This example is taken from which of the following cycles?

A representation of the labors of the months

This work is an example of which of the following period styles?

International Gothic/Early Renaissance

The work demonstrates all of the following EXCEPT

A dependence on Classical prototypes

The use of typology (or prefiguration) in the work is evident in its

Pairing of biblical Old and New Testament scenes

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Objects of Wealth and Ritual

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Answers

1
Thework was painted during the
Fourteenth or fifteenth century C.E.
enth or eleventh century C.E.
Sixth or seventh century C.E.
First or second century C.E.
2
An iconophile refers to
The worshipper of images
The process of icon painting
The destroyer of images
An artistic movement
3
This example is taken from which of the following cycles?
Allegories of the virtues and vices
A book on animal husbandry
A representation of the labors of the months
Biblical stories represented in contemporary dress
4
A destroyer of religious images is known as a
Calligraphy
Iconoclast
Iconography
Symbolism
5
Each scene seen in the work is place in a recessed area commonly referred to as a
Balustrade
Pilaster
Parapet
Niche
6
This work is an example of which of the following period styles?
International Gothic/Early Renaissance
Carolingian
Roman
Byzantine
7
The patron of the work was a
Franciscan friar
Byzantine emperor
Roman prefect
Greek soldier
8
Religious objects such as this one were produced primarily for
Court ritual
Private devotion
Architectural decoration
Burial purposes
9
The work was painted by
Jan and Hubert van Eyck
Irish monks
The Limbourg brothers
The Lorenzetti brothers
10
The work demonstrates all of the following EXCEPT
A dependence on Classical prototypes
A limited use of shading and volume
An interest in individual expression
A strong linear sense
11
The sculpture was created during the
Tenth century CE
Fourteenth century CE
Fourth century CE
First century CE
12
The use of typology (or prefiguration) in the work is evident in its
Arrangement of narratives in chronological order
Portraits of the patron
Carved translations of sacred texts
Pairing of biblical Old and New Testament scenes
13
The patron of the artwork is
Charles V
Philip the Bold of Burgandy
Pol Limbourg
Duc de Berry
14
The medium of the work is encaustic, which is pigment mixed with
Water
Linseed oil
Egg yolk
Wax
15
The style of the work was influenced by
Late Byzantine sculpture
Gothic sculpture
Late Roman Sculpture
Romanesque sculpture

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