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CA 3.2 pt 1 - Renaissance Flashcards | StudBud
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CA 3.2 pt 1 - Renaissance
CA 3.2 pt 1 - Renaissance
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#APAH #renaissance
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1
driving force of the Renaissance
Crusades
Gothic ideals
humanists
the Pope
2
Michelangelo's figures are modeled after male figures and tend to be
like sculptures
muscular
poorly proportioned
flat
3
the figure on the right wearing brown and blue is
Plato
Pope Julius II
Jesus
Aristotle
4
15th century Florence was prosperous due to
textiles
agriculture
banking
education
5
da Vinci's desire to "paint the intensity of man's soul" is evident in
the emotional reaction and gestures typical of each apostle
the lifelike portrayals of the figures
the realistic portrayal of space
the material he chose to use
6
this figure can be identified as
a sibyl
ignudi
putti
an angel
7
The figure on the left wearing red and purple is
Pope Julius II
Aristotle
Plato
Raphael
8
the use of highly contrasting highlights and shadows to create form is known as
contrapposto
chiaroscuro
chevet
chiastic
9
the artist is
Raphael
Alberti
Boticelli
Giotto
10
The large, two storied arch on the facade is known as
a triumphal arch
a quatrefoiil
an arcade
a gallery
11
this building has
2 stories
1 story
3 stories
4 stories
12
Brunelleschi used this material to emphasize the geometry & symmetry of the chapel.
cast bronze
pietra serena
terra cotta
white marble
13
the patron is
Duke of Urbino
Ludovico Sforza
Lorenzo Medici
Giovanni Rucellai
14
this artist painted the Pope's library while Michelangelo painted the Sistine Chapel ceiling
Raphael
Leonardo
Titian
Giotto
15
this artist dissected corpses to better understand human anatomy
Leonardo da Vinci
Raphael
Michelangelo
Giotto
16
this artist did a series of experiments to figure out exactly how to use linear perspective
Brunelleschi
Alberti
Boticelli
Donatello
17
the orthogonal in the painting all lead to the vanishing point located
in Christ's feet (lost when a door was cut out)
outside
in Christ's head
in Judas's head
18
this family acquired their wealth from
banking
manufacturing a highly prized dye
manufacturing wool
metalworking
19
the dog helps to balance the reclining figure and it symbolizes
fidelity
lustfulness
stregnth
warmth
20
this figure's hand and facial expression is reminiscent of Michelangelo's earlier work,
St. Peter
David
Moses
Pieta
21
Giotto studied under an artist by the name of
Verrochio
Perugino
Cimabue
Donatello
22
the work is
formally balanced
informally balanced
23
this work was commissioned by
Pope Julius II
Duke of Urbino
Duke of Milan
Isabella d'Este
24
the cassoni (trunk) in the background makes scholars believe this work is intended to be a portrait of
a prostitute
the Queen
the ideal wife
Venus
25
a group of painters during the Renaissance that were fascinated with color, texture, and mood
the Early Renaissance painters
the Venetian school
the monks of Santa Croce
the Renaissance Giants
26
Out of the following options, the Pazzi Chapel shows strongest influence from
St. Peter's Basilica
Parthenon
San Vitale
Pantheon
27
which of the following was a NOT a goal of 15th century Florentines?
rewarding individual excellence
encourage artistic creativity
glorify the Pope
promote civic responsibility
28
in the Middle Ages and Renaissance, artists learned their trade
through apprenticeships
on their won
at school
at church
29
the painting reflects the influence of the
Christian Church
Platonic Academy of Philosophy
Greek vase painting
Alberti's de Pictura
30
the work shows influence from
Romanesque Architecture
Greek Architecture
Gothic Architecture
Early Christian Architecture
31
Which of the following groups would have commissioned artwork in the Italian Renaissance?
