Duplicate of AP Theory Figured Bass and Voice Leading Rules

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AP Music Theory Review #apmusictheory #voiceleading

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Questions 17

Answers

1
When roots are repeated you should
Resolve 7th Down
Stay in Range
Move stepwise
Move Contrary to Bass
2
When triads are in first inversion you should double the
Bass
Soprano
Alto
Tenor
3
When roots are a second apart you should
Keep the common tone
Resolve LT down
Move contrary to bass
Move all similar
4
Accidentals next to numbers apply to that interval above the
Root
Bass Note
5
A 5/3 is a
7th chord in Root
Triad in Root
Triad in 2nd Inversion
7th chord in 2nd Inversion
6
When roots are a 4th or 5th apart you should
Keep the Common Tone
KCT and move stepwise
Move Stepwise
Move contrary to the bass
7
You should not move melodically between these notes
Bb - C
C - Gb
F# - A
G - A#
8
Which of these tones should always be resolved up?
Root
4th above bass
Leading Tone
7th of chord
9
You should never double the
Seventh
leading tone
Root of a 7th chord
Third in a first inversion
10
Which of these intervals is not allowable in the top three voices?
An Octave
A 7th
A 9th
A 5th
11
Which of these parallels is allowable?
8ve
5th
Unison
3rd
12
You should not move melodically between these notes
F# - G
F# - Bb
C-F#
Bb - Db
13
A sharp under the bass staff or inversion number applies to
A third above the bass note
The root
A third above the root
The bass note
14
Which of these is a part writing rule?
Overlap by Whole Step
Keep Order of Voices
Stay in Range
Use Direct 5th
15
Figured Bass was primarily used in the
Baroque
Renaissance
Classical
Romantic
16
Leaping the outer voices in the same direction to an octave is called___, and should be avoided
Crossed Voice
Parallel Octave
Overlap
Direct Octave
17
What does a "6" under the bass note mean?
root position
1st inversion
3 inversion
2nd inversion

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