Cumulative Final Exam Review Music History 2

Who was known as "The Father of the String Quartet"?

Patronage declined in 19th-century Europe.

Darius Milhaud was obsessed with bird sounds, and used Talea and Color in his works.

Which of the following was a Mozart/Da Ponte collaboration?

The technique of dividing a melody between several instruments is known as...

The "Tristan chord" appears in an opera by Wagner.

Dvorak never worked outside of the Czech Republic.

Third Stream is the synthesis of Jazz and Classical.

To whom did Beethoven originally dedicate his Heroic Symphony?

Who was Wagner's most important predecessor?

Elektronische Musik is based solely on the use of electronically produced sounds rather than recorded sounds.

What compositional technique is associated with Liszt's symphonic poems?

Carmen was the most famous opera on a Spanish theme penned by a French composer.

The European political and cultural capital during the 18th century was...

Beethoven pushed sonata form by expanding the coda, the developmental section, and added 2+ themes in sonata form.

Which of the following is an opera by Verdi?

Which of the following Romantic composer was also an author?

What two fashionable styles were used during the 18th-century?

Which of the following is considered to be a minimalist composer?

Domenico Scarlatti was one of the few Baroque composers to transition to the classical period.

Opera buffa features spoken dialogue.

Who composed the Haydn Quartets?

The development of Jazz led to: Bebop, Cool Jazz, Free Jazz, and Third Stream.

What composer was known for combining the voice with large symphonic forces?

Who composed 4'33?

Webern developed serialism and is known as the "father of Expressionism."

Arthur Honegger is considered to be part of Les Six.

Cadenza is the use of chromatic expansions in orchestral works.

This composer was associated with the Italian movement "risorgimento."

____ is when chords move in parallel motion, thereby eliminating any feeling of harmonic progression.