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2018 AP Music Theory Week 16 (Dec 7) Flashcards | StudBud
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2018 AP Music Theory Week 16 (Dec 7)
2018 AP Music Theory Week 16 (Dec 7)
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AP Music Theory
Flashcards
24 cards
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Questions
24
Answers
1
What is the type/quality of the subdominant triad in a minor key?
Augmented
minor
Major
diminished
2
What note is the bass note of a V
6
chord in the key of D major?
C#
A
E
D
3
What is the error found in the following chord voiced in a SATB setting?
Incorrect Inversion
Spacing Error
Crossed Voicing
Incorrect Pitch
4
What is the error found in the following chord voiced in a SATB setting?
Incorrect Inversion
Incorrect Pitch
Crossed Voicing
Spacing Error
5
What note is the root of a F major triad?
C
F
Ab
A
6
In the key of C minor, what is the correct Roman Numeral analysis for the following chord?
viio
V
V6
viio6
7
What is the type/quality of the supertonic triad in a major key?
major
minor seventh
minor
diminished
8
What is the type/quality of the ii
7
chord in a major key?
minor triad
minor seventh
half diminished seventh
dominant seventh
9
What is the error found in the following chord voiced in a SATB setting?
Incorrect Inversion
Crossed Voicing
Spacing Error
Incorrect Pitch
10
In a part writing question, which part is always given?
Alto
Tenor
Soprano
Bass
11
In the key of F minor, what is the correct Roman Numeral analysis for the following chord?
iii
i6
III+
i
12
What is the type/quality of the leading tone triad in a minor key?
minor triad
half diminished seventh
fully diminished seventh
diminished triad
13
What note is the bass note of a vii
o6
chord in the key of E major?
A
F#
D#
E
14
In part writing, when V goes to I, the tenor...
double the soprano.
can go ti to do or ti to sol.
has to go ti to do.
has to resolve down by step.
15
The problem at the spot labelled "1" is
voice overlap
parallel octaves
parallel fifths
incorrect chord label
16
What note is the bass note of a ii
o6
chord in the key of B minor?
E
D
G
C#
17
In part writing, we avoid parallel octaves...
to make the alto/tenor as static as possible.
to ensure there are no voice overlaps.
to make sure all parts are independent.
because they sound bad.
18
What note is the bass note of a iiø
4
2
chord in the key of E minor?
X = 3
E
F#
A
19
The problem at the spot labelled "2" is
oblique motion
parallel octaves
crossed voices
incorrect resolution of chordal seventh
20
The problem at the spot labelled "2" is
incorrect resolution of the chordal 7th
parallel 3rds
incorrect resolution of the leading tone
parallel octaves
21
The problem at the spot labelled "1" is
voice overlapping
parallel fifths
incorrect spacing
voice crossing
22
True/False: The following chord is voiced correctly for a SATB setting.
False
True
23
In part writing, a chordal 7th must always...
resolve down by step or hold until it can.
resolve ti to do.
be as static as possible.
double the root.
24
What is the type/quality of the V
7
chord in a major key?
major triad
major minor 7th
major major seventh
minor major seventh
