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AV FILM 3 & 4 SEMESTER FINAL Flashcards | StudBud
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AV FILM 3 & 4 SEMESTER FINAL
AV FILM 3 & 4 SEMESTER FINAL
43 terms
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StudBud Administration
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187 plays
THIS REVIEW PREPARES STUDENTS FOR THE FINAL IN CLASS.
Flashcards
43 cards
F
Practice quiz
P
Host live
L
Questions
43
Answers
1
THE CLOSER YOU ARE TO YOUR SUBJECT
THE MORE DEPTH OF FIELD
THE LESS DEPTH OF FIELD
DOES NOT AFFECT DEPTH OF FIELD
2
WIDE ANGLE LENSES ARE GOOD TO SHOOT
SPORTS AND WILDLIFE
PORTRAITS
LANDSCAPES
3
This type of video format could include a cooking show.
Magazine Format
Drama
Lecture / Demonstration
Panel Discussion
4
Responsible for giving information from the director in the control room, to the crew on the studio floor
Producer
Floor Manager
Director
Talent
5
THIS TYPE OF VIDEO COMPRESSION DOES NOT REMOVE PIXELS WHEN DISPLAYING THE VIDEO.
LOSSY
LOSSLESS
LOOSER
LOOSELY
6
THIS IS AN EXAMPLE OF:
OVER THE SHOULDER SHOT
MEDIUM SHOT
WIDE SHOT
CLOSE UP
7
THIS IS AN EXAMPLE OF
MEDIUM SHOT
CLOSE UP
OVER THE SHOULDER SHOT
WIDE SHOT
8
ADJUST THIS CONTROL EACH TIME THE LIGHTING CHANGES TO ENSURE PROPER COLORS IN YOUR RECORDING.
WHITE BALANCE
IRIS
F-STOP
RESOLUTION
9
THIS RULE SAYS YOU SHOULD IMAGINE A GRID AND PLACE YOUR SUBJECT ALONG THE INTERSECTING LINES.
180 DEGREE RULE
GRID RULE
RULE OF THIRDS
THREE POINT LIGHTING
10
HDTV Aspect Ration is:
3:4
4:3
16:9
16:19
11
THIS TYPE OF MICROPHONE IS GREAT FOR GETTING INTERVIEWS IN NOISY ENVIRONMENT
SHOTGUN MIC
WIRELESS MIC
PZM
HAND-HELD IMC
12
What is this connector called?
bnc
composite
component
xlr
13
What is this light called?
fresnel
flourescent
scoop
illuminator
14
This person operates the switcher in a live production.
CG Operator
Director
Producer
Technical Director
15
MICROPHONE DIRECTIONALITY COLLECTS SOUND FROM THE FRONT.
DYNAMIC
UNIDIRECTIONAL
OMNIDIRECTIONAL
CONDENSER
16
MOVING CAMERA LEFT OR RIGHT ON A WHEELED TRIPOD.
DOLLY
PAN
TRUCK
TILT
17
THE SPACE FROM THE TOP OF THE SUBJECT YOU ARE SHOOTING TO THE TOP OF THE TV SCREEN IS:
SCREEN ROOM
NOSE ROOM
LEAD ROOM
HEAD ROOM
18
IF MY F-STOP IS SET TO F-16
EVERYTHING IN THE IMAGE IS IN FOCUS
ITEMS IN FOREGROUND AND MIDDLE ARE IN FOCUS
NOTHING IS IN FOCUS
ONLY ITEMS IN THE FOREGROUND ARE IN FOCUS
19
THE FURTHER YOU ARE FROM YOUR SUBJECT.
THE MORE DEPTH OF FIELD
DOES NOT AFFECT DEPTH OF FIELD
THE LESS DEPTH OF FIELD
20
A TRANSITION WHERE THE SECOND SHOT REPLACES THE FIRST SHOT WITH A LINE THAT PUSHES IT OUT.
