The work on the right is from this culture and illustrates:

Aztec, dismembered and decapitated corpse of Coyolxauhqui

A true statement of the work would be:

Cliff dwellings in present day CO were abandoned @ 1300

All the following are true of the image EXCEPT:

The pots are highly watertight and highly utilitarian

Both works are similar in this way:

Both use the sun as a method to record time

The purpose of the work:

It is a Chavin septum nose ring and showed status

A true statement about the work on the right would be:

It's covered w/ Aztec creation myths and calendar signs

The context of this work:

It was woven by made by a group of women in the community

The work and culture:

Transformation mask, Kwakiutl, Northwest coast of Canada

The work on the left is from:

City of Machu Picchu, Central highlands, Peru

All are true of the mask EXCEPT:

The maska represent ancestor worship

All are true of the work EXCEPT:

Was 4 the elaborate Spanish tastes who conquered the Aztecs

The top of this structure is called this and serves to do this:

A roof-comb, gives impression that the building is taller

The first Inkan emperor, Pachacuti Inka Yupanqui, had Machu Picchu build to serve as

site for conducting administrative affairs and ceremonies

All are true of the work EXCEPT:

It was woven and then hand-painted by chosen Inka women

A true statement of the location where the work on the left resides:

Machu Picchu is was a royal estate and religious site

The culture and name of location on the left:

Inka, City of Machu Picchu, Central highlands, Peru

A true statement regarding of this work would be:

A variety of t’oqapu symbolizes the power of the Inka ruler

A statement that would sum up the ceremonial purpose

In Kwakiutl stories, animals & humans differed only in skin

All the following are true of the image EXCEPT:

They were worn by the women of the Delaware people

All are true of the mask EXCEPT:

The maska represent ancestor worship

The following is true of the image EXCEPT:

Influenced by missionaries it has Shoshones attending church

All is true of the work on the right EXCEPT:

From Templo Mayor dedicated to the moon goddess Coyolxauhqui

The culture on the left and the main subjects in the work:

Maya, Lady Xook kneels before a vision of a serpent

All the following are true of the image EXCEPT:

It's Chavín ruler who ruled harshly like a jaguar

All the following are true of the image EXCEPT:

It is the ancient Indiana State corn deity

The culture and purpose of the work:

Aztec, Ruler’s feather headdress

This work illustrates:

