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APAH14 Developments in late 19th & early 20th C. Architecture, Modernism, Photography, Realism Flashcards | StudBud
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APAH14 Developments in late 19th & early 20th C. Architecture, Modernism, Photography, Realism
APAH14 Developments in late 19th & early 20th C. Architecture, Modernism, Photography, Realism
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1
All are true EXCEPT
Contains distinct cornice line
steel frame construction allowed for closed floorplan for business
The building that coined the name "skyscraper"
Demonstrates relationship between architecture and commerce
2
Date?
1957 C.E.
1907 C.E.
1867 C.E.
1827 C.E.
3
Period?
Impressionism
Realism
Post Impressionism
Vienna Secession
4
Name and artist?
The Steerage by Louis-Jacques-Mande Daguerre
The Steerage by Alfred Stieglitz
The Steerage by Eadweard Muybridge
The Steerage by Honore Daumier
5
Culture?
London, England
Paris, France
Berlin, Germany
Pennslyvania, USA
6
All are true EXCEPT
The collodian process required a portable darkroom to develop the images.
Daumier ridiculed the difficulties of taking photographs
Daumier created a political cartoon
Nadar was a famous war photographer.
7
All are true EXCEPT
Sometimes called Perpendicular Gothic or English Gothic
Contains the village clock on the Elizabeth Tower called Big Ed
Contains modern concrete bed and ventilation
A fire burned the old Palace of Westminster in 1834
8
Culture?
Spain
France
England
U.S.A
9
Period?
Baroque
Gothic Revival
Post Modern Architecture
Prairie School
10
Name and Artist?
Still Life in Studio by Eadweard Muybridge
Still Life in Studio by Louis-Jacques-Mande Daguerre
Still Life in Studio by Honore Daumier
Still Life in Studio by Alfred Stieglitz
11
Date?
1818 C.E.
1978 C.E.
1778 C.E.
1878 C.E.
12
Name and artist?
The Stone Breakers by Piet Mondrian
The Stone Breakers by Gustave Courbet
The Stone Breakers by Edouard Manet
The Stone Breakers by Alexandre Cabanel
13
Name?
Palace of Versaille
House in New Castle County
Palace of Westminster
Carson, Pirie, Scott and Company Building
14
Date?
1878 C.E.
1778 C.E.
1828 C.E.
1818 C.E.
15
All are true EXCEPT
Olympia was the name of the royal princess
Manet was an Avant Garde artist
Manet: father of Impressionism because of his expressive brushwork
Olympia appears shameless and defiant as she looks at the viewer
16
Culture?
America
France
Australia
England
17
Material?
Lithograph
Photogravure
Daguerreotype
Albumen Print
18
Date?
1937 C.E.
1737 C.E.
1837 C.E.
1807 C.E.
19
Material?
Oil on wood
Acrylic on canvas
Acrylic on wood
Oil on canvas
20
Culture?
Spain
U.S.A.
France
England
21
Culture?
Pennsylvania, U.S.
Delaware, U.S.
London, England
Chicago, Illinois
22
Name and artist?
Olympia by Honore Daumier
Olympia by Alfred Stieglitz
Olympia by Gustave Courbet
Olympia by Edouard Manet
23
Architects
U.S. Louis Sullivan
Sir Charles Barry and Augustus W.N. Pugin
Giacomo da Vignola, plan; Giacomo della Porta, façade
Robert Venturi, John Rauch, Denise Scott Brown
24
Culture?
Germany
France
America
England
25
Material?
Albumen Print
Daguerreotype
Photogravure
Lithograph
26
Dates?
1699-1703 C.E.
1899-1903 C.E.
1999-2003 C.E.
1799-1803 C.E.
27
Name and artist?
Nadar Raising Photography to the Height of Art by Alfred Stieglitz
Nadar Raising Photography to the Height of Art by Eadweard Muybridge
Nadar Raising Photography to the Height of Art by Honore Daumier
Nadar Raising Photography to the Height of Art by Louis Daguerre
28
Materials?
Limestone masonry and glass
Wood frame and stucco
Iron, steel, glass and terra cotta
Reinforced concrete, sandstone, steel and glass
29
Name?
Palace of Westminster
Palace of Versailles
Carson, Pirie, Scott and Company Building
House in New Castle County
30
Date?
1899 C.E.
1819 C.E.
1789 C.E.
1849 C.E.
31
Material?
Acrylilc on wood
Oil on wood
Oil on canvas
Acrylic on canvas
32
Dates?
1540-1570 C.E.
1740-1770 C.E.
1840-1870 C.E.
1640-1670 C.E.
33
Materials?
Wood frame and stucco
Iron, steel, glass and terra cotta
Brick, marble, fresco, stucco
Limestone masonry and glass
34
Material?
Daguerreotype
Albumen Print
Lithograph
Photogravure
35
Culture?
America
Spain
France
England
36
All are true EXCEPT
Muybrdige used twelve cameras to capture the horse in motion
New advances decreased the exposure time to 1/25th of a second
Muybridge was hired by John D. Rockefeller to settle a bet
The horse does take all four legs completely off the ground
37
All are true EXCEPT
Painting was destroyed in 1945
Painting contains rough brushstrokes
Men are idealized
Painting is an accurate depiction of poverty
38
Date?
1763 C.E.
1863 C.E.
1823 C.E.
1893 C.E.
39
Material?
Lithograph
Albumen Print
Daguerreotype
Photogravure
40
Architect?
Frank Lloyd Wright
U.S. Louis Sullivan
Augustus W.N. Pugin
Sir Charles Barry
41
Name and artist?
The Horse in Motion by Eadweard Muybridge
The Horse in Motion by Louis-Jacques-Mande Daguerre
The Horse in Motion by Alfred Stieglitz
The Horse in Motion by Honore Daumier
42
Period?
Realism
Impressionism
Gothic Revival
Post Impressionism
43
All are true EXCEPT
Daguerreotype reduced exposure time
There were no negatives so no copies could be made.
Before the daguerrotype, taking a photo was a quick process
Daguerreotype produced a single image
44
All are true EXCEPT
The artist took the picture to focus on the shapes, forms and textures.
The artist was part of the steerage class.
The image is a statement about the value of photography as a fine art
The artist did not want this to be a political statement about immigrants
45
Culture?
Austria
England
France
U.S.A.
