Twentieth Century (Sec. Test 5)

_____ as a goal was a twentieth century phenomenon.

_____ was drafted and became an arranger for the Air Force band.

Who said, "If that's the competition, I think I'd better be a composer!" ?

_____ invented pop art and ate a hamburger for an indie movie titled 66 scenes from America.

___ are characteristic of twentieth century music.

In the twentieth century a ___ is often used to add a percussive edge to the sound of an orchestra.

___ is one of the most striking elements of twentieth century music.

Carl Stalling was most closely associated with ____.

____ was a French impressionist composer.

____ is credited with co-developing the "Click track".

____ is known as the Father of the Tintinnabuli style.

Some compositions broke tradition so sharply, in the twentieth century, they were met with violent hostility.

____ is regarded as the most popular American composer of film music.

____ was a cultural hero--conductor, pianist, author, lecturer, and composer.

John Williams' second Oscar was for the film score of ____.

Early ___ music before the age of sync sound focused on the theater's organ accompaniment.

Arvo Part's creativity started with ____ piano music.

____ have become more prominent and numerous, reflecting the 20th- century interest in unusual rhythms and tone colors.

Rhythmic irregularity and changing meters tend to make twentieth century melodies ____.

____ is a bell-like musical style using ony two musical lines.

___, ___, and ___ sounds that were confusing in 1913, are now heard in jazz, rock, and music for movies and television.

The premiere of Stravinsky's _____ has gone down in history as having the most famous riot break out.

The career of ___ was launched when a guest conductor became ill last minute.

_____ artists used preexisting images and texts from history, advertising, and the media.

Extremes of _____ and _____ marked the twentieth century.

In modern music, ___ and ___ sounds are often used and instruments are played at the very top or bottom of their ranges.

Carl Stalling's greatest contributions came during his time at _____.

____ is an animation technique used to trace over motion picture footage.

A key component for Carl Stalling at Warner Bros. was the use of the studio's ___ and its ___ of music.

___ was the driving force behind Warner Bros. cartoons.

The stylistic diversity in twentieth century music, is a continuation and intesification of the diversity seen in ___.

____ was the first sound cartoon to have an impact on audiences.

In 1923, Motion Picture News suggested, "____ music goes well with Aesop's Fables."

Elements of ___ and ___ music were often incorporated within personal styles.

Years following 1900 saw more fundamental changes in the language of _____ than any time since the the baroque era.

___ had the greatest impact in the field of cartoon music.

____ music was not highly regarded in the 1930s.

Stravinsky has written for ____, ____, and the ____.

____ worked as a pianist in Russia for Tchaikovsky's patroness, Nadezhda von Meck.

___ treatment of harmony was a revolutionary aspect of musical impressionism.