Part-writing

Where does the chordal seventh want to resolve?

The third of the chord should never be doubled in first inversion.

The leading tone usually resolves to tonic, especially in a PAC.

A leading tone should always be doubled when writing in SATB style.

What is faulty in the following progression?

C half diminished 7 is made up of what pitches?

Parallel fifths should be used in common practice.

What is faulty in the following progression?

The IV chord is a common type of dominant.

When 3 voices move in parallel motion, parallel motion in the fourth voice should be avoided.

What is faulty in the following progression?

Which fifths progression is considered acceptable?

G# M7 is made up of what pitches?

Where does the V want to go?

SAT voices should not be farther apart than an octave

What is faulty about this progression?