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Final Review
Final Review
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Flashcards
70 cards
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Practice quiz
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Questions
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Answers
1
If you were reading a light meter while lighting this scene, the difference between these two value would likely be :
2 stops
1 stop
6 stops
4 stops
2
_____________ is a powerful tool for directing the attention of viewers.
Dramatic lighting
Geometrical balance
Diagonal movement
Selective focus
3
_______ is any shot of some thing or person in the scene other than the main characters.
A cutaway
A pick-up
An insert shot
A cut-to
4
Good motion picture scenes are the result of thoughtful compositions and ________________, of players and/or the camera.
control of mise-en-scene
significant movements
careful choreography
good lighting
5
Linear perspective produces convergence of _______________ in any plane at an angle to the viewer.
perpendicular lines
obtuse angles
parallel lines
acute angles
6
____________ evokes sudden change within the frame.
Unified composition
Static composition
Dynamic composition
Informal composition
7
Compositional language is composed of :
forms, masses, and movements.
shapes, lines, and movements.
contrast, lines, masses, and movements.
lines, forms, masses, and movements.
8
At ISO 800, T 4.0, 180° shutter, with ND6 reduces the ISO to 200 and the lens is a 2.8. What should you do?
Open the iris.
Get another lens.
Change the shutter.
Pull the ND.
9
HMIs generate three to four times the light of tungsten lamps but consume up to ______ less energy for the same output.
60%
80%
50%
75%
10
Placing a dominant player at equal compositional height with less important player may ___________________ the scene.
move
weaken
balance
strengthen
11
The ratio on these faces are likely :
1 : 8
1 : 16
1 : 4
1 : 2
12
An image should convey _______, mode, tone, ________, and subtext on its own; without voice-over, dialog, or audio.
meaning, atmosphere
emotion, mise-en-scene
meaning. mise-en-scene
emotion, atmosphere
13
Good composition is arrangement of __________________ to form a unified, harmonious whole.
pictorial elements
shape and line design
individuals and locations
objects and colors
14
This is an example of _________________ framing.
positive space
frame within a frame
compositional triangle
negative space
15
The _______________ can tell us “the truth” about our video even if our monitors are not properly calibrated.
parade scope
waveform monitor
sync generator
vectorscope monitor
16
A ________ would be from the top of the head down to just below the chin.
medium shot
close-up
choker
extreme close-up
17
A red scrim or net reduces light by _______ stop.
1 ½
½
2
1
18
______ of visible light is a characteristic of lenses that allows them to focus a beam of light onto a single point.
Transmission
Refraction
Spectrum
Reflection
19
This scope indicates the image is :
overexposed
normally exposed
slightly overexposed
underexposed
20
A 5K fixture uses __________ watts
5000
50,000
50
500
21
_______ may change during a shot, or a sequence of shots, to match the changing character, mood or tempo of the action.
Lighting
Movements
Wardrobe
Choreography
22
________ are the highest lumens per watt output of any light.
LEDs
HMIs
Xenons
Tungstens
23
The most basic of displays traces of the ________________ in the exposure of the picture.
black stretch
gain
luminance
chrominance
24
HMIs generate three to four times the light of tungsten lamps but consume up to ______ less energy for the same output.
50%
75%
85%
25%
25
The camera imitates how ______ work together to tell a visual story in imitation of how life is perceived by the mind.
the eye and body
brain and senses
the eye and brain
brain and body
26
______________ is arguably the most important element for maintaining the illusion of film.
Continuity
Composition
Mise-en-scene
Choreography
27
A waveform displays the __________ (strength) of the video signal.
equilibrium
angle of brightness
amplitude
chromatic level
28
A variation on the full shot is the ______________, which is from the top of the head to mid-thigh.
Sundance
cowboy
pancho
Eastwood
29
Shots are defined by :
framing and function
cameras and lenses
lenses and framing
function and lenses
30
______ background and foreground objects in a scene conveys spatial relationships through visual parallax.
Symmetrically placing
Overlapping
Seperating
Randomly placing
31
Movement toward viewer is more interesting, because it _______________ as it advances.
increases in size
changes shape
redefines mass
alters balance
32
___________ movements suggest opposing forces, stresses and strains, power, or overcoming obstacles by force.
Horizontal
Diagonal
Ascending
Curved
33
The ______ of the lens is the distance between the optical center of the lens and the image sensor.
depth of focus
angle of view
focal length
crop factor
34
The test of a good composition is whether anything can be _______ from the picture without destroying its effectiveness.
