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AP Music Theory Final Review Flashcards | StudBud
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AP Music Theory Final Review
AP Music Theory Final Review
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Final Exam Review
Flashcards
35 cards
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Practice quiz
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Questions
35
Answers
1
The proper scale degree name for the pitch labeled with an * is what?
subtonic
dominant
leading tone
tonic
2
A P8 is the largest harmonic interval that can exist between tenor and bass voices.
True
False
3
This excerpt illustrates the rhythmic principle of polyrhythm.
False
True
4
The following interval is a/an __________.
Perfect Fifth
Augmented Fifth
Diminished Sixth
Minor Sixth
5
The bottom number of a compound meter shows what?
the beat
hemiola
the beat subdivision
number of beats per measure
6
An Ab major triad in the key of c minor is considered a tonic function chord.
True
False
7
The pitch
and
octave designation for this pitch is ____?
G4
E4
E6
G6
8
The common name for a diminished minor seventh chord is what?
dominant seventh chord
fully diminished seventh chord
major seventh chord
half diminished seventh chord
9
The practical range of the tenor voice is C3 to G4.
False
True
10
This chord could be the tonic in the key of G minor or the subdominant in what key?
d minor
Ab Major
c minor
A Major
11
The proper scale degree name for the pitch labeled with an * is what?
submediant
subtonic
raised submediant
leading tone
12
A _____ interval is one half step larger than a perfect interval.
minor
major
diminished
augmented
13
The F# Phrygian scale shown here is spelled correctly.
False
True
14
A root position triad in 4-voices usually doubles the root of the chord.
True
False
15
The beat unit of a compound meter will always be a dotted note.
True
False
16
The proper scale degree name for the pitch labeled with an * is what?
superdominant
dominant
supertonic
mediant
17
In a minor key, the quality of the supertonic seventh chord is half diminished.
False
True
18
The following interval is a/an __________.
Perfect Octave
Minor Seventh
Diminished Seventh
Major Seventh
19
The proper scale degree name for the pitch labeled with an * is what?
submediant
subdominant
subtonic
raised submediant
20
Cadences
end
on only what three chords?
I, ii, V in major (i, iio, V in minor)
I, V, vi in major (i, V, VI in minor)
I, ii, IV in major (i, iio, iv in minor)
I, IV, V in major (i, iv, V in minor)
21
V
7
- I could be an example of an imperfect authentic cadence.
True
False
22
What is the bass note of a V
4
3
chord in the key of G major?
D
C
F#
A
23
The leading tone of a Bb major scale and the supertonic of an g minor scale are the same pitch.
False
True
24
When the beat divides into three parts ____? When the beat divides into two parts ____?
simple; compound
duple; compound
compound; simple
triple; duple
25
The following interval is a/an _________.
Minor Sixth
Major Sixth
Major Seventh
Augmented Sixth
26
The interval starting on the ^2 and ascending to the ^7 of a major scale is a M6.
True
False
27
What is the symbol indicating that the fourth line of the staff is the pitch C4?
tenor clef
alto clef
bass clef
treble clef
28
If the fifth of a fully diminished seventh chord is Bb, the third of the chord is ____?
C#
G
Db
E
29
A minor pentachord uses scale degrees 1, 2, b3, 5, and b6.
True
False
30
Music written in compound meters have beats that are grouped in threes.
True
False
31
Which progression below could be an example of an imperfect authentic cadence?
viio6 - I
iv6 - V
IV - I
V6 - vi
32
The figured bass symbol that represents a seventh chord in third inversion is _____?
42
64
63
43
33
In minor keys, the leading tone is more common than subtonic when a triad is built on the
mediant
.
False
True
34
This excerpt illustrates a compound triple meter.
False
True
35
The proper scale degree name for the pitch labeled with an * is what?
mediant
dominant
submediant
subdominant