How Aztec artisans made elaborate feather works

studbud

Unit 5 Review

33 termsStudBud Administration207 plays

#Art History

Flashcards33 cardsFPractice quizPHost liveL

Questions 33

Answers

1
The work on the right is from this culture and illustrates:
Aztec, dismembered and decapitated corpse of Coyolxauhqui
Maya, the war god Huitzilopochtli
Maya, the Lord Shield Jaguar
Aztec, a solar calendar w/ different parts of solar system
2
The culture of and material used for this work
Aztec, Llama fiber and cotton
Niue, Tapa or bark cloth
Inka, Camelid fiber and cotton
Navaho, wool
3
The carving is from this culture and represents this as a subject:
Aztec, serpents
Maya, leopards
Inka, gods
Chavin, jaguars
4
A true statement of the work would be:
Puebloan peoples built these structures to escape warfare
Farm workers lived in them b/c it was close to water source
The cliff dwellings were built for the royal family
Cliff dwellings in present day CO were abandoned @ 1300
5
All the following are true of the image EXCEPT:
The pots are highly watertight and highly utilitarian
The glossy portion of the pot is achieved by burnishing
Maria and Julian Martinez pots selling upwards of $500,000
Powdered manure was used in an outdoor kilns w/ little oxygen
6
Both works are similar in this way:
Both are observatories
Both use the sun as a method to record time
Both honor the Aztec sun god
Both are altars
7
The purpose of the work:
It was an elaborate bracelet worn by the Aztec nobility
It was an elaborate Chavin necklace to show status
It was an Aztec door ornament at the Templo Mayor
It is a Chavin septum nose ring and showed status
8
A true statement about the work on the right would be:
It's an indigenous Zapotec mother meeting the Spanish
It is a navigation chart from the Marshall Islands
It's covered w/ Aztec creation myths and calendar signs
It shows dismembered & decapitated corpse of Coyolxauhqui
9
The context of this work:
The patterns are painted
It was woven by made by a group of women in the community
It contains radial balance
It is made from mulberry bark
10
The work and culture:
Transformation mask, Kwakiutl, Northwest coast of Canada
Olmec-style mask, Templo Mayor, Aztec, Tenochtitlan
Buk (mask), Pacific, Torres Strait
Staff god,Rarotonga, Cook Islands, central Polynesia
11
The work on the left is from:
City of Machu Picchu, Central highlands, Peru
Yaxchilan, Structure 33, Chiapas, Mexico
Chavin de Huantar. Northern highlands, Peru
Mesa Verde cliff dwellings. Montezuma County, Colorado
12
All are true of the mask EXCEPT:
Dancers wearing masks r transformed into spirits on the mask
The mask is displayed opened & made of wood, paint & string
These masks were just one sign of a person’s status & rank
The maska represent ancestor worship
13
All are true of the work EXCEPT:
Was 4 the elaborate Spanish tastes who conquered the Aztecs
It is believed to have belonged to Motecuhzoma II Xocoyotzin
has 450 green quetzal, blue cotinga & pink flamingo feathers
Made for a ruler who was believed to be a god by his people
14
The top of this structure is called this and serves to do this:
A walled roof, used to add an outdoor extra floor
A roof-comb, gives impression that the building is taller
A retention wall, a wall to keep vegetation from eroding
A lattice roof, a wall to climb and use as a look-out
15
The first Inkan emperor, Pachacuti Inka Yupanqui, had Machu Picchu build to serve as
site for conducting administrative affairs and ceremonies
retreat that offered respite from the hot Cusco summers
highly guarded fortress that offered military protection
sacred training ground for the emperor's priestly advisors
16
All are true of the work EXCEPT:
It was woven and then hand-painted by chosen Inka women
It was traditional to weave garments in a single piece
It was given as royal gifts, worn by the royal household
This Inka cloth, qompi was made by acllas (“chosen women”)
17
A true statement of the location where the work on the left resides:
