device that uses a pattern of light and dark to imply volume in a drawing or painting

Something naturally continues usually a line, edge, or direction to one point or another

Hues with the addition of white

achieved through dissimilar objects that have equal visual weight or equal eye attraction

Subtler device than proximity or repetition, which are fairly obvious.

Visual experience experience stimulates one of our other senses

The equilibrium of opposing or interacting forces in a pictorial composition

lines imply quiet, repose, rest, static

Is the term for creating a predictable (or periodic) pattern by sliding (or translating) the design unit along an axis

Three hues that are equidistant from one another on the color wheel

Creates a Friendly,personal,and intimate, soft atmosphere. Often used in homes libraries and restaurants

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When the edge of an object touches the edge of your painting; creates an awkward, crowded sensation for the viewer.

when thick have brush strokes are used to create a rough, three- dimensional paint surface

Art that recognizingly represents or depicts a particular subject

Increasing scale to show power or importance

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“Likeness to the truth”, the impression of texture on a flat, smooth surface

When a vertical shape is directly aligned with the apex of another shape it causes a strange unwanted symmetry

When distinct vertical shapes appear directly behind an object, they often appear to be growing out of that object like

Hues with the addition of Grey

Measurement of light color

Used in rectangle compositions to map out where to place your focal point

Hues with the addition of black