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Chapter 7--The Art of Being Human, Theatre Flashcards | StudBud
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Chapter 7--The Art of Being Human, Theatre
Chapter 7--The Art of Being Human, Theatre
25 terms
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StudBud Administration
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30 plays
These are questions from chapter 7 the first half of the book
Flashcards
25 cards
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Practice quiz
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Questions
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Answers
1
The revelation through dialog of past relationships among the characters is known as
naturalism.
exposé.
exposition.
verisimilitude.
2
Plot refers
to the end of the play.
to the overarching message.
to the story or action of the play.
to the way thought is verbally communicated.
3
To appreciate theater, an audience must
agree with its critical reception.
prefer spoken dialog over music.
be able to recite some dialog from the play from memory.
be able to accept pretense as reality.
4
Lysistrata,
by Aristophanes, is considered a satire because it is both comedic and
based on myth.
realistic.
critical of war.
tragic.
5
The revelation through dialogue of necessary background information is called
flashback.
the recognition scene.
subtext.
exposition.
6
Practice begun in the 19th century making scenery & dialogue look & sound like the real world
theatrical convention.
verisimilitude.
the well-made play.
naturalism.
7
The main character in a tragedy whose fortunes the audience follows is the
protagonist.
catharsis.
deus ex machina.
proscenium.
8
One difference between the theatre of Greece and that of Rome is that, in Greece,
gestures were broad rather than subtle.
performances were staged in smaller venues.
tragedies were rarely enacted.
violence occurred off stage.
9
Modern tragedies differ from Greek, Elizabethan, and neoclassical tragedies in that their protagonists may be
ordinary men or women.
heroes.
fools.
morally corrupt aristocrats.
10
Racial themes are often exhibited in the work of American playwrights
O’Neill and Odets.
Lorraine and Mamet.
Hansberry and Wilson.
Anderson and Sherman.
11
Women first appeared on stage, playing the roles of female characters,
in ancient Greece, on only a handful of occasions.
in Elizabethan theaters.
beginning in the nineteenth century.
during the neoclassical period.
12
According to Aristotle, the three unities are time, place, and action.
True
False
13
Classical idea that plays should present a single plot in a single place in one day is called
the well-made play.
naturalism.
the unites.
satire
14
The institution of comedy first emerged
in neoclassical France.
in Roman theatre
in ancient Greece.
in nineteenth-century Germany.
15
Audiences who attended a neoclassic tragedy were made up primarily of
middle-class patrons.
festivalgoers.
aristocrats.
groundlings.
16
The soliloquy is important to drama because it
provides resolution to a difficult problem in a play.
is deus ex machina.
allows characters to make a commentary on the action.
allows a character alone on stage to speak thoughts aloud.
17
If you are watching a farce in pantomime that relies on stock characters, you are watching
a Shakespearean comedy.
a Greek comedy.
a parody
a commedia dell’arte.
18
A kind of play where every element of language or action advances the plot is a(n)
agitprop.
farce.
. comedy of character.
well-made play.
19
Serious criticism aimed @ the betterment of society but accomplished through laughter is called
farce.
satire.
comedy.
parody
20
The conditions of theater that an audience accepts as standard or real are known as
well-made plays.
verisimilitude.
conventions.
naturalism.
21
A theatrical performance may shatter the fourth-wall, the best example of shattering the wall is
having a director sit in the theater alongside the audience.
adding a musical leit-motif to the drama.
having the stage lighting darken unexpectedly.
having an actor look directly at the audience.
22
Melodrama is
technique of acting based on the imitation of how people talk in real life.
a group of masked actors and sing, dance, and comment on the play.
a professional acting troupe that performed in the Italian streets.
dealing with a conflict between two characters, very good and very bad.
23
_________ was the first person ever to appear on stage as an actor playing a character in a play.
Aeschylus
Thespis
Dionysus
Shakespeare
24
Aristotle's definition of catharsis
is the highest point of intensity in a play.
means a turning point in the play
is used to purge or purify the emotions of the audience.
is used to show crisis.
25
The proscenium is important mainly because it
is the moment a character recognizes tragic circumstances
creates an invisible fourth wall.
send audiences home in a happier state of mind.
allows a character to reveal inner thoughts to the audience.