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CA 3.2 Northern Renaissance & Mannerism Flashcards | StudBud
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CA 3.2 Northern Renaissance & Mannerism
CA 3.2 Northern Renaissance & Mannerism
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#northernrenaissance #mannerism
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1
Which of the following artists are commonly referred to as the "Leonardo of the North?"
Rembrandt
Diego Velasquez
Peter Paul Rubens
Albrecht Durer
2
this work can be classified as a
polyptych
diptych
triptych
3
which of the following saints are pictured in the outer two panels?
St. Anthony
St. Peter
St. John
St. Sebastian
4
the artist is
Rembrandt
Jan Vermeer
Jan van Eyck
Albrecht Durer
5
Which of the following is true?
It is part of the Flemish Renaissance.
Mary is dressed like a nurse from the hospital
Christ appears to have limbs amputated when opened a certain
it is believed to have healing powers
6
The artist of the work is
Lucas Cranach the Elder
Matthias Grunewald
Rembrandt
Albrecht Durer
7
Which of the following is NOT a typical characteristic of Northern Renaissance Art?
realistic texture
lots of symbolism
fresco painting
medieval body types
8
This is the opened view of the
Isemheim Altarpiece
Pontormo Altarpiece
Merode Altarpiece
Cornaro Altarpiece
9
The artwork of this period features figura serpentinata, asymmetrical and crowded compositions
rococo
mannerism
northern renaissance
baroque
10
Which of the following people were friends with the artist and likely influenced the work?
Matthias Grunewald
Martin Luther
Peter Brugel
Arnolfini
11
Art from which of the following areas would not be considered part of the Northern Renaissance?
Flanders
Netherlands
Italy
Germany
12
the lit candle in the chandelier is a symbol for
their ties to the Medici family
the presence of God
future children of the couple
loyalty
13
the content of the predella is
the crucifixion
the lamentation
the ascension
the last judgement
14
How does Durer achieve form by using lines (since this is a print)?
hatching
using different shades of ink
form is not used
cross hatching
15
Who is the artist of the work?
Jan Vermeer
Bernini
Albrecht Durer
Rembrandt
16
The artist of this work is credited with
exposing oil paint to the Venetian School
being the first to sign his work
being the first to paint a reflection in a mirror
perfecting linear perspective
17
a type of printmaking where the artist carves their composition into a wooden block
engraving
etching
woodcut
18
Christ's body can best be described as
medieval
ideal
stylized
figura serpentinata
19
The content of the work can best be described as
ascension
lamentation
pieta
annunciation
20
the artist of the work is
Bernini
Rembrandt
Lucas Cranach the Elder
Pieter Brugel the Elder
21
This work was commissioned by
Monks of St. Anthony
Peter Inglebrecht
Cardinal Cornaro
Medici
22
this painting of every day life of ordinary people can be classified as
genre painting
still life painting
vanitas painting
self portrait
23
the content of the work is
lamentation
crucifixion
pieta
deposition
24
The patron of the work is
Peter Inglebrecht
Robert Campin
King Louis XIV
Cardinal Cornaro
25
Who is the subject of the painting?
Inglebrecht and his wife
Louis XIV and his wife
Medici and his wife
Arnolfini and his wife
26
the distortions seen in the mannerist style could be reflective of
the High Renaissance
Protestant Reformation
1527 attack on Rome
the Northern Renaissance
27
Mannerism was known for an interest in:
Realism
Humanism
Drama
Religion
28
It is obvious that the artist of this work was heavily influenced by a trip to Italy because of
his controlled use of line
his classical body types
his level of detail
his use of symbolism
29
Moses lifting a serpent on a pole in the background foreshadows
the devil
Jesus being raised on the cross
the plague
the original sin
30
The content of this view of the altarpiece is
annunciation
last judgement
pieta
the crucifixion
31
What was the occupation of Giovanni Arnolfini in Van Eyck's Arnolfini Portrait
Banker
King
Merchant
Painter
32
the content of the painting is
shepherds traveling to the nativity
a Christmas scene
hunters coming back from a successful hunt
the labors of the winter
33
This work would be considered a
polyptych
diptych
triptych
34
You can tell this painter was well traveled, as the landscapes in his paintings are not typical
of his home country, Germany
of his home country, Italy
of his home country, the Netherlands
of his home country, Spain
35
What is one older interpretation of the use of the Arnolfini Portrait?
pregnancy announcement
marriage contract
commission for a monastery
advertisement for Arnolfini's cloth
36
Who started the protestant reformation?
Albrecht Durer
Martin Luther
Charles V
Louis XIV
37
the artist is
Rembrandt
Bernini
Borrowmini
Pontormo
38
The cat, rabbit, elk, and ox are symbols for
nothing, they are animals in the garden of Eden
the tetramoprhs
medieval humors
the four branches of philosophy
39
The media of the work is
pen & ink
engraving
woodcut print
etching
40
The content of the work is
the original sin
the creation of man
the annunciation
the last judgement
41
The content of this altarpiece is
crucifixion
resurrection
pieta
annunciation
42
There are flowers on the table with 3 buds. The unopened bud is a symbol for
unborn Jesus
the entrance to hell
Mary's purity
God's presence
43
You can tell that this altarpiece was for private use because
of its size
the perspective is not quite right
the content takes place in a contemporary Flemish home
of the symbolism
44
The content on the left is about
Catholic teachings
Protestant teachings
45
Jan van Eyck's Arnolfini portrait is characteristic of northern art due to its use of?
Historical subject matter
Abstract forms
Intricate detail
Obscure symbolism
46
the artist is
Jan Vermeer
Rembrandt
Robert Campin
Louis Le Vau
47
Christ has boils on his skin associated with
St. Anthony's fire
the crucifixion story
the apocalypse
ergotism
48
What tool would have been used to carve lines into the plate for this engraving?
ink pen
brush
chisel
burin
49
Because this work was a print
it was very expensive to make
it was distributed to a wide audience
it was an illustrated manuscript
it was secular
50
The work is signed by the artist
on the floor
above the mirror
on the back
the artist didn't sign this work
51
the style of this work is
mannerism
rococo
northern renaissance
baroque