removed
added
molded
intensified
35
_______ on the screen begins with composition; enhanced by camera angles, which produce three-dimensional solid effects.
Shallow focus
Cross-screen movement
Depth
Choreography
36
_________ are meniscus lenses that are placed in front of the camera lens to reduce the minimum focusing distance.
Grad filters
Marcro lenses
Neutral density filters
Diopters
37
Essentials to carving the image in the frame are : the rule of thirds, ______________ and ________________.
headroom, noseroom
line, sinuous line
left/right, depth
compositional triangle, diagonal
38
__________ is defined as the largest blurred point of light that will still be perceived as a point by the human eye.
Depth of field
Circle of confusion
Depth of focus
Principal plane of focus
39
Once a character exits either frame left or right, they should enter the next from the ______________ side.
same
underside
opposite
topside
40
The _________, either explicit or implied, is a constant in visual design.
triangle
square
line
sinuous line
41
Never allow more than one _____________ on the screen at one time unless a disturbed, or scattered effect is desired.
symmetrical elements
center of interest
complex elements
bright value
42
Visual poetry begins with :
lighting
the choreography of camera and talent movement.
the camera.
the lens choice.
43
The eye tends to scan from _________________. This has an ordering effect on the visual weight of elements in the field.
up to down
diagonally form right to left
down to up
left to right
44
A signal that stays within broadcast technical limits is called ___________ video.
valid
official
legal
stable
45
__________ in a lens is inversely proportional to the square of its focal length.
Depth of field
Depth of focus
Field of view
Circle of confusion
46
Objects that are close to the _______ are visually associated with it and viewed in relation to it.
contrast within the frame
diagonal of the frame
balance within the frame
edge of the frame
47
The interplay of balanced and unbalanced elements can create _________, which is important to avoid visual complacency.
balance
unity
proportion
visual tension
48
If the exposure for the projector light behind the actress head is a T 8.0 the exposure on her face is likely?
T 2.8
T 4.0
T 5.6
T 2.0
49
When both sides of a composition are asymmetrical, or different in attraction the frame is said to have _____________.
pictorial balance
dominant balance
informal balance
formal balance
50
A _______________ displays the amplitude of the video signal.
waveform monitor
histogram
light meter
vectorscope
51
Every camera ________ has a point-of-view and there are several meanings within the context of the story and the scene.
angle
composition
position
frame
52
The action axis can be established by a look, a specific action, physical geography, ____________, or _____________.
head position, movement
movement, exiting the frame
exiting the frame, altering time
altering time, head position
53
In the most effective compositions, real lines ____________ divide the picture into equal parts.
often
should
can
should not
54
A _________________ is a far more dependable way of judging color; however, most do not measure CRI.
light meter
vectorscope
histogram
waveform monitor
55
The _____________ rules are at best, an absolute minimum, it is wise to make more of a change to ensure a good edit.
20% and 30 degree
30% and 20 degree
40% and 25 degree
25% and 40 degree
56
During production, it is vital to ___________________ during shooting to not restrict editorial choices.
overlap movement
work the line
avoid confusing the audience
establish screen direction
57
HMIs require a current limiter because the arc is basically a __________.
dead short
high resistant circuit
open short
low resistant circuit
58
As a cinematographer it is always important to have a/an ______________________ when approaching a scene.
state of the art camera
open mind
mental picture
point of view
59
Pictorial and psychological impacts of breaking the rules upon the viewer can ________ the effectiveness of the images.
diminish
impact
double
triple
60
A cluttered composition, even though it obeys all rules of good composition, will not be as effective as a ________ one.
L-shaped
balanced
simple
linear
61
A ___________ is one of the few compositional forms that may be centered.
circle
cross
diagonal line
triangle
62
The color value represented in this waveform is :
lime-green
yellow
cyan
blue
63
When approaching a composition ask; "What can I do with this subject matter that will ________ the story?"
compress
advance
heighten
lengthen
64
For a frame to be totally neutral, an object or character must be angled to exit the _____________ of the frame.
left side or bottom
top or right side
top or bottom
left side or right side
65
More depth of field is created by :
greater distance from the subject
a wider apeture
a normal lens
a wide angle lens
66
This extreme long shot was created with a :
telephoto lens
wide lens
a normal lens
a tilt-shift lens
67
The four types of continuity are content, _________, movement, and ___________.
perception, time
time, eyeline
position, time
time, action
68
______________ lenses are actually specially designed optics, optimized for close-up work.
Diopters
Macro
Anamorphic
Micro
69
An _______ results when the upright occupies the left or right vertical line created by dividing the frame in thirds.
L composition
dark mass composition
triangle composition
isolated mass composition
70
This histogram is :
normally exposed
slightly underexposed
overexposed
underexposed