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FILM STUDIES (Crash Course Film History #5) Flashcards | StudBud
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FILM STUDIES (Crash Course Film History #5)
FILM STUDIES (Crash Course Film History #5)
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1
In the early years, filmmakers wanted audiences focused on the films spectacle, also known as?
electric cinema
cinema circus
electric circus
cinema of attractions
2
Edward S. Porter was responsible for developing __________.
parallel action editing
static shots
Both a (red) and c (orange)
the pan and the tilt
3
To support a silent films atmosphere, _______________played in the background.
pianos/phonographs
All the above
bands
orchestras
4
Parallel action can show us events __________.
symbolically
All the above
thematically
simultaneously
5
A static shot refers to the camera __________.
None of the above
moving side to side
filming electrical currents
filming one specific location
6
Moving the camera up or down is called __________.
tilting
static shooting
pitch axis
All the above
7
Repeatedly cutting between two pieces of action which are shown concurrently.
Simulcast
Split screen
Parallel action
Multi-layer
8
As time wore on, people wanted more storyline/substance from film. This happened in?
1900-1905
1890-1895
1895-1900
1885-1890
9
Turning the camera from left to right is called __________.
panning
tilting
static shooting
parallel action sequencing
10
Edward S. Porter was a purest and stuck strictly to linear filming principles.
False
True