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Painting Unit Review Flashcards | StudBud
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Painting Unit Review
Painting Unit Review
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1
Refers to the color of a hue.
gloss
study
pigment
binder
2
A dull surface. Opposite of gloss.
matte
prime
shiny
gesso
3
When creating thick to thin lines and detail work, a round brush is the best choice.
True
False
4
The application of color in a thin, fluid manner. Also refers to diluted pigment.
prime
study
matte
wash
5
Involves scratching through a layer of wet paint to reveal what's underneath.
transfer
scumbling
impasto
sgraffito
6
Added to paint for uses such as extending the life of the paint or thinning the viscosity. Used to create a glaze.
sgraffito
pigment
gesso
fluid medium
7
To make ready. The preparatory coating prior to painting.
prime
prep
scumble
gesso
8
Two or more colors on a brush to create blended color in one stroke.
sgraffito
scumbling
loaded brush
coated brush
9
A comprehensive drawing or painting. Done prior to painting in preparation for the final product.
transfer
study
prime
wash
10
A fast drying paint made of pigment suspended in acrylic polymer emulsion.
gesso
acrylic
tempera
oil
11
When stretching a canvas, you always staple the corners first.
True
False
12
Refers to the thickness of a liquid.
saturation
viscosity
study
heavy body
13
Sticky, partly dried.
derpy
tacky
scumbling
viscosity
14
A plaster-like material spread upon a surface to prepare it for painting.
Glaze
Gel Medium
Gesso
Gloss
15
The most versatile brush creating curves and straight edges is the flat brush.
False
True
16
The wooden frame on which canvas is stretched.
canvas strips
stretcher strips
framing
wood strips
17
Always make certain the Gesso side of your canvas is face down, when placing your frame on top.
True
False
18
Paint having a thick viscosity. Best used for impasto painting.
heavy body
strong body
tacky body
soft body
19
A flat brush can be used on it's edge for thinner lines as well as used opposite for broad lines. Great for washes.
False
True
20
Thick, opaque paint applied with a brush, knife or fingers, creating various textural features on the canvas surface.
impasto
sgraffito
scumbling
heavy body
21
Refers to an artwork of which more than one medium has been used.
mixed media
alternate media
collage
impasto
22
The greatest possible intensity of the color.
saturation
viscosity
transfer
pigment
23
A monochromatic sketch put down on the canvas first, as an infrastructure.
palette
pigment
underpainting
stretcher
24
A shaped, metal or plastic spatula used for painting or mixing paint instead of a brush.
mixer
stretcher strip
palette knife
plated knife
25
Dragging paint in a broken manner over a previously painted dry surface.
wash
sgraffito
scumbling
impasto
26
Refers to paint that is of thinner viscosity. Works best for watercolor techniques and thin layers of paint.
squishy body
thin body
soft body
heavy body