stud
bud
Sign up
Log in
Home
Library
Explore
SAT
More
MH2 Exam #1 Flashcards | StudBud
Explore
/
MH2 Exam #1
MH2 Exam #1
64 terms
·
StudBud Administration
·
41 plays
For Studying Exam #1
Flashcards
64 cards
F
Practice quiz
P
Host live
L
Questions
64
Answers
1
Two or more phrases of music; a complete thought concluded by a cadence
Period
Cadence
Opera Buffa
Baryton
2
After the capitulation that revisits one or more themes and confirms the tonic key
Modulation
Coda
Sequence
Cadence
3
Accompanied recitative
Recitative Accompagnato
Motive
Recitative Secco
Stamitz
4
Which listening?
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Bernstein's Mass
Beethoven Piano Sonata CMinOp13 Pathétique 1st mvt 1797-98
Domenico Scarlatti, Sonata in D Major, K. 119 (ca. 1740)
5
Characters the occupy the middle ground between comic and serious
Intermezzo
Mezzo Carrattere
Mozzarella
Mezzo Basso
6
Which listening?
Wolfgang Amadeus Mozart, Don Giovanni Act I scenes 1-2(1787)
Domenico Scarlatti, Sonata in D Major, K. 119 (ca. 1740)
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Gluck, Orfeo ed Euridice, excerpts, Act 2, scene 1 (1762)
7
Form in which new material is presented in the Dominant at the end of the 1st section & repeats
Sequence
Cadence
Rounded Binary Form
Balanced Binary Form
8
Comic opera performed in two or three segments between the acts of a serious opera or play
Opera Seria
Opera Buffa
Basso Buffo
Intermezzo
9
Ital/Amer librettist poet & Ro/Cath priest. Wrote 28 operas by 11 composers incl. 3 of Mozart's
D. Scarlatti
Lorenzo da Ponte
Mozart
Pergolesi
10
Which listening?
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Giovanni Battista Pergolesi, La serva padrona(1733)*Excerpt*
Joseph Haydn The Creation No2, In the beginning God(1797-98)
Wolfgang Amadeus Mozart Don Giovanni, Act I scenes 1-2(1787)
11
broken chord accompaniment used in Galant music style and later
Alberti bass
Arpeggio
Basso Continuo
Cadence
12
A bass singer in comic opera
Fortepiano
Mezzo Carrattere
Basso Buffo
Castrato
13
Resting points break the melodic flow into segments that relate as part of a larger whole
Sonata Form
Motive
Periodicity
Basso Buffo
14
Family is known for association w/ the composer Joseph Haydn, who served as their Kapellmeister
WHY ARE WE HERE
Coda
Esterházy
Baryton
15
ProtoRomantic movement in German literature&music that took place from the late1760s early1780s
Periodcity
Classical Period
Sturm und Drang
Sonata
16
Which listening?
Carl Philipp Emanuel Bach Sonata in A Maj 2nd movement(1765)
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Gluck, Orfeo ed Euridice, excerpts, Act 2, scene 1 (1762)
Joseph Haydn The Creation No2 In the beginning God(1797-98)
17
Composition for an instrumental soloist; often with piano accompaniment
Sonata
Simple Binary Form
Coda
Baryton
18
(1685-1757) one of the most original and creative keyboard composers of the 18th century
Mozart
Bach
D. Scarlatti
Lorenzo da Ponte
19
Which listening?
Joseph Haydn String Qu, Eb Maj Op33No2 “The Joke”4th mvt1781
Domenico Scarlatti, Sonata in D Major, K. 119 (ca. 1740)
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Joseph Haydn The Creation No2 In the beginning God (1797-98)
20
Exposition, Development, Recapitulation
Opera Buffa
Coda
Sonata Form
Cadence
21
(1802) Letter to his brothers that first references the onset of Beethoven's hearing problems.
Haagen Daz Testament
Sturm und Drang Testament
Heiligenstadt Testament
Mannheim Testament
22
Sung with a free rhythm dictated by accents of the words;“dry” accompanied only by the continuo
Dramma Giocoso
Recitative Accompagnato
Recitative Secco
Fugue
23
Plots: About everyday situations; Humorous including disguises, trickery, and misunderstandings
Opera Seria
Strum und Drang
Opera Buffa
Enlightenment
24
Bowed string instrument sim. to the violin but distinguished by an extra set of plucked strings
Galant
Stamitz
Baryton
Mannheim
25
(1756-1791)composer considered one of the greatest musicians of the Western classical tradition
Bach
Hayden
Pergolesi
Mozart
26
An Italian composer, oboist, organist, choirmaster and teacher
Stamitz
Bach
Sammartini
Mannheim
27
Which listening?
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Beethoven Sym No3 in EbMajor Op55 (Eroica) 1st mov. (1803)
Joseph Haydn The Creation No2 In the beginning God(1797-98)
Gluck, Orfeo ed Euridice, excerpts, Act 2, scene 1 (1762)
28
Instrument played like a keyboard, player presses keys, mechanism plucks one or more strings
Strum Und Drang
Fortepiano
Clavichord
Harpsichord
29
Which Listening?
