Chapter 8

William Morris designed (…), a revival typeface for the kelmscott press based on incunabula typeface.

the glashow group created graphic designed characterized by 3 of the following:

the long range effect of William Moris’ body of work was (…) throughout the world

(…) is characterized by expressions of sensual freedom, signalled by female forms, floral and organic motifs etc.

(…) attempted to forge important links between fine and applied art

An outgrowth of the Secession mvmnt, (…) designs shared a style & approach to production meant to symbolize modernity

the german architect and graphic designer (…) sought typography reform and was an early advocate of sans-serif type

the periodical Ver Sacrum (1898-1903) was innovative primarily because (…)

unlike the arts and crafts movement, the goals of art nouveau were mainly (…)

According to (…) fine art should not be considered according to any functional purpose but should pursue only aesthetics

arts and crafts movement reacted to (…), yet these movements were popularized by mass-produced artifacts

(…) wrote a book titled (…) that advocated for the abstraction of ornament in a logical, geometric manner

Deutsche Werkbund had strong ties to the english arts & crafts mvmnt, 1 major difference was that german artists (…)

Design reformers like Augustus Pugin and John Ruskin argued that design style and production methods expressed the (…)

(…) is a german word that means “total, unified work of art”

by the end of the 19th cent, arts & crafts legacy in Europe took a turn toward machine aesthetics a (…) and (…) approach

the private press movement, which included Kelmscott, Doves, and Essex House Presses, was most concerned with (…)

Art Nouveau designers free conspicuously on (…) techniques of asymmetrical composition and glowing spatial organization.

Peter Behrens’s architectural and graphic designs, beginning in 1904, evolved toward forms based on (…)

at the end of the 19th century, designers moved away from the floral curvilinear elements of art nouveau toward a more..