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AP Art History Unit 10:A (0-11) Flashcards | StudBud
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AP Art History Unit 10:A (0-11)
AP Art History Unit 10:A (0-11)
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1
The pilasters function is _____.
to support the weight of each floor's entablature
prevents the romanesque arches from collapsing
decorative
to indicate the separation of each room
2
The dog in the painting is the symbolism of
playfulness
fidelity
hard work
the shephard
3
The architecture shown here is
Pazzi Chapel
Arena Chapel
Palazzo Rucellai
Palazzo Medici-Riccardi
4
Attribute Donatello's David to another previously learned sculpture.
Stele of Hammurabi
Doryphorous
Nike of Samothrace
Peplos Kore
5
The oranges on the window sill symbolize wealth because
the pigment orange was difficult to make & was expensive for artists to use
the color is closely related to gold
citris fruit was difficulty to obtain in this region
it represents the sweetness of life
6
The roundels at the edge of the mirror depict ___
the months of the calendar
Christ's passion and death
virtuous acts of daily life
the 12 Apostles
7
The Palazzo Rucellai had four floors. The second floor is for _________.
the family's private apartment
conducting family business
the servants quarters
receiving guests
8
The _______ side of the painting is dedicated to men who were concerned with practical matters
right
left
right
left
9
The work is considered to be part of the _______ era
early christian
high / late renaissance
mannerist
early renaissance
10
The artist relies on ______ attributes to separate his forms.
chromatic
modeling
linear
shapely
11
This work is from which of the following periods?
Early Renaissance
Early Christian
Byzantine
Late Renaissance
12
The Pazzi Chapel shows careful attention to geometry which echoes the great buildings of . . .
the Ancient Near East.
the ancient Etruscans.
Ancient Egypt.
Ancient Rome.
13
Donatello's David is the personification of which city?
Rome
Milan
Venice
Florence
14
The medium of this work is
tempra on wood
oil and tempra on dry plaster
fresco
oil on panel
15
How is the spirit of Christ symbolized?
the open shutters of the window
the missing candle above the fireplace
the figure carrying a cross on a sunbeam through the window
the open door in the left panel
16
The painting shown was created by
Botticelli
Raphael
Fra Filippo Lippi
Titan
17
The Palazzo Rucellai had four floors. The third floor is for _________.
conducting family business
the servants quarters
receiving guests
the family's private apartment
18
The Pazzi Chapel was part of the Church of Santa Croce and it was used as . . .
a funerary chapel
a place to receive pilgrims
a meeting room
a place for Mass
19
The dome of the Pazzi Chapel is supported by ____.
barrel vaults
pendentives
squinches
clerestory
20
This sculpture shows the admiration of the human body seen in ancient Greek and Roman art.
true
false
false
true
21
This work is considered
religious
secular
dogmatic
spiritual
22
The architecture shown here is
Arena Chapel
Palazzo Rucellai
Pazzi Chapel
Palazzo Medici-Riccardi
23
The rounded arches of the Palazzo Rucellai is similar to which Ancient Roman structure?
Bascilica Uplia
Colosseum
Arch of Titus
Pantheon
24
The medium of this work is
oil on panel
fresco
tempra on wood
oil on canvas
25
This images official title is, "The...
Annunciation Triptych
Robert Campin Triptych
Workshop of Robert Campin
Lamentation diptych
26
What object is noticeably absent that previous artists have used to describe the divine?
Horns
Putti
Wings
Halo
27
The work is considered to be part of the _______ era
mannerism
early christian
early renaissance
high / late renaissance
28
The artist utilizes a great deal of ____ to describe the background
sfumato
linear perspective
chiaroscuro
atmospheric perspective
29
The ___ side of the painting is dedicated to men who were concerned with transcendent mysteries
left
right
left
right
30
Similar to Leonardo daVinci's, "The Last Supper" the work employs ___.
oil on plaster
linear perspective
the smokey technique of sfumato
atmospheric perspective
31
Which of the following is NOT true of this painting?
