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AP Art History
AP Art History
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Learn about the history of art or test yourself.
Flashcards
47 cards
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Questions
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Answers
1
Which of the following was created by Bramante?
Sistine Chapel
San Carlo
Tempietto
Farnese Palace
2
The interior shows a two-story elevation consisting of a nave arcade and a
clerestory
triforium
crypt
gallery
3
Which is an artist whose paintings reflect his early advocacy of nonrepresentational art?
De Chirico
Pollock
Kandinsky
Van Gogh
4
Both works represent all of the following EXCEPT
a staged illustration for medical textbooks
a surgical facility
a group of doctors in the operating room
advancements in modern medical science
5
The artist was associated with which movement?
Futurism
Surrealism
Expressionism
Fauvism
6
Both of these works belong to which century?
Seventeenth
Nineteenth
Eighteenth
Twentieth
7
The plan and the interior view identify the style of the church as
Gothic
Byzantine
Early Christian
Romanesque
8
The work was painted in the
1930s
1960s
1990s
1890s
9
Which of the art movements received widespread sponsorship by the US government in the 1930s?
Social Realism
Postmodernism
Surrealism
Photorealism
10
Most of Honoré Daumier’s graphic works were intended for
the popular press
print dealers
aristocratic collections
religious tracts
11
The builders organized the nave of the church in three-dimensional modules called
apsidioles
bays
niches
cells
12
Which of the artists is known primarily for her work with abstract, organic forms in sculpture?
Cindy Sherman
Audrey Flack
Georgia O’Keeffe
Barbara Hepworth
13
This handscroll was painted in which of the following media?
Encaustic
Ink
Oil
Egg tempera
14
The French artist Henri Matisse is associated with the style of painting called
Futurism
Impressionism
Fauvism
Symbolism
15
A sculpture by Michelangelo originally planned for the tomb of Pope Julius II is
David
Bacchus
the Pietà
Moses
16
Ambulatories are a feature developed in some Romanesque churches to accommodate
pilgrims
merchants
caliphs
royalty
17
The primary motivation for the work was the
rise of Nazism in Germany
banality of modern life
destruction of classicism
devastation of European forests
18
Which of the following is a notable non-Doric feature of the Parthenon?
A continuous sculpted frieze
Corinthian capitals
A transept
Columns without bases
19
The viewpoint of both works is primarily that of
the patient
an observer
the sitter
the chief surgeon
20
The artist of the work on the left was concerned with light in a way that recalls
Monet
Vermeer
Giotto
Rembrandt
21
True fresco is painting on
wet plaster
treated wood
silk
canvas
22
Comparing naves of French Gothic churches, the naves of English Gothic churches were generally
narrower and taller
without crossing towers
broader and lower
domed
23
The work on the left is an oil painting, while the work on the right is in which of the media?
Daguerreotype
Lithograph
Aquatint
Silk screen
24
Romanesque and Gothic cathedrals have which of the following in common?
Large tracery windows used in the clerestory
A floor plan designed essentially in the shape of a cross
Groined vaulting and round arches used to span large areas
Flying buttresses used as exterior support for high ceilings
25
The primary interest of the Barbizon school was
urban scenes
mythology
landscape
the human figure
26
The subject is characteristic of paintings from
China
Egypt
India
Islamic Spain
27
The mathematical unit that organizes the plan is derived from the
radiating chapels
apse
towers
crossing square
28
The Egyptian New Kingdom complex shown below was constructed for
Akhenaten
Imhotep
Ramses II
Hatshepsut
29
The style of painting most closely identified with the work on the left is
Neoclassicism
Romanticism
Realism
Futurism
30
Roman floors often had decorations in
terra-cotta
mosaics
fresco
carved wood
31
Which of the following help to articulate the three-dimensional modules of the nave?
Pendentives and squinches
Colonnades and architraves
Posts and lintels
Compound piers and transverse arches
32
In her work Mary Cassatt demonstrated a keen interest in
landscapes of Italy
Japanese prints
Hudson River scenes
animal paintings
33
In the work on the left, the artist used light to
soften the harshness of this gory scene
indicate the time of day
evenly record the details of the operating room
dramatically highlight the doctor and the operation
34
The design of churches like this one was a practical response to the medieval phenomenon of
the papacy
the Inquisition
pilgrimage
feudalism
35
The structure shown above is
a European factory
a European house
an American art museum
a Japanese house
36
The palace at Knossos was built by
a pre-Classical Greek city-state
the Minoan civilization in Crete, ca . 1600–1400 B.C.E.
the Greek colonies in Italy, ca . 500 B.C.E.
an early Roman emperor
37
The artist of the work is
Max Ernst
Max Beckmann
Emil Nolde
Salvador Dalí
38
The style of the structure shown above most resembles
Neoclassicism
Dada
the International Style
Art Nouveau
39
“Genre painting,’’ as the term is used in art history and criticism, refers to
figure compositions with landscape backgrounds
scenes of aristocratic life
Old Testament subjects particularly dealing w/ the Creation
scenes of everyday life
40
The concept of a divinely sanctioned Manifest Destiny was reinforced by majestic landscapes of
John Sloan and Aaron Douglas
Benjamin West and John Singleton Copley
John Singer Sargent and Thomas Eakins
Albert Bierstadt and Frederick Edwin Church
41
The nave of the church is covered by
domical vaults
a coffered ceiling
groined vaults
a barrel vault
42
People who rejected Caravaggio’s
Death of Virgin
, was that he had not conformed to the rules of
perspective
symmetry
nature
propriety
43
The forerunner of Conceptual art was
Thomas Cole
Marc Chagall
Umberto Boccioni
Marcel Duchamp
44
The Surrealists’ fascination with the unconscious and dreams had precedents in the works of
Antoine Watteau
Francisco de Goya
Jean-Baptiste-Siméon Chardin
William Hogarth
45
The feature of this work that most influenced other artists was its
dramatic lighting
idealized figures
pyramidal stability
open composition
46
Students in nineteenth-century art academies were encouraged to do all of the following except
draw from nude models
draw from plaster casts
visit museums
paint spontaneously and freely
47
Women painters of the RenaissanceEra found their career development significantly restricted by
shrinking markets for art
the lack of good teachers
social conventions
patrons’ unwillingness to pay for new work