Duplicate of 3 BDF Romantic Test

Russian composer, master teacher, composed "Flight of the Bumblebee."

One who exhibits great technical brilliance on a musical instrument is a virtuoso.

"Fugue in G Major" is an example of program music.

Opened her own music salon. Known for her piano music.

Appropriate title for the 3rd movement of a concerto:

Italian opera composer; "William Tell Overture"

Which of the following is NOT a shorter piano form from the Romantic era?

Italian opera; "La Traviata"

German "music drama"; "Ride of the Valkyries"

"Adagio" would be an appropriate title for the 2nd movement of a concerto.

Virtuoso piano music; "The Minute Waltz"

The only instrument family that does not increase in size the Romantic era orchestra is the string family.

The approximate dates of the Romantic era.

Operas of the Romantic era became far more serious and grand.

Instrumental music which suggests something extra-musical; something tangible or real, with a very descriptive title

Symphonic poem; "Hungarian Rhapsody"

Composer credited with building the bridge from the Classical era to the Romantic era.

An art song is a setting of a poem for solo voice and ORCHESTRA.

Orchestration and composition are exactly the same.

Russian composer; "The Nutcracker"

The Romantic era orchestra ALWAYS includes a piano.

Romantic era dynamics return to terraced dynamics, much like the Baroque era.

Transitional composer; "Moonlight Sonata"

Master of orchestration; Part of the "Russian Five"

"Flight of the Bumblebee" is an example of absolute music.

Beethoven was known for his many revisions while composing.

Appropriate title for the 4th movement of a symphony:

French composer; "Symphonie Fantastique"

The first true, fully Romantic composer; crosses the bridge to Romanticism; known for his many art songs.

Romantic era composers take a far more emotional approach, as opposed to an intellectual approach, to composition.

NOT one of the "3 B's" of music history:

Approximate size range of the Romantic era orchestra:

This form is an expansion of Beethoven's concert overture; Liszt is credited with its development:

During the Romantic era, music moved out of the ___ and into the ____.

The assigning of a melodic theme to a person, place, thing, or emotion is "leitmotiv."

Which of the following is NOT a characteristic of Romanticism?