The apostles each react to the betrayal in different way.
Judas has a bag of silver because he was paid to betray Christ.
All traditional symbols of the divine are in this painting.
Christ reaches for the bread & wine; the first Eucharist
32
The composition of this work can be best attributed to _______.
The Birth of Venus by Botticelli
Olympia by Manet
Lamentation by Giotto
Expulsion from the Garden by Michaelangelo
33
The purpose of the artwork was to
portray a specific historical narrative
synthesize Christian and Classical culture
represent the glory of the Emperor
serve as an altarpiece in religious services
34
This was painted by
Albrect Durer
Jan Van Eyck
Titan
Robert Campin
35
The Palazzo Rucellai had four floors. The fourth floor is for _________.
the family's private apartment
conducting family business
receiving guests
the servants quarters
36
____ made figures look like they were moving and really alive, unlike medieval sculpture.
Chiaroscuro
Contrapposto
Bronze
The lost wax method
37
The work shown here was created by
Filippo Brunelleschi
Andrea Del Verrocchio
Sandro Botticelli
Fra Filippo Lippi
38
The work is divided into two schools of thought, one championed by Plato, and the other by ___.
Socrates
Aristotle
Heraclitus
Euclid
39
The dog in this painting is a symbol of ______.
death
virginity
fidelity
fertility
40
The artist is represents himself ___ times in this painting
2
1
0
3
41
Which of the following is NOT true of this painting?
The artist established the genre of the reclining female nude.
The title was given after it was painted to justify the nude
The proportions of the body make the figure elegant.
Titian was looking back to Raphael's nude for inspiration.
42
This work is from which of the following periods?
Byzantine
Late Renaissance
Early Christian
Early Renaissance
43
Which of the following is NOT true of Donatello's David?
It shows a revival of the classical interest for the body.
It was the first free-standing nude since antiquity.
It's made of bronze utilizing the lost wax method.
It's typical of its time since it displays eroticism.
44
Which technique did Titian use to paint the Venus of Urbino?
thin layers of oil paint, called glazes
thin layers of egg tempera paint, called chiaroscuro
subtle cross hatching strokes, called Alla Prima
thick layers of oil paint, called staccato
45
These walls are divided into 3 registers; the
bottom
register depicts ___.
Christ's grandparents, the birth of Mary, and her life
The deeds of Christ's life (ministry)
The life of Mary and Joseph before the birth of Christ
Christ's passion; the events at the end of Christ's life
46
The subject matter depicted on the end wall is the
Annunciation
Crucifixion
Last Judgment
Last Supper
47
This image is more commonly known as, "The...
Merode Alterpiece
Isenheim Alterpiece
Ghent Alterpiece
Campin Alterpiece
48
What was the artist's biggest blunder in creating this work?
Mary Magdaline is seated at the table
Christ is missing his halo
The application of oil paint on top of dry plaster
Judas is on the same side of the table as the other apostles
49
The artist has painted himself among the men on the _____ side of the painting
left
left
right
right
50
For Renaissance buildings to be Humanist, they look to medieval buildings for inspiration.
False
False
True
True
51
The figure of Venus in, "The Birth of Venus" was based on...
an ancient Greek sculpture of a market woman.
an ancient Roman copy of a Greek sculpture.
a Minoan sculpture of a priestess.
an ancient Egyptian sculpture of a goddess.
52
What key feature did the artist change in this version of the Last Supper?
Mary was not normally present in the Last Supper.
This is a plain-looking room, instead of highly decorated.
It does not include any cups of wine for the Eucharist.
Judas is on the same side with the other apostles.
53
At this time, the only previously acceptable female nude was of ______.
Mary Magdalene
Virgin Mary
Rebekkah
Eve
54
This work is considered a ___.
lithograph
diptych
monoprint
triptych
55
The work shown here was created by
Cosimo Medici
Titian
Andrea Del Verrocchio
Giorgione
56
To create emphasis on Christ, the artist employs ____
chiaroscuro
a monochrome palette
linear perspective
atmospheric perspective
57
What may have influenced the artist in creating isolated, floating figures set against a background?
