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AP Music Theory: Secondary Dominants Flashcards | StudBud
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AP Music Theory: Secondary Dominants
AP Music Theory: Secondary Dominants
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1
Secondary dominants usually resolve to...
to the sub dominant chord
to the dominant chord
their temporary tonic
Anywhere they want to.
2
How would V/vi be read as?
Five of four.
Five over six.
Four over five.
Five of six.
3
What note should you NOT double in a secondary dominant chords?
the 7th
the 1st
the 5th
the 3rd
4
Analyze the first chord in the key of C.
V/vi
V/ii
V/iii
V/V
5
In they key of D, an E major chord will be analyzed as....
V/vii
V/iii
V/V
V/ii
6
V/vi would naturally resolve to...
vi
iii
IV
V
7
What are secondary dominants?
Chords altered to sound like dominant chords
The dominant chord of a scale.
The second note in a scale
The fifth note in a scale.
8
A B major chord in the key of C would be analyzed as?
V/ii
V/vi
V/iii
V/V
9
Where would you add a sharp in order to make the second chord a secondary dominant?
High E
G
B
Low E
10
In they key of G, an E major chord will be analyzed as...
V/iv
V/ii
V/vi
V/iii
11
Analyze the 4th chord in the key of C.
V/vi
V/ii
V/V
iii/V
12
In they key of C, a D major triad would be analyzed as:
V/iii
V/ii
V/iv
V/V
13
An E major chord in the key of C will be analyzed as...
V/iii
V/vi
V/V
vi/V
14
Where should the 7th resolve in a V
7
/V resolve?
Up 2
Up
Down
Down 3
15
V/ii would naturally resolve to....
iii
vii
ii
V