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Tap Part I (History and Music Theory) Flashcards | StudBud
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Tap Part I (History and Music Theory)
Tap Part I (History and Music Theory)
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1
1 i e & a 2 is DMA counting system
False
True
2
Its roots stem from Spanish Zapateado, German Schuhplattler and English, Scottish and Irish clog dancing.
False
True
3
Tap notations such as DMA, DEA, NADAA, etc. was established by dance teacher organizations from the late 1930-1950s
True
False
4
Who was the first to codify the technique and add musical counts?
Physical Education Teachers
Dance teacher organizations
Vaudeville
5
Most Traditional tap dancers were white males, originating from a wealthy economic background
False
True
6
What are the two most important cultures that merged the beginning of tap dancing?
Scottish immigrants
Negro Slaves
Irish immigrants
7
What are the names of the two distinct schools?
Vaudeville performers of "Tap"
Buck and Wing Dancer
Soft Shoe Dancer
Metal Tap Dancer
8
What comes between center floor and combination in the Structure of a Tap Class?
Across Floor Progressions
Routine
Warm Up
Tap Barre
9
Contemporary tap characteristics are...
reflective
rhythmic
absorbent
prominent
10
How many measures in a count of 8?
3
2
4
8
11
When were set codified terms created?
1920s
1910
1930s
1925
12
In what year were metal taps introduced?
1915
1920
1912
1930
13
How many beats are in a measure?
4
1
8
2
14
Tap is a dance form in which the feet create...
challenging steps
difficult timing
rhythmic sounds