Ancient Roman wall painting
Ancient Greek mosaics
Ancient Greek vase painting
Ancient Near Eastern stele
58
The work is considered to be part of the _______ era
mannerist
early christian
high / late renaissance
early renaissance
59
In the painting, the artist depicts his friend, Leonardo di Vinci as ____
Socrates
Aristotle
Heraclitus
Plato
60
The architect of this building was
Filippo Brunelleschi
Fra Filippo Lippi
Giotto
Sandro Botticelli
61
The human figures in the painting are depicted as
flat , frontal and iconic
elongated, floating Byzantine shapes
having mass and sculpturesque forms
symbolic representations
62
The subject in the painting shown is the
Lamentation
Resurrection
Ascension
Annunciation
63
The architect who designed this building was
Fra Filippo Lippi
Leon Battista Alberti
Filippo Brunelleschi
Sandro Botticelli
64
The work was commissioned by
Cosimo di Medici
Fra Fillipo Lippi
Pope Juluis II
Ludovico Sforza
65
The artwork decorates which of the following?
The Medici Palace
St. Peter’s Basilica
The Basilica of St. John the Lutheran
Stanza della Segnatura
66
The Palazzo Rucellai had four floors. The first floor is for _________.
the family's private apartment
conducting family business
receiving guests
the servants quarters
67
These walls are divided into 3 registers; the
middle
register depicts ___.
Christ's grandparents, the birth of Mary, and her life
The life of Mary and Joseph before the birth of Christ
Christ's passion; the events at the end of Christ's life
The deeds of Christ's life (ministry)
68
The chapel is unusual for its time; its plan is close to a __ due to its geometry and order.
hypostyle hall
basilica
central plan
Greek cross
69
The artist leaves a wide open foreground by arranging the figures into the shape of a(n) ______
rectangle
ellipse
triangle
square
70
The name of this painting is
The Marriage of Figaro
Assumption of the Virgin
The Annunciation
The Arnolfini Portrait
71
Who are the people on the left panel?
Rebekka and Eliza
Mary's parents, Joachin and Ann
patrons
John the Baptist and Mary Magdaline
72
The work shown here was created by
Andrea Del Verrocchio
Fra Filippo Lippi
Sandro Botticelli
Filippo Brunelleschi
73
The Flemish painters were known for______
oil painting techniques
attention to details
tempra frescos
Christian symbolism
74
The work was commissioned by
Andrea Del Verrocchio
Ludovico Sforza
Pope Juluis II
Cosimo di Medici
75
The artist decides not to rely on _____ to describe the divinity of the figures.
frontal views
halos
wings
gold leaf
76
The woman is pregnant
false
false
true
true
77
What is the content of this work?
The Lamentation
The Ascension
The Annunciation
The Eucharist
78
The main subject of the work is
theology
law
poetry
philosophy
79
The interior of this building was painted by
Botticelli
Giotto
Fra Filippo Lippi
Filippo Brunelleschi
80
These walls are divided into 3 registers; the
top
register depicts ___.
The life of Mary and Joseph before the birth of Christ
Christ's passion; the events at the end of Christ's life
The deeds of Christ's life (ministry)
Christ's grandparents, the birth of Mary, and her life
81
The Palazzo Rucellai was the first private residence that employed __________ in its design.
Humanism
Mannerism
Romanticism
Catholicism
82
The artist who created this painting is
Master of Flemalle
Giovanni Arnolfini
Jan Van Eyck
James Van Derbeek
83
This work was created during the ____ period
early renaissance
high / late renaissance
mannerist
early christian
84
The overt sensuality of this painting meant that its influence in art history was limited.
true
true
false
false
85
The artist was interested in the study and depiction of
perspective and spatial recession of forms
dramatic directed lighting effects
shallow modeling with the emphasis on outline
emotional attitudes expressed through color gradations
86
The painting shown was created by
Michelangelo
Raphael
Titan
Leonardo da Vinci