sixteenth century secular music

All of the following statements apply to Renaissance composers except that:

A typical ensemble canzona begins

The style of Orlando di Lasso's "franco-flemish" chansons is best characterized by:

The mid to late 16th century Parisian chanson mainly expressed

The following composer is known to have written many ensemble canzonas:

The texture of early 16th century spanish villancico typically:

which of the following is not a characteristic of the Parisian chanson

Instrumental music for large ensembles wmore use of cornettos and sackbut is associated with?

Frottola texts typically use this kind of Italian verse

Texts for the _______ usually single stanza that uses free combinations of 7-11 lines.

Before 1600, music for lute, vihuelta, guitar, keyboards and harp was most often notated in:

he single most typical trait of instrumental music in the sixteenth century is its the use of:

The idiom "hemiola" can be best defined as...

Texts for madrigals sometimes used metaphor to represent_____.

16th century dances typically were:

Consort music includes the following two sub-categories

In the Renaissance, a whole or full consort typically consisted of:

The texture of Willaert's madrigals typically was:

A madrigalism can be defined as ____.

The poet whose work inspired composers of sixteenth-century Italy was _____.

The form of the 16th century Italian madrigal typically is: