TV Production Review 2

The equipment pictured here is called a...

In auto-iris mode, the camera sets exposure according to the darkest part of the shot

Tapping on a mic, or blowing into it, helps to set the volume level

If you want the lens to be open wider, to get more light, go to a bigger number on the lens

Generally, when shooting outside in bright sunlight, you should set the camera to auto iris.

This is an image of a storyboard

A crane-like device that lets you dolly, truck, boom,and tilt the camera by yourself is a...

TV fluorescent lights get very hot to the touch

This mic is highly directional and picks up sound from a far distance

What's easier to fix in post production: under or over modulated audio?

With lavaliere mics, the transmitter is the actual mic

This image shows us the meaning of...

Cardiod mics pic up sound from what they are aimed at, but not from the sides

The area in your shot where all objects are in focus is called...

Cross shots are rarely used in TV news interviews

With 3 point lighting, the fill light is the brightest one

How do you avoid this look, when shooting a subject who wears glasses?

What will make the light blue?

The numbers on a zoom lens are called...

Use this light for the short side of a subject's face.

Indoor lights often measure about 5600 K

This effect is called zebra stripes.

Setting the gain control on a camera to a higher number makes the image darker

To zoom in on an object, and make the background blurry, you should move the camera back