church
civic groups
wealthy families
middle class
32
da Vinci was able to create extremely lifelike figures because
he drew from real life models
he used linear perspective
he painted in very thin layers
his figures don't have crisp outlines
33
the architecture in the background can be described as
Byzantine
Romanesuqe
contemporary
Gothic
34
the dead tree is a symbol for
Mary's sadness
the angels anguish
Christ's resurrection
Christ's unresponsiveness
35
the content is
Birth of Christ
the Last Supper
David and Goliath
Lamentation
36
this composition is
formally balanced
informally balanced
37
the content is
the Creation of Adam
the Battle of Hastings
the Flood
David & Goliath
38
parallel lines recede from us, seem to converge at a vanishing point
quadripartites
orthogonals
pendentives
spandrels
39
the Renaissance is a revival of
Greco-Roman ideals
Romanesque ideals
Ancient Near East ideals
Egyptian ideals
40
this dome is supported by
drum
pendentives
squinches
41
the patron of this work is
Pope Julius II
Ludovico Sforza
Lorenzo Medici
Enrico Scrovegni
42
Brunelleschi left Florence for Rome
because he got a commission from the Pope
because he was banished from Florence
because he lost the baptistery door competition
to study Roman ruins
43
the function of this building is
chapter house for monks
private chapel for the Pazzi family
refectory
site of the conclave
44
the building is wrapped in benches for
customers to wait in line on
decorative, they aren't funtional
weary visitors to Florence to rest on
servants to have a break
45
the warm colors in the painting and vivid textures make this fit into the
French Renaissance
Proto Renaissance
German Renaissance
Venetian Renaissance
46
the figure blowing Venus to shore is the personification of wind, named
Zeus
Zephyr
Posiedon
Flora
47
da Vinci's Last Supper stands apart from others because
it depicts Christ explaining the Eucharist
there are no halos
they are in an undecorated room
Judas is on the same side of the table as Christ
48
each level on the facade is separated by
entablature
keystones
pediments
an arcade
49
the work is called
Arena Chapel
Scrovegni Chapel
Sistine Chapel
Padua Chapel
50
revolutionary artist in the Proto-Renaissance known for using chiaroscuro and a natural palette
Boticelli
Fra Fillipo Lippi
Giotto
Donatello
51
Stories from ? prefigure the the scenes in the Arena chapel, and are illustrated in quatrefoils
Golden Legend
Golden Haggadah
Old Testament
Moralizing Bibles
52
this was commissioned by
Medici
Duke of Milan
Rucellai
Duke of Urbino
53
this scene has less of an emotional impact than other scenes because
it has neutral colors
it is crowded with many figures
it is oddly placed among the other scenes
it is informally balance
54
it is located in
a dormitory
a chapter house
a refectory
a chapel
55
the figures are very lifelike, reflecting that
it uses chiaroscuro
it is humanist it its approach
the artist worked from live models
it is painted in oil paint
56
this artist studied under Verocchio
Leonardo da Vinci
Titian
Raphael
Michelangelo
57
the glazed tiles came from the workshop of
Giotto
Lucovido Sforza
Luca della Robbia
Verrochio
58
this artist had a long and respected career in art, but he wasn't very popular socially due to his abrasive personality
Raphael
Michelangelo
Botticelli
Leonardo
59
Giotto's use of drama and emotion in his figures are thought to be influenced by
illustrations from an illuminated manuscript
tragic and dramatic events in his real life
funerals that he enjoyed attending
Christian plays that were popular at this time
60
this painting started deteriorating during the artist's lifetime due to
iconoclasts damaging the painting
the fact that it was outside
his experimental painting techniques
people spilling food on it
61
the Early Renaissance begins in
Paris
Venice
Florence
Rome
62
which of the following is NOT true about the work
it was the first life sized nude since antiquity
it stands in the contrapposto pose
it was seen as a sign of civic pride
it was displayed in an area that the public could not see it
63
This artist wrote down Brunelleschi's findings on linear perspective in de Pictura
Botticelli
Alberti
Vasari
Vitruvius
64
The content of the work is
the Life of Mary & her parents
the Passover
the first few chapters of Genesis
the Ministry and Passion of Christ
65
this family of bankers used their wealth to promote humanist ideals
Palla Strozi
Rucellai
Medici
Pazzi
66
this work was commissioned by
Duke of Urbino
Duke of Milan
Ludovico Sforza
Lorenzo Medici
67
Who was the patron of the work?
Pope Julius II
Duke of Milan
Ludovico Sforza
Medici
68
the idea that the size of objects is in direct proportion to their distance from us
orthogonals
horizon line
spandrel
dimunition
69
the emphasis of horizontal elements (lintels, cornice) in the facade is know as
arcaded architecture
trabeated architecture
ashlar masonry
mortise & tenon
70
the artist is
Titian
Leonardo
Lippi
Raphael
71
the title of the work is
School of Athens
Venus of Urbino
Madonna and child with two angels
the Birth of Venus
72
The patron of the work commissioned it to help pay for his sin of
adultery
usury
lust
worshipping an idol
73
Titian painted in very thin layers, similar to fellow artist
Raphael
da Vinci
Michelangelo
Lippi
74
the artist of this work is
da Vinci
Titian
Giotto
Botticelli
75
the background shows influence from
the theory of dimunition
Flemish landscape painting
Brunelleschi's baptistery panel
linear perspective
76
this chapel is decorated with frescoes containing
the Passover
the Ministry and Passion of Christ
the Battle of Hastings
the Life of Mary and her parents
77
the artist is
Botticelli
Alberti
Brunelleschi
Ghiberti
78
David was a popular figure in _____ because the citizens identified with him being an underdog.
Venice
Rome
Florence
Paris
79
this was made using
repousse
cloissone
the lost wax process
subtractive sculpting methods
80
the content of the work is
Theology
Philosophy
Justice
Poetry
81
the content of the work is
David & Goliath
Birth of Venus
Athena attacking the Giant
Battle of Hastings
82
the work was commissioned by
Pope Julius II
Rucellai
the Medici
Ludovico Sforza
83
a daughter of a Duke, this prominent patron commissioned portraits from da Vinci and Titian
La Gioconda
Mary Magdelene
Isabella d'Este
Blanche of Castile
84
the story is framed by four nude youths or
sibyls
ignudi
putti
prophets
85
The 3 windows represent the trinity, while the four panels are a symbol for
the four gospels
Plato's four virtues
the four branches of human knowledge
the Tetramorphs
86
this artist was likely inspired by Greek sculptures that were in their patron's garden
Michelangelo
Raphael
da Vinci
Donatello
87
the function of this work was
a governmental building
a private palace
a chapel
a reception hall
88
the architect used the hierarchy of orders, just like which of the following buildings?
Roman Colosseum
Parthenon
St. Peter's Basilica
Hagia Sophia