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Music of Africa Flashcards | StudBud
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Music of Africa
Music of Africa
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30 cards
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1
large maraca-like shakers.
Balo
Gankogui
Hosho
Kora
2
These people utilize the akadinda and entenga instruments.
Ewe
Shona
Mande
Buganda Kingdom
3
A double-bell.
Mbira
Balo
Kora
Gankogui
4
These people take place in Bira ceremonies, which include playing for ancestral spirits.
Ewe
Shona
Mande
Pygmies
5
Has 22 slightly rusted metal keys tightly fastened over a metal bridge on a wooden soundboard.
Lamellaphones
Kontingo
Akadinda
Mbira
6
Means "to lead the piece" or play the basic piece.
Interlocking
Call and Response
Kushaura
Kutsinhira
7
Singers alternating short melodic fragments to create a melody.
Hocket Technique
Call and Response
Interlocking
Kushaura
8
The people of this religion interact with deceased relatives through spirit possession.
Ewe
Shona
Mande
Pygmies
9
a large 22 key xylophone in which the keys are freely set on 2 supporting logs.
Hosho
Balo
Akadinda
Mbira
10
A bridge harp that has 21 strings, and a range just over 3 octaves.
Hosho
Akadinda
Balo
Kora
11
These people have a jali, which is an oral historian, musician, praise singer, and diplomat.
Ewe
Shona
Buganda Kingdom
Mande
12
Pygmy instruments include __________________ and end-blown flutes made from cane.
Gankogui
Whistles
Balo
Mbira
13
Men are the primary singers of the molimo ceremony and women for the elima ceremony.
Shona
Pygmies
Buganda Kingdom
Mande
14
________________ participation is valued.
Interlocking
Community
Kutsinhira
Kushaura
15
Dance drumming is this group's most important type of musical activity.
Ewe
Pygmies
Shona
Buganda Kingdom
16
Aesthetic preference for dense overlapping ______________ contribute to a dense sound quality.
Textures
Kutsinhira
Ostinatos
Contrapuntal Texture
17
Fitting your pitches or beats into the spaces of other parts.
Rhythmic Complexity
Hocket Technique
Call and Response
Interlocking
18
A texture consisting of different simultaneous melodic lines.
Contrapuntal Texture
Community
Rhythmic Complexity
Textures
19
Found in the equatorial forrest. The keystones of their society are egalitarianism and unity.
Buganda Kingdom
Mande
Shona
Pygmies
20
Involves the juxtaposition or simultaneous performance of duple & triple rhythmic patterns.
Textures
Interlocking
Hocket Technique
Rhythmic Complexity
21
The dance-drumming clubs in this group of people are lead by a committee of men & women.
Ewe
Shona
Pygmies
Mande
22
A five-stringed plucked lute with a skin face like the banjo.
Akadinda
Balo
Kontingo
Hosho
23
Specialized by a social hierarchy as well as by occupational specialization.
Ewe
Buganda Kingdom
Shona
Mande
24
Plucked tongues or keys mounted on a soundboard or soundbox.
Kontingo
Gankogui
Kora
Lamellaphones
25
Often cyclical/open-ended in form involving 1 or more repeated melodies or rhythmic patterns.
Kutsinhira
Kushaura
Contrapuntal Texture
Ostinatos
26
The alteration of leader and chorus parts, or of a vocal and instrumental part.
Call and Response
Hocket Technique
Interlocking
Ostinatos
27
Vocal music is at the core of this group's musical culture.
Shona
Mande
Ewe
Pygmies
28
The former and most powerful independent kingdom in the Lake Victoria region in East Africa.
Shona
Ewe
Buganda Kingdom
Mande
29
A second accompanying part.
Contrapuntal Texture
Kushaura
Community
Kutsinhira
30
A xylophone.
Hosho
Mbira
Balo
Akadinda