Machu Picchu is was a royal estate and religious site
An altar at the very top of the Aztec pyramid Templo Mayor
The cliff dwellings at Mesa Verde were abandoned around 1300
The remains of Nan Madol are on a coral reef
18
The culture and name of location on the left:
Chavin, Chavin de Huantar. Northern highlands, Peru
Maya, Yaxchilan, Structure 33, Chiapas, Mexico
Anasaz, Mesa Verde cliff dwellings. Montezuma County, CO
Inka, City of Machu Picchu, Central highlands, Peru
19
Both works share this formal (form) quality:
They both have a border
Both were part of a temple
They both share the same mythological subject
They both are in high relief
20
A true statement regarding of this work would be:
The fabric is woven in several pieces
A variety of t’oqapu symbolizes the power of the Inka ruler
This work is a replica because the dyes are man-made
The work is a blanket that adorned the beds of nobility
21
An innovation of the complex on the left:
The Intihuatana stone is an indicator of the two equinoxes
Stone channels drain water from rainfall and from a spring
The terraces increased the land surface and reduced erosion
All of the above
22
A statement that would sum up the ceremonial purpose
The ceremony is initiation into secret animal spirit society
These masks represent the transformation of a boy to a man
Mask belongs to the only all-female society in the Americas
In Kwakiutl stories, animals & humans differed only in skin
23
All the following are true of the image EXCEPT:
b/c of their beauty
They were worn by the women of the Delaware people
It is made of beadwork on leather
It belonged to the Delaware people
24
All are true of the mask EXCEPT:
These masks were just one sign of a person’s status & rank
Dancers wearing masks r transformed into spirits on the mask
The maska represent ancestor worship
The mask is displayed opened & made of wood, paint & string
25
The following is true of the image EXCEPT:
It is attributed to Cotsiogo (Cadzi Cody), Eastern Shoshone
Influenced by missionaries it has Shoshones attending church
subject that “affirmed native identity” appealed to tourists
The hide painting also shows activities of daily life
26
All is true of the work on the right EXCEPT:
From Templo Mayor dedicated to the moon goddess Coyolxauhqui
dismembered sacrificed bodies would land upon this disk
Frm temple with twin shrine to god Tlaloc & Huitzilopochtli
Defeated enemy would see this before climbing Templo Mayor
27
The culture on the left and the main subjects in the work:
Mayan, Lord Shield Jaguar kneels before vision of a serpent
Maya, Lady Xook kneels before a vision of a serpent
Inka, a warrior is battling a dragon
Aztec, the Lady Xook gives offerings to the serpent god
28
All the following are true of the image EXCEPT:
The deity was probably only seen by priests
It's Chavín ruler who ruled harshly like a jaguar
It depicts the Lanzon, a principal deity of Chavin culture
The fangs and talons most likely r of a jaguar & the caiman
29
All the following are true of the image EXCEPT:
It belonged to a garden of llamas, corn, flowers & people
Inka metalsmiths used silver and copper to mimic actual corn
It is made of the repoussé process
It is the ancient Indiana State corn deity
30
The work on the left illustrates:
A sacred bloodletting ceremony
A warrior battling a serpent
A priest expelling a demon
A priest conducting a sacred serpent ceremony
31
All the following are true of the image EXCEPT:
Some scholars speculate it could represent Halley's comet
It is located in southwest Ohio
It was an ancient burial mound
It is a man-made earthwork & meant to be seen from above
32
The culture and purpose of the work:
Kwakiutl, Ruler's feather headdress
Inka, Ruler's feather headdress
Aztec, Ruler's cape
Aztec, Ruler’s feather headdress
33
This work illustrates:
Mayan artisans loved colorful birds
Shoshone people created feather war helmets
The Inka honored their kings with feather headdresses
How Aztec artisans made elaborate feather works

