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3^ media: History of Art - 1st term exam Flashcards | StudBud
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3^ media: History of Art - 1st term exam
3^ media: History of Art - 1st term exam
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1
Inanimate subjects are depicted for the sake of their quality, form, colour, texture and composition.
Still life during the Renaissance period
Still life during the Baroque period
Still life during the Mannerist period
2
The painter who crafted peculiar portraits of people made out of vegetation, animals, and found objects
Paolo Veronese
Jacopo da Pontormo
Michelangelo Merisi detto il Caravaggio
Giuseppe Arcimboldo
3
The Baroque style started in Italy and the Catholic Church encouraged it in art and architecture as a response to...
The Muslims
The atheists
The Orthodox Church
The Protestant Reformation
4
Due to his ability to assimilate his predecessor, he was named by his contemporaries as ........... redivio
Cortona
Veronese
Leonardo
Botticelli
5
This ceiling painting was made by....
Johannes Vermeer
Giovanni Battista Gaulli
Giambattista Tiepolo
Pietro da Cortona
6
The Cornaro Chapel carries Bernini’s ideal of a three-dimensional picture to its apex. Why?
It is based on Teresa of Ávila's description of the event
It is a framed pictorial scene made up of sculpture, painting, and light
It is made of marble and guilt rays
The saint is covered by cascading drapery
7
Along with the main commissioned paintings, painters started to also represent domestic interior scenes known as...
inferior art
portraiture
still life
genre-painting
8
He was a pioneer of the Mannerist style, he rendered figures with impossibly elongated limbs and oddly positioned body
Giuseppe Arcimboldo
Sandro Botticelli
Parmigianino
Jacopo da Pontormo
9
Apollo and Daphne by Gian Lorenzo Bernini is a typical Baroque sculpture as it is ...
transforming into a tree
commissioned in Rome
full of dynamism, movement and drama
made of marble
10
Tiepolo brightened his colours and used pastels in complimentary schemes
False
True
11
Velazquez could possibly have advertised himself as an artist in this painting.
True
False
12
This statue portrays the futile romance between .............; he is deeply in love with her, but she abhors him.
Apollo and Eros
Apollo and Cassandra
Apollo and Daphne
Apollo and Bernini
13
Quadratura technique (from the Italian 'quadro') is used to put painting in a frame
False
True
14
The Council of ................ (1545-1563) had discussed how to make religion and God closer to the faithful.
Rome
Brussels
Trento
Geneve
15
In Palazzo Archivescovile, the ceiling above the main staircase, is depicting the...
Father and angels in glory
Angels floating
Fall of the Rebelling Angels
Angels in the clouds
16
The term Baroque derives from the Portuguese
barroco
, which means....
oddly shaped pearl
an elaborated traditional dance
oddly shaped sphere
oddly shaped church
17
Velazquez's capacity to capture the real man simmering beneath the esteemed robe is mastered in his portrait of...
Infanta Margarita
Pope Innocent X
himself
18
Quadratura technique creates the illusion that the space is smaller
True
False
19
Baroque Architecture: convex and concave forms were used to describe movement on church .........
facades
domes
columns
20
Quadratura technique, differently from the sotto in su, incorporates architectural elements
True
False
21
Mannerism is named after maniera, an Italian term for “style” or “...................”
realism
manner
exaggeration
extravagance
22
Nobody that goes to Rome should miss the great experience of seeing this masterpiece at...
Palazzo Doria Pamphilj
Palazzo Barberini
Galleria Borghese
Musei Vaticani
23
The religious conflict between Catholics and Protestants caused the beginning of a terrible war, the Thirty Years War
False
True
24
Tiepolo was an international artist and his commissions came from Italy, Spain, Germany, Sweden and....
Russia
Portugal
England
Denmark
25
Illusionistic ceiling painting techniques help to increase the drama of the scene
False
True
26
The paintings during the Baroque period became more emotional and .......
exaggerated
all of the above
dramatic
expressive
27
The patronage of the Roman Catholic Church was fundamental to the Baroque style
False
True
28
We are in the Palazzo Archivescovile in Udine. Who's the man depicted on the right?
Dionisio Dolfin
Just a peasant
Self-portrait of Tiepolo
Mengozzi Colonna
29
The frescoes of the Palazzo Arcivescovile of Udine were commissioned by...
Dionisio Dolfin
Benedict XIV
Mengozzi Colonna
Albert Pessler
30
This Mannerist artist abandoned the naturalistic colours and instead employed artificial and garish—tones
Jacopo da Pontormo
Parmigianino
Michelangelo Merisi detto il Caravaggio
Gian Lorenzo Bernini
31
At the centre of P.zza di Spagna and at the bottom of the Spanish Steps, you can find a curious fountain commissioned by
Scipione Broghese
Francesco I d'Este
Gian Lorenzo Bernini
Barberini Pope Urbano VIII
32
The combination of precision, apparent ease, and liveliness was referred to as...
Rococo style
balance
sprezzatura
family trait
33
Tiepolo was recognised by contemporaries throughout Europe as the greatest painter of large-scale decorative...
sculptures
mosaics
frescoes
canvas paints
34
The bees are one of the symbols of....
the Barberini family
the Borghese family
the Bernini family
the Catholic Church
35
His paintings are capable of orchestrating an utterly realistic theatre of contrasts: darkness and light, life and death
Michelangelo Merisi detto il Caravaggio
Michelangelo Buonarroti
Giambattista Tiepolo
Jacopo da Pontormo
36
In 1866, the Glorious Revolution gave rise to constitutional monarchy in England and nobody got killed in the process
False
True
37
Sotto in su and quadratura are visible not only in Italy but also elsewhere in Europe
False
True
38
Mannerism is a style that emerged in ........... and lasted until the end of the century.
1330
1530
1430
1630
39
In 1755 Giambattista Tiepolo was elected Director of the Academy of Fine Arts in....
Bergamo
MIian
Udine
Venice
40
Mannerist artists were interested in the perfectionism portrayed by High Renaissance artists, but they...
exaggerated Renaissance principles
all of the above
created highly artificial compositions
created a sense of sophisticated elegance