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CA9 Review: Pacific Art (includes prehistoric and contemporary) Flashcards | StudBud
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CA9 Review: Pacific Art (includes prehistoric and contemporary)
CA9 Review: Pacific Art (includes prehistoric and contemporary)
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AP Art History Review
Flashcards
51 cards
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Questions
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Answers
1
feathers and polished pearls are wrapped inside of the cloth around the staff to represent
the wealth of the clan
the fertility of the owner
the soul of the god
the power of the cheif
2
This work was made by a sailor from
the Marshall Islands
Australia
the Cook Islands
Pohnpei
3
Although we don't know the exact purpose, a popular theory was that it was used as a
carving tool
cult statue
pestle
musical instrument
4
The work is made of
feathers
cotton
tapa
coconut fibers
5
The cloth wrapped around the staff for protection was made out of
cotton
feathers
tapa
coconut fibers
6
Like other similar complexes in Micronesia, the work was built on
existing land connected by a series of canals
artificially made islands connected by a series of canals
7
The work was built using basalt broken into prismatic shapes meaning they were shaped like
irregular shapes
trapezoids
logs
squares
8
The work has many reproductive images on the staff, which represents the creation god,
Tamati Waka Nene
Darshan
Raratonga
Vishnu
9
This type of mask was used to recreate mythical ancestral beings and often
were used to make music as well
have realistic human faces on them
represent a nature spirit
have animal forms
10
The designs on the work indicate
the occasion that it was made for
a calendar
royal narratives
family lineage
11
This work is from
Pohnpei, Micronesia
Nukuoro, Micronesia
Cook Islands
Torres Strait
12
The work was used in various ceremonies and worn with
a feather cape
a grass costume
a funeral banner
a tapa cloth
13
The work was made by
The Sandeuler dynasty
the Lapita peoples
the Kei School
the Maori
14
The artist has a background in
traditional aboriginal painting techniques
abstract expressionism
minimalism
collaging
15
the structure is used in
Australia
Pohnpei
the Marshall Islands
Papua New Guinea
16
The tapa cloths in this photograph had designs with
the Fijian flag
animals
tribal tattoos
royal crowns
17
The work would be
taken on a voyage
used to find treasure
memorized
adorned with jewels
18
these were only worn by
women
men
shahmans
Alli
19
The people in the photograph are presenting mats and tapa cloths to
Tamati Waka Nene
King James I
Shah Jahan
Queen Elizabeth II
20
The work shown comes from
Easter Island
England
Micronesia
Fiji
21
The use of turtle shell tells us that the mask is from
the Torres Strait
Australia
Easter Island
Micronesia
22
This work shows natives surrendering
feather capes to Europeans
staff gods to Europeans
tapa cloths to Queen Elizabeth II
navigation charts to Europeans
23
the work originated in
Torres Strait
Australia
Hawaii
Easter Island
24
The work originates from
Easter Island
Papua New Guinea
Micronesia
Torres Strait
25
The work is reminiscent of
a Malangan display
a rock garden
a boat
the Forbidden City
26
this mask is part of a ritual
that worships a deity
to send souls of the dead to the afterlife
that celebrates fertility
celebrating coming of age for males
27
The work was intended to be used
at a coming of age celebration
in someone's home
at a harvest festival
at a burial
28
The works intended function is
to be used as a map
to record important events
to be used as a loom to create a tapa cloth
to record ancestry
29
This work was most likely carved by
women
men
30
Although we can't be sure, the best theory is that these works represent
nature spirits
ancestral spirits
deities
male kings
31
the color red is associated with ____________ in Polynesian cultures
gods
fertility
wealth
chiefs
32
the materials and rituals used to create this were meant to signify
the sea, a main source of living things in the Pacific
the rich abundance of tropical vegetation
the fleeting nature of life
protection for the wearer from harm
33
The dots on the canvas can be referred to as
dump dot
pointilism
happy little trees
stippling
34
The artist that painted the work was
Liu Chunhua
famous for painting European kings
famous for painting Maori chiefs
John Crombie
35
The painting on the face of the mask represents
tattoos
wealth
shamanistic practice
ritual face painting
36
These works were arranged
on a platform
on the highest elevations
in groups
near a burial
37
The subject of the work
was killed brutally by Europeans
was the chief on Easter Island
is holding a Rarotonga staff god
converted to Christianity
38
The work's original intended function was
unknown
a plate used to prepare meals on
a vessel used in religious ceremonies
a calendar
39
The top knots on their head most likely represent
a hairstyle
knowledge
crowns
a mask
40
The work was painted
from observation
to make a spectacle of the chief as exotic
based on a photograph
posthumously
41
The media of the entire ritual is considered
performance art
video installation
hiapo
photography
42
The works line the perimeter of the land and face
the sea
inland
43
The work is located in
Polynesia
Easter Island
New Zealand
Micronesia
44
Before women could create this work,
they would have to harvest tree bark
the men would harvest tree bark
the men would soak bark in liquid and beat it
it would be dyed
45
The artist created the designs in the fragment by
carving it after it had been fired
hand painting them on
incising them while the clay was still wet
stamping it with a comb like tool
46
the work features large head combs that show association with
deities
death
fertility
the spiritual world
47
The intended function of the work was
a residence
a temple
a market
unknown
48
this work shows the impact of European art in all of the following ways EXCEPT
the chief is wearing modern European dress
it is done in oil on canvas, a European technique
forms are rendered in a subtle use of shading techniques
artist has used atmospheric perspective, unknown to Pacific
49
The work is made of recycled
corned beef cans
aluminum liquor bottle caps
cigar boxes
tuna cans
50
The artist of this work came from a culture known for
its highly detailed rituals
its pottery making traditions
its architecture
its social ranking sytem
51
The content of the work is
a seascape
unknown
an aboriginal narrative
landscape after a rain storm