HWM ch. 28-30

Sousa’s marches included a

Concerning American music, Dvořák advocated for the use of

What is one reason Dvořák came to the United States?

After the US Civil War, bands declined and were unpopular until the early 1900s.

Which of the following emerged in the middle of the 19th century?

What musical development by Beethoven was particularly significant for Wagner in The Artwork of the Future?

According to Wagner’s conception of Gesamtkunstwerk

What is one way in which Verdi’s operas differed from those of the bel canto generation?

American bands in the late nineteenth century excluded European masterworks and cultivated more accessible repertoire

Strauss’s principal models for program music were

What was Tchaikovsky’s response to the nationalist turn?

The song publishing industry in the 1880-90s was based in a NY neighborhood popularly known as Tin Pan Alley

What contributed to the popularity of bands in the nineteenth century?

One compositional technique that Liszt illustrated in Les preludes is

Religious songs of slaves, passed down through oral tradition, often expressing longing for freedom, are known as hymns

Leitmotives are

Evoking non-Western lands & cultures in music by a European composer is called internationalism

Gabriel Fauré drew inspiration from

What 19th-century social convention did Amy Beach buck in her career?

What is one hallmark of Johannes Brahms’s style?

Wagner’s use of leitmotives as a primary structuring device give the experience of

Works that adopt the approach of verismo

A symphonic poem is a

Most of Amy Beach’s music

How did Verdi often express his nationalism in his operas?

A spiritual was a

Most music written by US composers in the late 19th century did not long remain part of the canon of concert repertoire.

In the terminology of US popular song, the scoring of song refrains for multiple voices led to their being called verses

In a typical American march, the tunes are presented in musical periods that are also known as strains.

Opéra bouffe

Who was a successful composer from Norway at the end of the nineteenth century?

The Paris school founded in 1853 to provide instruction especially in church music was called the École Niedermeyer

In the final decade of the nineteenth century, Richard Strauss wrote mostly

What was Anton Bruckner’s response to Wagner’s developments?

Which late-century critic often advocated for absolute music?

What was the Mighty Five’s response to the nationalist turn?

Brahms’s source for his music was often

What is one way the composer’s role shifted in the later 19th century?

The most popular style of theatrical entertainment in the United States before talking movies was

Der Ring des Niebelungen is

César Franck’s style blended traditional forms with techniques of

Johann Strauss and Arthur Sullivan composed theatrical works known as

Nationalism was a powerful force in opera history, but had little impact on abstract genres of chamber & orchestral musi

In debates about music at the end of the nineteenth century, composers like Wagner and Liszt favored

Many of Wagner’s and Verdi’s stage works were overtly or implicitly linked to contemporary political crises and issues.

Sousa’s innovations in the march made the form more conducive to

What is one thing that distinguishes Wagner’s leitmotives from typical melodic material?

What was one issue in the debate around Wagner and Brahms?

What is one way that concert programming was different in 1850 than it was in 1800?

Bruckner’s orchestration was influenced by

Bizet’s Carmen exhibits French interest in

In the 1890s, Gabriel Fauré was regarded as the standard-bearer for France’s conservative musical establishment.

What part of Tchaikovsky’s Fourth Symphony stands out as particularly Russian?

Wagner’s leitmotive technique was very important for twentieth-century developments in film music

In France, the Société Nationale de Musique

The phrase “Viva Verdi!” reflects

Wagner’s concept that all aspects of opera production - music, drama, poetry, design, staging, etc. - come together is

In ITL opera the late 19thc trend of vivid, real depiction of oft-sordid lives & conflicts of lower classes is verisimo

The Schola Cantorum’s curriculum differed from that of the Paris Conservatory in stressing

Which of the following is one trait of African-American music?

The group of composers that valued new developments and music connected to other arts were dubbed the

A musical scale comprised of the pitches of two interlocking dim. 7th chords a semitone apart is called a whole tone.

What is one reason Czech composers’ instr music is better known outside their countries of origin than their operas?

Women were not permitted to enroll at major universities in the late nineteenth century.

Wagner’s use of leitmotives as a primary structuring device give the experience of