Caro Mio Ben
Gluck, Orfeo ed Euridice, excerpts, Act 2, scene 1 (1762)
Giovanni Battista Pergolesi, La serva padrona(1733)*Excerpt*
Joseph Haydn The Creation No2 In the beginning God (1797-98)
30
Developed for social music making; two violins, viola, and cello
Symphony
String Quartet
Fugue
Modulation
31
1732-1809 hailed in his time as the greatest composer alive, exemplified Enlightenment
Ivana Chubbuck
Mozart
Haydn
Sammartini
32
Subject, diminution, augmentation, inversion, retrograde, inverted retrograde, stretto
Fugue
Sequence
Topic
Monophony
33
A verse drama specifically written to be set to music for an opera; usually a serious opera
Gluck's Opera Reforms
Intermezzo
Dramma Giocoso
Opera Seria
34
1730-1815 music period with terms like galant, empfindsam, and ‘the Haydn idiom” for the style
Classical Period
Binary Form
Romantic Period
Baroque Period
35
Which listening?
Wolfgang Amadeus Mozart Don Giovanni, Act I scenes 1-2(1787)
Giovanni Battista Pergolesi, La serva padrona (1733)
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Joseph Haydn The Creation No2 In the beginning God(1797-98)
36
Italian comp, violinist & organist. Works include his Stabat Mater & La serva padrona.
Mozart
Pergolesi
Baryton
Mannheim
37
Restatement of a motif or longer melodic passage at a higher or lower pitch in the same voice
Modulation
Cadence
Sequence
Motive
38
Unexpected power or event saving a seemingly hopeless situation; plot device in a play or novel
Galant
Sturm und Drang
Dues Ex Machina
Dramma Giocoso
39
Which listening?
Giovanni Battista Sammartini Symp FMaj No32 1st mov ca 1740
Hot Cross Buns
Giovanni Battista Pergolesi, La serva padrona (1733)
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
40
Multiple melodies
Monophony
Motive
Homophony
Polyphony
41
Which listening?
Domenico Scarlatti, Sonata in D Major, K. 119 (ca. 1740)
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Vaibu Mohan op33 no45 Legally Blonde (2018)
Wolfgang Amadeus Mozart, Don Giovanni Act I scenes 1-2(1787)
42
A sequence of notes or chords comprising the close of a musical phrase
Cadence
Clavichord
Castrato
Coda
43
One melody
Fugue
Monophony
Homophony
Polyphony
44
Process of changing from one key to another
Modulation
Sequence
Motive
Polyphony
45
A mod. fast to very fast tempo w/ rhythmic patterns;each syllable of text corresponds to a note
Enlightenment
The Busta Rhymes Technique
Patter Aria
Empfindsam
46
Simultaneously combining # of parts, each forming individual melody & harmonizing w/ each other
Monophony
Modulation
Polyphony
Homophony
47
European stringed keyboard;striking brass or iron strings w/ small metal blades called tangents
Clavichord
Fortepiano
Coda
Harpsichord
48
Pianos of 18thcent called this to distinguish them from larger/louder forms of 19thcent piano
Fortepiano
Harpsichord
Intermezzo
Sublime
49
Aria that features two contrasting sections; ABA form
Sonata Form
Remember that one time we are studying on a Saturday? LOLOL
Da Capo Aria
Gluck's Opera Reforms
50
Orfeo ed Euridice and Alceste
Fugue
Esterházy
Rounded Binary Form
Gluck’s Opera Reforms
51
Which listening?
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Domenico Scarlatti, Sonata in D Major, K. 119 (ca. 1740)
Wolfgang Amadeus Mozart, Don Giovanni Act I scenes 1-2(1787)
Giovanni Battista Pergolesi, La serva padrona (1733)
52
Which listening?
Stephen Sondheim op420 No. 69
Mozart Symphony No41 in C Major (Jupiter) K 551 finale(1788)
Giovanni Battista Pergolesi, La serva padrona (1733)
Domenico Scarlatti, Sonata in D Major, K. 119 (ca. 1740)
53
Dramatizes large-scale events and often take place in remote places. Emotional content.
Patter Aria
Dramma Giocoso
Opera Seria
Opera Buffa
54
An accompanying part that includes the bass line and harmony; provides the harmonic structure
Homophony
Figured Bass
Basso Continuo
Patter Aria
55
Musical language based on songful, periodic melodies with light accompaniment
Period
Empfindsam Style
Basso Continuo
Galant
56
Sensitive or tender; style of musical composition and poetry developed in 18th century Germany
Gangnam Style
Dues Ex Machina
Dramma
Empfindsam Style
57
Classical form:2 sections are roughly equal length & feature musical material that is different
Simple Binary Form
Baryton
Galant
Coda
58
Which listening?
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Gluck, Orfeo ed Euridice, excerpts, Act 2, scene 1 (1762)
Carl Philipp Emanuel Bach Sonata in A Maj 2nd movement(1765)
Johann Stamitz Sinfonia a 8 in EbMaj Op11 No3 1st mov ca1755
59
A work in 3 or 4 movements, primary homophonic style, w/o the division of orchestra & soloists
Coda
Symphony
Sonata
Concerto
60
Form highlights return to tonic in the 2nd section by repeating material opened the 1st section
Simple Binary Form
Sublime
Rounded Binary Form
Cinnabon Form
61
Which listening?
Mozart, Piano Sonata in F Major, K.332, 1st mvt. (1781-3)
Domenico Scarlatti, Sonata in D Major, K. 119 (ca. 1740)
Beethoven Piano Sonata CMin Op13 “Pathétique" 1st mvt1797-98
Carl Philipp Emanuel Bach Sonata in A Maj 2nd movement(1765)
62
Castrated male in order to sing higher (Julian Mendoza)
Castrato
Enlightenment
Empfindsam Style
Baryton
63
European intellectual movement of 17th/18th cent. emphasizing reason & individualism
Classical Period
Sonata
Enlightenment
Fortepiano
64
Short musical idea, fragment or succession of notes has a special importance or characteristic
Motive
Stamit
Galant
Period