Unit 5 Review Flashcards | StudBud

Unit 5 Review

33 termsStudBud Administration207 plays

#Art History

Flashcards33 cardsFPractice quizPHost liveL

Questions 33

Answers

1
The work on the right is from this culture and illustrates:
Aztec, dismembered and decapitated corpse of Coyolxauhqui
Maya, the war god Huitzilopochtli
Maya, the Lord Shield Jaguar
Aztec, a solar calendar w/ different parts of solar system
2
The culture of and material used for this work
Aztec, Llama fiber and cotton
Niue, Tapa or bark cloth
Inka, Camelid fiber and cotton
Navaho, wool
3
The carving is from this culture and represents this as a subject:
Aztec, serpents
Maya, leopards
Inka, gods
Chavin, jaguars
4
A true statement of the work would be:
Puebloan peoples built these structures to escape warfare
Farm workers lived in them b/c it was close to water source
The cliff dwellings were built for the royal family
Cliff dwellings in present day CO were abandoned @ 1300
5
All the following are true of the image EXCEPT:
The pots are highly watertight and highly utilitarian
The glossy portion of the pot is achieved by burnishing
Maria and Julian Martinez pots selling upwards of $500,000
Powdered manure was used in an outdoor kilns w/ little oxygen
6
Both works are similar in this way:
Both are observatories
Both use the sun as a method to record time
Both honor the Aztec sun god
Both are altars
7
The purpose of the work:
It was an elaborate bracelet worn by the Aztec nobility
It was an elaborate Chavin necklace to show status
It was an Aztec door ornament at the Templo Mayor
It is a Chavin septum nose ring and showed status
8
A true statement about the work on the right would be:
It's an indigenous Zapotec mother meeting the Spanish
It is a navigation chart from the Marshall Islands
It's covered w/ Aztec creation myths and calendar signs
It shows dismembered & decapitated corpse of Coyolxauhqui
9
The context of this work:
The patterns are painted
It was woven by made by a group of women in the community
It contains radial balance
It is made from mulberry bark
10
The work and culture:
Transformation mask, Kwakiutl, Northwest coast of Canada
Olmec-style mask, Templo Mayor, Aztec, Tenochtitlan
Buk (mask), Pacific, Torres Strait
Staff god,Rarotonga, Cook Islands, central Polynesia
11
The work on the left is from:
City of Machu Picchu, Central highlands, Peru
Yaxchilan, Structure 33, Chiapas, Mexico
Chavin de Huantar. Northern highlands, Peru
Mesa Verde cliff dwellings. Montezuma County, Colorado
12
All are true of the mask EXCEPT:
Dancers wearing masks r transformed into spirits on the mask
The mask is displayed opened & made of wood, paint & string
These masks were just one sign of a person’s status & rank
The maska represent ancestor worship
13
All are true of the work EXCEPT:
Was 4 the elaborate Spanish tastes who conquered the Aztecs
It is believed to have belonged to Motecuhzoma II Xocoyotzin
has 450 green quetzal, blue cotinga & pink flamingo feathers
Made for a ruler who was believed to be a god by his people
14
The top of this structure is called this and serves to do this:
A walled roof, used to add an outdoor extra floor
A roof-comb, gives impression that the building is taller
A retention wall, a wall to keep vegetation from eroding
A lattice roof, a wall to climb and use as a look-out
15
The first Inkan emperor, Pachacuti Inka Yupanqui, had Machu Picchu build to serve as
site for conducting administrative affairs and ceremonies
retreat that offered respite from the hot Cusco summers
highly guarded fortress that offered military protection
sacred training ground for the emperor's priestly advisors
16
All are true of the work EXCEPT:
It was woven and then hand-painted by chosen Inka women
It was traditional to weave garments in a single piece
It was given as royal gifts, worn by the royal household
This Inka cloth, qompi was made by acllas (“chosen women”)
17
A true statement of the location where the work on the left resides:
Machu Picchu is was a royal estate and religious site
An altar at the very top of the Aztec pyramid Templo Mayor
The cliff dwellings at Mesa Verde were abandoned around 1300
The remains of Nan Madol are on a coral reef
18
The culture and name of location on the left:
Chavin, Chavin de Huantar. Northern highlands, Peru
Maya, Yaxchilan, Structure 33, Chiapas, Mexico
Anasaz, Mesa Verde cliff dwellings. Montezuma County, CO
Inka, City of Machu Picchu, Central highlands, Peru
19
Both works share this formal (form) quality:
They both have a border
Both were part of a temple
They both share the same mythological subject
They both are in high relief
20
A true statement regarding of this work would be:
The fabric is woven in several pieces
A variety of t’oqapu symbolizes the power of the Inka ruler
This work is a replica because the dyes are man-made
The work is a blanket that adorned the beds of nobility
21
An innovation of the complex on the left:
The Intihuatana stone is an indicator of the two equinoxes
Stone channels drain water from rainfall and from a spring
The terraces increased the land surface and reduced erosion
All of the above
22
A statement that would sum up the ceremonial purpose
The ceremony is initiation into secret animal spirit society
These masks represent the transformation of a boy to a man
Mask belongs to the only all-female society in the Americas
In Kwakiutl stories, animals & humans differed only in skin
23
All the following are true of the image EXCEPT:
b/c of their beauty
They were worn by the women of the Delaware people
It is made of beadwork on leather
It belonged to the Delaware people
24
All are true of the mask EXCEPT:
These masks were just one sign of a person’s status & rank
Dancers wearing masks r transformed into spirits on the mask
The maska represent ancestor worship
The mask is displayed opened & made of wood, paint & string
25
The following is true of the image EXCEPT:
It is attributed to Cotsiogo (Cadzi Cody), Eastern Shoshone
Influenced by missionaries it has Shoshones attending church
subject that “affirmed native identity” appealed to tourists
The hide painting also shows activities of daily life
26
All is true of the work on the right EXCEPT:
From Templo Mayor dedicated to the moon goddess Coyolxauhqui
dismembered sacrificed bodies would land upon this disk
Frm temple with twin shrine to god Tlaloc & Huitzilopochtli
Defeated enemy would see this before climbing Templo Mayor
27
The culture on the left and the main subjects in the work:
Mayan, Lord Shield Jaguar kneels before vision of a serpent
Maya, Lady Xook kneels before a vision of a serpent
Inka, a warrior is battling a dragon
Aztec, the Lady Xook gives offerings to the serpent god
28
All the following are true of the image EXCEPT:
The deity was probably only seen by priests
It's Chavín ruler who ruled harshly like a jaguar
It depicts the Lanzon, a principal deity of Chavin culture
The fangs and talons most likely r of a jaguar & the caiman
29
All the following are true of the image EXCEPT:
It belonged to a garden of llamas, corn, flowers & people
Inka metalsmiths used silver and copper to mimic actual corn
It is made of the repoussé process
It is the ancient Indiana State corn deity
30
The work on the left illustrates:
A sacred bloodletting ceremony
A warrior battling a serpent
A priest expelling a demon
A priest conducting a sacred serpent ceremony
31
All the following are true of the image EXCEPT:
Some scholars speculate it could represent Halley's comet
It is located in southwest Ohio
It was an ancient burial mound
It is a man-made earthwork & meant to be seen from above
32
The culture and purpose of the work:
Kwakiutl, Ruler's feather headdress
Inka, Ruler's feather headdress
Aztec, Ruler's cape
Aztec, Ruler’s feather headdress
33
This work illustrates:
Mayan artisans loved colorful birds
Shoshone people created feather war helmets
The Inka honored their kings with feather headdresses
How Aztec artisans made elaborate feather works