Pantomime and Mime

The turning or pivoting of a part of the body, such as the head or chest

Who has control in stage combat?

In Stage Combat CRAP the "R" stands for what?

The art form that does not imitate real-life action, but givesan illusion of that action

A movement opposite to the action that the mime wants the audience to follow

The emotion conveyed when eyes narrow, brows furrow, and jaws sets firmly

The term for expressing ideas and emotions without using words; the essence of pantomime & mime

The emotion conveyed when eyes squint, brows lift, and mouth curves upward

The Frenchman who is one of the best-known mimes in history

Hand and arm movements, and facial expressions that help express an idea or anemotion

A basic mime convention; the mime uses exaggeration movement to appear to be walking

A silent film star who was the master of pantomime

The body part where most movements begin

The #1 Rule of Stage Combat

The body parts where all arm movements end

The neuromuscular awareness that you feel when your body is in a particularposition

A mime device that uses inclination, rotation, and isolation in one exercise

The separation of parts of the body for individual development and expression

The body parts most mimes empathizes with make up

The setting up of an action with definite hand movements; the snap, ofa hand around a glass

An inner composure, mental awareness, & physical flexibility; the act of “letting go all over”

In Stage Combat CRAP the "P" stands for what?

In Stage Combat CRAP the "C" stands for what?

In Stage Combat CRAP the "A" stands for what?

The Swiss-trained mime troupe that initiated special props and nontraditional objects in mime

The emotion conveyed when eyes narrow, outer brows & mouth turn downward, & facial muscles sag

A term for firmness or solidity of an object in opposition to an outside force

The art of imitating real-life actions without using words

The emotion conveyed when eyes widen, brows lift, and mouth forms the shape of an O

The bending of the body to the front, side, or rear

To move from place to another onstage