TOA

MINIMALIST ON MATERIAL HONESTY AND STRUCTURAL INTEGRITY

DELIBERATE EXPOSURE OF THE STRUCTURE, MATERIALS, & SERVICES W/ EXTRAORDINARY CLARITY

GRACEFUL AND SENSITIVE

QUALITY OF SURFACE TREATMENT USUALLY ASSOCIATED WITH MATERIALS EITHER ROUGH OR SMOOTH

APPLIED TO ANY BUILDING THAT INCORPORATES A MIXTURE OF HISTORICAL STYLES

HIGH TECH ICONOCLAST

TRANSFORMATION OF FORM INTO ONE OR MORE OF ITS DIMENSION, RETAINING ITS FAMILY IDENTITY

"ORNAMENT EQUALS CRIME"

LINE EXTENDED IN A DIRECTION OTHER THAN ITS INTRINSIC DIRECTION AND HAS NO DEPTH

POINT EXTENDED AND SERVES TO JOIN, LINK, OR SUPPORT VISUAL ELEMENTS

FACTORS THAT MAY INFLUENCE THE ACHIEVEMENT OF A DESIGN OBJECTIVE

A REGULATING LINE MADE BY 2DISTANT POINTS IN SPACE W/C ELEMENTS ARE SYMMETRICALLY ARRANGED

"FORM DOES NOT FOLLOW FUNCTION"

"ENGINEERING AS AN ART"

FOUNDATION UPON WHICH ARRANGEMENT, HARMONY, & ADJUSTMENTS OF WIEGHT, TONES, ETC ARE DEVELOPED

SPACIOUS & EXPOSED MIXING VOLUMES & EMPTY SPACE TO CREATE UNCONVENTIONAL PATTERNS

RELATION BETWEEN A SIGNIFIER AND THE SIGNIFIED

DEALS WITH THE RELATION OF ARCHITECTURAL MOTIFS TO EACH OTHER AND TO THE HUMAN FIGURE

CONSISTS OF NO OF SECONDARY FORMS CLUSTERED ABOUT DOMINANT, CENTRAL, OR PARENT FORM

A FEAST OF CONSUMERIST EXPERIENCES PRESENTED WITHIN PHENOMENALLY COMPLEX FORMS

ACTIVE IN OUR NORMAL FIELD OF VISION

CONCRETE IDEAS INTENDED AS PHYSICAL SOLUTIONS TO CLIENT'S ARCHITECTURAL PROBLEMS

LOW COST HOUSING

CONSISTS OF FORMS THAT ARE GROUPED TOGETHER BY PROXIMITY ;THE SHARING OF A COMMON VISUAL TRAIT

NEW MODERNISM

PASSIONATE PLEADING FOR IDEAS ON FORM & SPACE AS WELL AS IN THE OTHER ARTS

THESE ARE STATEMENTS CONTAINING SPECIFIC AIMS IN HOW A PROJECT SHALL BE DESIGNED/PLANNED

CREATED STRONG FORMAL DISTINCTION BET. SERVED SPACES AND SERVANT SPACES

WORKING DRAWINGS AND SPECIFICATIONS ARE PRODUCED

MIESIAN (INSPIRED BY VAN DE ROHE)

COVERS ALL THREE-- EXPANSIBILITY, CONVERTIBILITY, AND VERSATILITY

"LIGHT, COLOR, AND PLACE"

CONTROLS USED TO PROTECT PROPERTY & TO GUIDE PERSONNEL MOVEMENT

LIGHT AND SHADE CAUSED BY OPENINGS, PROJECTIONS, ETC.

SCALE WHEREIN SIZE OF BLDG ELEMENT IS RELATIVE TO OTHER FORMS IN ITS CONTEXT

3 REQUIREMENTS OF ARCHITECTURE

PERPETUAL THREAD THAT LINKS THE EXTERIOR/INTERIOR SPACES OF A STRUCTURE

ABSTRACTION OF MODERNISM TO THE EXTREME&MAINLY WORKED ON THE PRINCIPLE OF EXAGERATION OF MOTIFS

ARCHITECTURE THAT WAS MOST SUITED TO AN INCREASINGLY MOBILE & INFORMAL URBAN LIFESTYLE

"LESS FLASH, MORE FUSION", "ARCHI-NEERING"

BIOCLIMATIC SKYSCRAPERS DESIGN

WHICH IS NOT INCLUDED IN THE RENAISSANCE

PRIMARY SHAPE EXTENDED OR ROTATED

WHO DOES NOT BELONG TO THE GERMAN PIONEERS OF MODERN ARCHITECTURE?

