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Colonial Art of New Spain Flashcards | StudBud
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Colonial Art of New Spain
Colonial Art of New Spain
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Early Europe and the Americas
Flashcards
18 cards
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Questions
18
Answers
1
Unlike other portraits featuring female religious subjects, Sor Juana is pictured
looking directly at the viewer
as an allegorical figure
in secular dress
with head included towards Christ
2
The overall compositional style is based on
genre paintings
Dutch engravings of the merchant class
portraits of the Spanish royal family
religious images of the Holy Family
3
The war imagery of the work references
The Conquest of Mexico by Cortes
the wars between the Spanish and English in the 16th century
The religious wars of the 17th century
The Great Turkish War of the 17th century
4
The historical contributions of Sor Juana mirror those of ...
Lady Dai
Blanche of Castille
Sin Sukju
The Mughal Emperor Jahangir
5
The original intent of the work was
celebrate the power of the Hapsburg kings
record the historical and religious practices of the Aztecs
further the tenets of the Counter reformation
encourage the conversion of the population to Christianity
6
An illustrated painting in the form of a medal worn round the neck
escudo de monja
scapula
casta painting
a saint's medallion
7
The collaboration of indigenous and western European in the Codex Mendoza mirrors
Jahangir Preferring a Sufi Shaikh to Kings, Bichitr
The Golden Haggadah
Basin (Baptistère de Saint Louis), Mohammed ibn al-Zain
White and Red Plum Blossoms, Ogata Korin
8
The composition and style of this work came from
Dutch military engravings
Byzantine religious icons
French tapestries
Roman floor mosaics
9
The composition and imagery of this portrait is based on
portraits of Saint Theresa of Avila
portraits of St. Jerome
evangelist portraits of the Hiberno-Saxon period
Theotokos portraits of the Byzantine period
10
The original location of this work was
in the private salon of the Viceregal Palace
at the Court of King Charles V of Spain
in a martial shrine
near the altar of the National Cathedral in Mexico City
11
This artwork was
placed in a public exhibition
based on self-portraits by the subjects
part of a series of 16 or more works
inspired by a Spanish novel by Cervantes
12
a ruler exercising authority in a colony on behalf of a sovereign.
Tribune
Governor
Bishopric
Viceroy
13
The original functions of this work included all EXCEPT
it was a gift to Charles V of Spain
it was a representation of the conversion of the Nahuas
it was a record of the founding of Tenochtitlan
it was a record of natural resources of Mesoamerica
14
Cross-cultural imagery is BEST represented in
the facial features of the figures
the clothing and hairstyle of the male figure
the contrast between the infant and child in the center.
the clothing and hairstyle of the female figure
15
What does this work have in common with Tamati Waka Nene by Gottfried Lindauer
they are posthumous portraits
they are based on photographic images
they are ancestor portraits
they are royal portraits
16
Japanese 屏風 (“folding screen”).
Enchonchados
Rinpu
Casta Painting
Biombos
17
The central imagery of the frontispiece reappears
in the Calendar Stone of the Templo Mayor
in the Screen with the Siege of Belgrade
in the iconography associated with the Virgin of Guadalupe
in the flag of Mexico
18
The Hunting Scene functions as
a narrative scene for a corridor of the Royal Palace
an allegorical image of the Viceregency
a method of separating a room for luxury and business uses
Spanish military victories over Protestant countries