WIPE
FADE
DISSOLVE
JUMP CUT
21
THIS IS AN EXAMPLE OF
EXTREME CLOSE UP
WIDE SHOT
CLOSE UP
MEDIUM SHOT
22
MOVING CAMERA HORIZONTALLY ON THE TRIPOD
PAN
DOLLY
TILT
TRUCK
23
WHEN SHOOTING VIDEO OF A SPORT, YOU WANT TO LEAVE SPACE FOR THEM TO TRAVEL WITH THE BALL.
SCREEN ROOM
HEAD ROOM
NOSE ROOM
LEADROOM
24
PLANNING, STORYBOARDING, SCRIPTING, LOCATIONS AND CAMERA SHOTS ARE PLANNED IN THIS PHASE:
PRODUCTION
PRE-PRODUCTION
POST PRODUCTION
25
THIS IS AN EXAMPLE OF:
GRID RULE
180 DEGREE RULE
RULE OF THIRDS
THREE POINT LIGHTING
26
PROPORTIONAL RELATIONSHIP BETWEEN WIDTH AND HEIGHT OF IMAGE
RESOLUTION
DEPTH OF FIELD
FRAME
ASPECT RATIO
27
MICROPHONE DIRECTIONALITY COLLECTS SOUND FROM ALL AROUND.
UNIDIRECTIONAL
OMNIDIRECTIONAL
CONDENSER
DYNAMIC
28
What is this connector called
xlr
bnc
composite
component
29
MOVING CAMERA VERTICALLY ON THE TRIPOD
DOLLY
TRUCK
TILT
PAN
30
AN ABRUPT UNEXPLAINABLE SHIFT IN TIME AND LOCATION OF AN ACTION BECAUSE OF A LACK OF TRANSITION
FADE
JUMP CUT
WIPE
DISSOLVE
31
How color temperature is measured.
Melvin
Devin
Kelvin
Calvin
32
This computer is used to create graphics for a show.
Switcher
Character Generator
Title maker
Teleprompter
33
THIS IS AN EXAMPLE OF
EXTREME CLOSE UP
CLOSE UP
WIDE SHOT
BUST SHOT
34
THIS VIDEO COMPRESSION GETS RID OF UNNECESSARY PIXELS, AND RESULTS IN BAD QUALITY VIDEO.
LOSSLESS
LOSSY
LOOSER
LOOSELY
35
THIS IS AN EXAMPLE OF:
THREE POINT LIGHTING
GRID RULE
RULE OF THIRDS
180 DEGREE RULE
36
IF MY F-STOP IS SET TO F-2.8
ITEMS IN FOREGROUND AND MIDDLE ARE IN FOCUS
EVERYTHING IN THE IMAGE IS IN FOCUS
ONLY ITEMS IN THE FOREGROUND ARE IN FOCUS
NOTHING IS IN FOCUS
37
TRANSITION SHOWS TIME PASSED BY SUPERIMPOSING ONE SCENE ONTO ANOTHER.
FADE
DISSOLVE
WIPE
JUMP CUT
38
What is this light called?
fresnel
flourescent
scoop
illuminator
39
IDENTIFIES THE HOURS, MINUTES, SECONDS AND FRAMES IN A VIDEO.
TIME CLOCK
TIME IDENTIFIER
TIME CODE
FRAME MARKER
40
PHASE OF PRODUCTION WHERE EDITING IS DONE.
PRE-PRODUCTION
PRODUCTION
POST PRODUCTION
41
MOVING CAMERA TOWARDS OR AWAY FROM THE SUBJECT ON A WHEELED TRIPOD.
TRUCK
PAN
TILT
DOLLY
42
TYPE OF MICROPHONE USES A TRANSMITTER AND RECEIVER TO SEND THE AUDIO FROM TALENT TO CAMERA
PZM
WIRELESS MIC
HAND-HELD IMC
SHOTGUN MIC
43
THIS IS AN EXAMPLE OF
EXTREME CLOSE UP
BUST SHOT
CLOSE UP
WIDE SHOT