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Intro To Art Final Practice
Intro To Art Final Practice
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Class Quiz Practice for the Intro to Art Final Exam
Flashcards
60 cards
F
Practice quiz
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Host live
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Questions
60
Answers
1
AN ARTIST THAT SPECIALIZES IN SCENERY PAINTING
landscape painter
portrait painter
wildlife painter
hobbyist painter
2
THE AREAS THESE O’KEEFFE SUBJECTS CAME FROM; FLOWERS, BUILDINGS, SKULLS
MINNESOTA, WISCONSIN, AND MEXICO
NORTH DAKOTA, CALIFORNIA, AND WASHINGTON
IOWA, CANADA, ARIZONA
WISCONSIN, NYC, AND NEW MEXICO
3
RULE OF COMPOSITION THAT STATES THE FOCAL POINT HAS TO BE OFF CENTER TO BE INTERESTING
framing
rule of thirds
cropping
perspective
4
A TWO DIMENSIONAL ENCLOSED SPACE
figure
shape
line
form
5
DARKER, GRAYED AND LIGHTER VERSIONS OF A COLOR
SHADE, TONE, AND TINT
TONE, SHADE, TINT
SHADE, TINT, TONE
TINT, TONE, SHADE
6
USE OF OBJECTS ON THE EDGES THAT MAKE THE VIEWER LOOK AT THE FOCAL POINT IN THE CENTER OF AN ARTWORK
cropping
rule of thirds
perspective
framing
7
COLORS USED TO REPRESENT MASCULINITY, FEMININITY AND VIOLENCE IN FRANZ MARC’S PAINTINGS
RED-ORANGE, BLUE-GREEN, AND RED VIOLET
WHITE, RED, AND BLACK
BLUE, YELLOW, AND RED
ORANGE, GREEN, AND PURPLE
8
ONE WHO DESIGNS BUILDINGS
mason
architect
archaeologist
builder
9
USED FOR MIXING AND STORING COLORS OF PAINT
cubby
palette
sink
cup
10
TOOL USED TO LIFT OFF EXCESS WATER OR WATERCOLOR
paper towel
toothbrush
cup
palette knife
11
FLOODING AN AREA WITH WATER AND THEN DROPPING IN WATERCOLOR
lifting
washing
glazing
bleeding
12
WHAT IS IT CALLED WHEN YOU ADD A TINY BIT OF ORANGE TO BLUE
BAKING
PRACTICING
DOODLING
DULLING OR MAKING A MATURE COLOR
13
THE ORDER OF CLAY BODIES FROM STRONGEST TO WEAKEST
STONEWARE, EARTHENWARE, AND PORCELAIN
PORCUPINE, EARTHWORM, AND SNAKES
PORCELAIN, EARTHENWARE, AND STONEWARE
PORCELAIN, STONEWARE, AND EARTHENWARE
14
TOOL USED TO PAINT SMALL DETAILS
round brush
palette knife
flat brush
fan brush
15
TYPE OF BRUSH USED FOR THE DRY BRUSH TECHNIQUE TO CREATE FUR LIKE TEXTURE
hair brush
circle brush
fan or flat brush
round brush
16
HOW TO BE SURE WATERCOLOR PAINT GOES INTO A DESIRED AREA
HOPE FOR THE BEST
PAINT WITH BLACK AROUND IT
TRAIN WITH PAINTING NINJAS
PAINTING WITH CLEAN WATER FIRST BEFORE WATERCOLOR
17
HOW SOMETHING ACTUALLY FEELS OR LOOKS LIKE IT WOULD FEEL
space
feelings
color
texture
18
FONT THAT MEANS “WITHOUT FEET”
handwriting
san serif
script
serif
19
USE OF UP TO FIVE COLORS NEXT TO EACH OTHER ON THE COLOR WHEEL
triadic
partners
analogous
arbitrary
20
BLACK, WHITES AND GRAYS are what kind of colors?
newer
nothing
notable
neutrals
21
CAN BE POSITIVE (OBJECT) OR NEGATIVE (BACKGROUND)
color
tone
space
line
22
TWO WORDS FROM THIS ONE WORD MEANING “MEDITATE” AND “DOODLE”
zen and toodle
puzzle and ink
tangle and noodle
zen and tangle
23
ONE WHO SHOWS OTHERS TECHNIQUES FOR MAKING AND APPRECIATING ART
art teacher
art student
illustrator
artist
24
NAME OF THE BOOK THE CHI RHO (CHRIST) PAGE COMES FROM
BOOK OF KELLY
BOOK OF ABCS
BOOK OF BIOLOGY
BOOK OF KELLS
25
A CONTINUOUS MARK MADE BY A MOVING TOOL
Line
Doodle
Shape
Period
26
TOOL USED TO PAINT THE DRY BRUSH TECHNIQUE
fan brush
flat brush
palette knife
round brush
27
THE RANGE OF LIGHTS AND DARKS
space
form
color
value
28
TECHNIQUE FOR DRAWING TREES AND BUSHES IN INK OR PENCIL
scribbling
scoring
sculpting
scratching
29
TECHNIQUE USING SMALL DOTS TO CREATE SHADED AREAS OF VALUE
stippling
scribbling
blending
hatching
30
MATERIAL USED TO CREATE EXTRA FUR, SCALE, OR FEATHER-LIKE TEXTURE BEFORE PAINTING WITH COLORS
