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Drama First Semester Final Exam Review Flashcards | StudBud
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Drama First Semester Final Exam Review
Drama First Semester Final Exam Review
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Drama First Semester Final Exam Review
Flashcards
55 cards
F
Practice quiz
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Host live
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Questions
55
Answers
1
Which of the following are voiceless consonants?
D as in Dog
B as in Boy
F as in Foot
None of These
2
A young female lead between the ages of sixteen and thirty
Ingénue
Antagonist
Foil
Juvenile
3
The voice modulation that signals the end of a statement
Circumflex Inflection
Rising Inflection
Falling Inflection
Sustained Inflection
4
Consonant produced with the mouth closed and soft palate lowered, forcing air through the nose
Onomatopoeia
Nasal Consonant
Plosive Consonant
Schwa
5
This structure frames the stage, separating it from the auditorium.
Cyclorama
Apron
Proscenium Arch
Raked Stage
6
A distinctive, repeated action that serves as a clue to a character’s personality
Ad-Lib
Cue
Scene-Stealing
Master Gesture
7
A role in a play that is used for comparison against the protagonist
Supporting Role
Foil
Character Actor
Antagonist
8
The stage technique in which two actors sit or stand parallel to one another.
Giving the Scene
Sharing a Scene
Cheating Out
Taking Yourself Out of a Scene
9
The area behind the actor when facing the audience.
Upstage
Backstage
Wing
Downstage
10
The Swiss-trained troupe that use special props and nontraditional objects in mime.
Marcel Marceau
Cirque du Soleil
Mummenschanz
Göethë and Schiller
11
Which of the following are voiced consonants?
B as in Boy
F as in Foot
M as in Moon
E as in The
12
Calling attention to one's presence onstage and diverting attention away from the main actors.
Scene-Stealing
Misdirection
Upstaging
Giving the Scene
13
The director who developed a theory of acting known as “The Method”
Charlie Chaplin
Anton Chekov
Konstantin Stanislavski
Steven Spielberg
14
The main characters, or principals, in a play
The Supporting Roles
Straight Parts
The Leading Roles
Character Parts
15
The person or force working against the protagonist in a play
Foil
Supporting Role
Antagonist
Juvenile
16
A young male lead between the ages of sixteen and thirty is referred to as
Protagonist
Juvenile
Ingénue
Antagonist
17
Which of the following contain the schwa sound?
The
Boy
Foot
Dog
18
To be visible onstage without scene-stealing
"Do Nothing" Effectively
"Cheating Out"
The Character-Centered Approach
Spontaneity
19
To move from one place to another onstage.
Pantomime
Stride
Cross
Gesture
20
Roles that are slightly less prominent than the leading roles but no less important
Ingénue
Supporting Roles
Straight Parts
Character Parts
21
The voice modulation indicating sarcasm
Falling Inflection
Circumflex Inflection
Sustained Inflection
Rising Inflection
22
The term for words whose sound suggests their meaning; for example, boom or crash
Plosives
Fricatives
Onomatopoeia
Schwa
23
What is the stage direction for the dotted line indicated by 10?
Apron Line
Curtain Line
Rake Line
Proscenium Line
24
A silent film star that was a master of pantomime.
Paul Newman
Marcel Marceau
Lionel Barrymore
Charlie Chaplin
25
The voice modulation that suggests calmness, decisiveness, or steadiness of purpose
Sustained Inflection
Rising Inflection
Falling Inflection
Circumflex Inflection
26
This would NOT be an example of stage business
Picking up a book onstage
Opening a letter onstage
Poking another actor with a sword
Crossing to stage left
27
The art of imitating real-life actions without using words
Kinesthesis
Pantomime
Cheating Out
The "Magic If"
28
Span between the highest and lowest notes on the music scale that one can reach without strain
Rate
Resonance
Range
Pitch
29
Manner of saying words using the correct sounds and placing accents on the stressed syllables.
Inflection
Diction
Resonance
Pronunciation
30
Consonant produced when the air passage narrows and a slight friction results
Plosive Consonant
Schwa
Onomatopoeia
Fricative Consonant
31
Which of the following should be avoided in improvisation?
"Yes, and" statements
Spontaneity
Terminal Questions
Characterization
32
When an actor turns away from the audience, diverting attention to someone else
Taking Yourself Out of a Scene
Counter Cross
Sharing a Scene
Cheating Out
33
Items carried onstage by an actor
Set Dressing
Cues
Set Props
Hand Props
34
The selection and pronunciation of words and combination in speech
Resonance
Pitch
Diction
Rate
35
What is the stage direction for position 7?
Downstage Left
Apron Left
Downstage Right
Front stage Left
36
An ad-lib is
Overemotional reacting to a cue, such as weeping or yelling
Adding unnecessary dialogue
Any improvised stage business
to talk directly to the audience or breaking the fourth wall
37
Words, actions, or effects that signal to all onstage that something will happen or be said
Prop
Click
CrossC
Cue
38
Putting together all facets of a character to bring life and interest to that character.
Connection
Improvisation
Characterization
Motivation
39
A brief biography an actor may write of his or her character
Master Gesture
Character Sketch
Denouement
Scoring a Script
40
Inflection is
Variety in Volume
Variety in Rate
Variety in Pitch
Quality of Diction
41
The sound of a particular voice
Rate
Quality
Pitch
Intonation
42
The impromptu portrayal of a character or scene without any rehearsal or preparation.
Motivation
Pantomime
Mime
Improvisation
43
What is the stage direction for position 3?
Backstage Right
Upstage Right
Backstage Left
Upstage Left
44
An unvaried speaking tone or lack of inflection throughout speech is said to be
Nasalality
Monotone
Inflected
Accent
45
A role played by an actor who resembles the character being portrayed.
Lead Role
Supporting Role
Character Part
Straight Part
46
An actor crosses downstage, then turns partially upstage toward another actor
Giving the Scene
Sharing a Scene
Taking Yourself Out of a Scene
Cheating Out
47
This Frenchman is one of the best-known mimes in history.
Marcel Marceau
Charlie Chaplin
Alain Boubil
Alexandre Dumas
48
The strength, force, or intensity with which a sound is made.
Volume
Inflection
Rate
Diction
49
A role played by an actor who does not necessarily resemble the character being portrayed.
Typecasting
Straight Part
Supporting Role
Character Part
50
Rate is
The speed at which words are spoken
The volume at which sounds are produced
The changes in pitch of sounds produced
The quality of speech
51
The stage technique in which an actor turns at the waist with their face toward the audience
Taking Yourself Out of a Scene
Giving the Scene
Cheating Out
Sharing a Scene
52
The main character in a play, whose struggle we follow
Protagonist
Supporting Role
Antagonist
Leading Role
53
The setting up of an action with definite hand movements; for example, a hand around a glass
Grasp
Grip
Flourish
Click
54
The voice modulation used when one is surprised, shocked, or asking questions
Circumflex Inflection
Sustained Inflection
Rising Inflection
Fall Inflection
55
The vowel sound in an unstressed syllable pronounced "uh"
Nasal Consonant
Fricative Consonant
Onomatopoeia
Schwa