MAY BE SEEN AS A VERTICAL LINE FALLING OR HORIZONTAL LINE RISING

LAST MASTER OF HIGH MODERNIST ARCHITECTURE

"NEO-SUPREMATIST", INTENSE, AVANT GARDE, DECONSTRUCTIVIST DESIGNS

THE ARCHITECT PRODUCES A DESIGN PROGRAM

GREEK WORD WHERE ARCHITECTURE CAME FROM

USE OF COLORS FROM HIS NATIVE MEXICO & BACKDROPS OF TREES

REFINED A SERIES OF HABITAT DESIGNS W/C REVOLVED AROUND CELLULAR HOUSING SCHEME

"STRAIGHT LINE BELONGS TO MAN, CURVE LINES BELONG TO GOD"

"FORM OF AN OBJECT SHOULD LAST"

COMBINES TRADITIONAL JAPANESE STYLE WITH MODERNISM

BASIC STRATEGY OF PERCEPTION BASED ON LEARNING AND HEREDITY

IRON CONSTRUCTION THAT BROUGHT ABOUT A TREND IN ARCHITECTURE

READY-MADE STYLE IMPORTED FROM THE U.S.

HIS STYLE REFLECTED BOTH JAPANESE TRADITIONS & WESTERN POST-MODERN AND MANNERIST INFLUENCES

"LESS IS A BORE"

"ARCHITECTURE IS REFLECTIVE OF THE CULTURE & THE TIMES"

DECONSTRUCTIVIST, "BREAKING THE BOUNDARIES"

PRIMARY IDENTIFYING CHARACTERISTIC OF A VOLUME

"UTILITY, FIRMNESS, AND DELIGHT"

CONSIDERED THE PREEMINENT ARCHITECT IN AMERICA

MASTERS OF ULTIMATE BUNGALOW

A GOAL ABOUT THE EXERCISE OF AUTHORITY AND IS EXPRESSED IN SYMBOLS OF AUTHORITY

"FROM THE AGE OF THE MACHINE TO THE AGE OF LIFE"

EXPRESSES THE SPIRIT OF GOTHIC

DEGREE OF CONCENTRATION AND STABILITY OF A FORM

THREE DIMENSION GEOMETRY

A COST ESTIMATE IS PREPARED

BRIDGING THE GAP BETWEEN FANTASY & REAL POSSIBILITIES THAT NEW TECHNOLOGY OFFERED

A TRADITIONAL MODERNIST CONSIDERED AS THE FATHER OF MODERN SKYSCRAPERS

DECISIONS ARE MADE ABOUT THE MATERIALS AND METHODS OF CONSTRUCTION TO BE USED

"A MACHINE FOR A LIVING"

"DESIGN AS IF I WAS A CHILD"

SEARCH FOR AN ESSENTIAL ORGANIZING PRINCIPLE

ARCHITECTURE SHOULD INTRUDE ON THE ENVIRONMENT IN THE CLASSIC, NEO-CLASSIC, & GOTHIC SENSE

HAS THREE DIMENSIONS: LENGTH, WIDTH, AND DEPTH

COMPARISON BETWEEN THE SIZE, SHAPE, AND TONE OF VARIOUS PARTS OF A COMPOSITION

HERO OF HIGH TECH

IN ARCHITECTURE, IT DEFINES A 3 DIMENSIONAL VOLUMES OF MASS AND SPACE

"ARCHITECTURE: STRUCTURES BUILT IN ACCORDANCE WITH SUCH PRINCIPLES"

PRINCIPAL IDENTIFYING CHARACTERISTIC OF FORM

FOUNDED MORPHOSIS

HIS DESIGNS ARE INFLUENCE OF THE WORKS OF GAUDI AND SAARINEN

KNOWN FOR CREATIVE USE OF NATURAL LIGHT

ARCHITECTURE OF CALCULATION, AUDACITY & SIMPLICITY

STATEMENTS THAT PROVIDE THE OVERALL CONTEXT FOR WHAT THE PROJECT IS TRYING TO ACCOMPLISH

"TO CONSTRUCT W/O ANY ILLUSION, WITHOUT ANY DECORATION"

FORM'S LOCATION IN RELATION TO ITS ENVIRONMENT OR VISUAL FIELD

"ORGANIC ARCHITECTURE IS A LINK BETWEEN MAN AND NATURE"

ART OR SCIENCE OF BUILDING

STURDY AND MASCULINE

SERIES OF POINTS ARRANGED EQUALLY AND BALANCED ABOUT A POINT

STUDY OF MEANINGS

MARKS A POSITION IN SPACE

PREFIGURED INTERNATIONAL AND FUNCTIONALIST PERIOD OF THE MODERN MOVEMENT

CALM AND PEACEFUL

CONCRETIZATION OF MAN'S EXISTENTIAL SPACE