modeling paste
toothpaste
moving paste
pasty paste
31
WHERE THE SKY MEETS THE LAND OR WATER (A.K.A. EYE LEVEL)
vanishing point
corner
orthagonal line
horizon line
32
DISSIMILAR TEXTURES, VALUES OR COLORS NEXT TO EACH OTHER TO MAKE EACH OTHER STAND OUT
form
rhythm
space
contrast
33
RED-ORANGE, YELLOW-ORANGE, YELLOW-GREEN, BLUE-GREEN, BLUE-VIOLET AND RED-VIOLET
TERTIARY COLORS
PRIMARY COLORS
SECONDARY COLORS
QUADRATIC COLORS
34
HOW TO CHOOSE THE RIGHT PAINTBRUSH
CHOOSE WHAT BRUSHES THE PEOPLE LEAVE BEHIND FOR ME TO CHOOSE
CHOOSE A SMALL BRUSH FOR LARGE AREAS AND A LARGE BRUSH FOR DETAIL AREAS
CHOOSE A LARGE BRUSH FOR LARGE AREAS AND SMALL BRUSH FOR DETAIL AREAS
CHOOSE A SMALL BRUSH FOR LARGE AREAS AND A SMALL BRUSH FOR DETAIL AREAS
35
IT IS POSSIBLE TO MAKE THE SAME COLOR TWICE IN ACRYLIC PAINTS
True
False
36
THE DOCUMENT THAT DECLARED IF HITLER DIED ALL OF THE STOLEN ART WOULD BE DESTROYED
Nine Laws
Nasturtium's Doctrine
Nero's Decree
Nancy's Note
37
THE ART STYLE THAT USED NEUTRALS AND MOSTLY GEOMETRIC SHAPES
Graffiti
Modern
Art Nouveau
Art Deco
38
CONSISTENT USE OF AN ELEMENT OF ART TO CREATE WHOLENESS OR HARMONY
unity
contrast
pattern
movement
39
SHADING TECHNIQUE THAT USES LINES IN VARYING DIRECTIONS TO CREATE VALUE
scribbling
hatching
blending
cross hatching
40
PAINTING SHADOWS OR DARKER COLORS OVER TOP OF DRIED LIGHTER AREAS
washing
glazing
bleeding
lifting
41
AREA WHERE OBJECTS APPEAR TO GET SO SMALL THAT THEY “DISAPPEAR”
vanishing point
horizon line
orthagonal lines
very important point (VIP)
42
TOOL USED TO PAINT STRAIGHT EDGES
round brush
palette knife
fan brush
flat brush
43
ANGLED LINES THAT MERGE AND CREATE THE ILLUSION OF DEPTH OF BUILDINGS
vanishing points
orthagonal lines
horizon line
corners
44
USE OF NEUTRALS (BLACK, WHITE AND GRAYS) ONLY
complementary
triadic
achromatic
monochromatic
45
THE TWO NAMES OF THIS HOUSE THAT FRANK LLOYD WRIGHT DESIGNED
Falling Water/Kauffmann House
Nature House/Wright House
Water Falls/Rapids House
Rapids House/Masters House
46
SOMEONE THAT MAKES SCULPTURES
sculptor
scribbler
saucer
sous chef
47
USING A PAIR OF COLORS OPPOSITE ON THE COLOR WHEEL
monochromatic
complementary
friend colors
achromatic
48
NAME OF THE ARTIST WHO PAINTED COWS AND HORSES IN AN EXPRESSIVE STYLE
Paul Cezanne
Paul Gauguin
Vincent Van Gogh
Franz Marc
49
REASON TO CLEAN ACRYLIC PAINT OUT OF BRUSHES
ACRYLIC PAINT DRIES SLOWLY
ACRYLIC PAINT BONDS WITH FIBERS RUINING PAINTBRUSHES
ACRYLIC PAINT CAN ONLY BE USED ONE COLOR AT A TIME
ACRYLIC PAINT IS EXPENSIVE AND MUST ALL BE SAVED
50
HOW TO GET WHITE IN WATERCOLOR PAINTING
LEAVE THE PAPER WHITE OR USE MASKING
PAINT WHITE PAINT
MIX BLACK AND BROWN
ADD THE COMPLIMENT
51
REPEATING OF AN OBJECT OR SYMBOL ALL OVER AN ARTWORK
TEXTURE
SCRIBBLING
WALLPAPER
PATTERN
52
USING ANY ELEMENT OF ART TO CREATE A FOCAL POINT OF INTEREST IN AN ARTWORK
emphasis
shape
space
line
53
A MAIN COLOR WITH TWO COLORS ADJACENT TO ITS’ COMPLEMENT
split complimentary
achromatic
complimentary
complicated
54
PERIOD OF ART PICTURED HERE THAT USED NATURAL CURVES AND VIVID COLORS OF PLANTS
Modern
Art Nouveau
Graffiti
Art Deco
55
RELATIVE SIZE OR SCALE WHEN COMPARING OBJECTS OR PARTS TO THE WHOLE
PROPORTION
PATTERN
SPACE
MOVEMENT
56
USING THINNED PAINT WITH A STIFF BRUSH TO FLICK TINY DOTS OF PAINT
glazing
lifting
wash
spray
57
What type of colors are:
ORANGE, GREEN, VIOLET
quadratic
primary
secondary
tertiary
58
DISTRIBUTION OF VISUAL WEIGHTS OF OBJECTS IN AN ARTWORK
LINE
REPETITION
BALANCE
COLOR
59
TO TELL A STORY WITH PICTURES AND TEXT
Karaoke
Illustration
Narration
Playwriting
60
USING TINTS AND SHADES OF ONE COLOR ONLY
miadchromatic
midchromatic
monochromatic
mychromatic
