Script Analysis Midterm (pt 2)

describe things that cannot be perceived by the senses.

an extended sequence of sentences devoted to one particular topic.

a theoretical category of drama, art, and literature characterized by a specific form, content, and style.

are particular ways of pronouncing the standard language.

hidden meaning that is different from the direct meaning of the words, adjusted depending on the context

the measurable rate of movement or speech in real-time.

a point in style when the play depicts unfamiliar or familiar locales in a way that is not ordinary.

refers to the particular intensity given to the expression offeelings and ideas by use of a distinctive style and rhythm

is a single continuous statement by a specific character

something that represents or stands for something else.

is the most important event, turning point, of the plot.

describe things that can be seen and touched.

convey more than their dictionary meaning.

a point in style when it involves the conspicuous presence of feelings, character descriptions, and sensory responses.

the speech after, summarizes the main idea by restating it at the end of the play with a broader context.

a character that serves as participants, commentators, or supplements to the main action.

the most conspicuous part of a play and always an essential component of style.

in stage dialogue is unhurriedness and a slow tempo leading to an undramatic impression.

one main clause sentence.

technical and artistic qualities of language, specifically the selection and arrangement of words, phrases, sentences.

is the use of artistic devices such as rhythmic structure, rhyme, and other patterns of sound and repetition

are those arising from abstract ideas such as nature, social conventions, destiny, etc.

most influential point of style because it expresses the meaning of the whole play.

two or more clauses but one is subordinate and linked with a subordinate word.

are missing necessary words.

can be harsh and piercing or else suggest weariness and dullness

means the observer's subjective perception of speed.

the speech before, a small scene, formally separate from the play, in which the main idea is subtly introduced.

stem from the given circumstances, plot, characters, and ideas.

are simple everyday expressions.

periods, commas, etc. not just grammatical but dramatic.

are verbal departures from standard language

refers to patterns of verbal thought.

is a pattern of tensions in the beats, units, scenes, and acts, occurs when the dramatic intensity rises and falls .

specialized professional language.

a point of style when its treatment departs from linear, chronological expectations.

much and how often the information of a particular type occurs in a given progression or progressions in the play itself

matches characters with other characters to reinforce connecting issues through repetition and/or contrast.

is pressured and difficult to interrupt.

YOU WILL PASS, YOU GOT THIS

is a set of words complete in itself.

may be governed by halting, insecure feeling of anxiety, or perhaps by unrestrained hysterics.

are incomplete thoughts.

refers to the general feeling stemming from a scene or an entire play.

is a character who voices aspects of the main idea so as to influence or impress other characters through reasoning.

refers to the number of words in a sentence.

is a pattern of recurring stresses.

the unique combination of plot, character, idea, dialogue, and tempo-rhythm-mood that character features themselves

refers to a relationship between events such that one or more are the result of another or others.

whom the main character shares secrets with or is someone who is prudently adjusted to the fictional reality of the play

denote elevated language.

stem from the play in performance.

relationship between one spoken word and another, spoken word and a physical action, or between two physical actions

refers to the particular state of mind or feeling embodied in a character.

a point in style when it is sustained and compelling enough to be memorable in itself.

the spoken conversation in a play.

refers to the thoughts and stage business that serve to connect lines of dialogue between and among the characters.

two or more main clause sentence.

nonstandard everyday words.

are continuous flows of very many thoughts.

refers to the capability of stage dialogue power to please through wit, irony, gracefulness, and surprise